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The coverage of a lens is the size of the image it can produce, measured as the diameter of the image circle produced by the optics. In a camera system the coverage must be large enough to cover the sensor or film used. In a view camera system, because the film plane can be moved independently of the lens plane, the lens must have enough coverage to cover the film while it is offset from the center of the coverage area. Inadequate coverage can lead to vignetting.
Sensors in modern digital cameras come in several sizes. Some popular sizes include "full-frame" or 35mm, APS-C, and 1-inch. Lenses are often intended to work with one of these sensor formats, but in some cases a lens can be used with multiple formats. [1] A “full-frame” type lens produces an image circle that is large enough to cover a 35mm sensor. Because APS-C sensors are smaller than 35mm sensors a full frame lens should be compatible with an APS-C sensor. An APS-C type lens often does not have the coverage to cast light on the entirety of a 35mm sensor, causing dark corners in the images. [2]
One common misconception about lenses is that focal length determines the angle of view for a lens, when in reality it is a combination of focal length, lens coverage, and sensor size. A lens of a certain focal length on a large sensor will yield a wider angle of view than the same lens used with a smaller sensor. [3]
In optics, an aperture is a hole or an opening through which light travels. More specifically, the aperture and focal length of an optical system determine the cone angle of the bundle of rays that come to a focus in the image plane.
A view camera is a large-format camera in which the lens forms an inverted image on a ground-glass screen directly at the film plane. The image is viewed and then the glass screen is replaced with the film, and thus the film is exposed to exactly the same image as was seen on the screen.
135 film, more popularly referred to as 35 mm film or 35 mm, is a format of photographic film used for still photography. It is a film with a film gauge of 35 mm (1.4 in) loaded into a standardized type of magazine – also referred to as a cassette or cartridge – for use in 135 film cameras. The engineering standard for this film is controlled by ISO 1007 titled '135-size film and magazine'.
In photography, angle of view (AOV) describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.
In photography and cinematography, a normal lens is a lens that reproduces a field of view that appears "natural" to a human observer. In contrast, depth compression and expansion with shorter or longer focal lengths introduces noticeable, and sometimes disturbing, distortion.
In photography and cinematography, a wide-angle lens refers to a lens whose focal length is substantially smaller than the focal length of a normal lens for a given film plane. This type of lens allows more of the scene to be included in the photograph, which is useful in architectural, interior, and landscape photography where the photographer may not be able to move farther from the scene to photograph it.
A fisheye lens is an ultra wide-angle lens that produces strong visual distortion intended to create a wide panoramic or hemispherical image. Fisheye lenses achieve extremely wide angles of view, well beyond any rectilinear lens. Instead of producing images with straight lines of perspective, fisheye lenses use a special mapping, which gives images a characteristic convex non-rectilinear appearance.
The Canon EF-S lens mount is a derivative of the EF lens mount created for some Canon digital single-lens reflex cameras with APS-C sized image sensors. It was released in 2003. Cameras with the EF-S mount are backward compatible with the EF lenses and, as such, have a flange focal distance of 44.0 mm. Such cameras, however, have more clearance, allowing lens elements to be closer to the sensor than in the EF mount. Only Canon cameras released after 2003 with APS-C sized sensors support the EF-S mount.
A digital single-lens reflex camera is a digital camera that combines the optics and the mechanisms of a single-lens reflex camera with a solid-state image sensor and digitally records the images from the sensor.
Advanced Photo System type-C (APS-C) is an image sensor format approximately equivalent in size to the Advanced Photo System film negative in its C ("Classic") format, of 25.1×16.7 mm, an aspect ratio of 3:2 and Ø 30.15 mm field diameter. It is therefore also equivalent in size to the Super 35 motion picture film format, which has the dimensions of 24.89 mm × 18.66 mm and Ø 31.11 mm field diameter.
In digital photography, the crop factor, format factor, or focal length multiplier of an image sensor format is the ratio of the dimensions of a camera's imaging area compared to a reference format; most often, this term is applied to digital cameras, relative to 35 mm film format as a reference. In the case of digital cameras, the imaging device would be a digital image sensor. The most commonly used definition of crop factor is the ratio of a 35 mm frame's diagonal (43.3 mm) to the diagonal of the image sensor in question; that is, . Given the same 3:2 aspect ratio as 35mm's 36 mm × 24 mm area, this is equivalent to the ratio of heights or ratio of widths; the ratio of sensor areas is the square of the crop factor.
Large format lenses are photographic optics that provide an image circle large enough to cover the large format film or plates used in large format cameras.
A full-frame DSLR is a digital single-lens reflex camera (DSLR) with a 35 mm image sensor format. Historically, 35 mm was one of the standard film formats, alongside larger ones, such as medium format and large format. The full-frame DSLR is in contrast to full-frame mirrorless interchangeable-lens cameras, and DSLR and mirrorless cameras with smaller sensors, much smaller than a full 35 mm frame. Many digital cameras, both compact and SLR models, use a smaller-than-35 mm frame as it is easier and cheaper to manufacture imaging sensors at a smaller size. Historically, the earliest digital SLR models, such as the Nikon NASA F4 or Kodak DCS 100, also used a smaller sensor.
The Nikon DX format is an alternative name used by Nikon corporation for APS-C image sensor format being approximately 24x16 mm. Its dimensions are about 2⁄3 those of the 35mm format. The format was created by Nikon for its digital SLR cameras, many of which are equipped with DX-sized sensors. DX format is very similar in size to sensors from Pentax, Sony and other camera manufacturers. All are referred to as APS-C, including the Canon cameras with a slightly smaller sensor.
In digital photography, the image sensor format is the shape and size of the image sensor.
This article details lensesfor single-lens reflex and digital single-lens reflex cameras. The emphasis is on modern lenses for 35 mm film SLRs and for "full-frame" DSLRs with sensor sizes less than or equal to 35 mm.
An ultra wide-angle lens is a lens whose focal length is shorter than that of an average wide-angle lens, providing an even wider view. The term denotes a different range of lenses, relative to the size of the sensor in the camera in question.
In photography, the 35 mm equivalent focal length is a measure that indicates the angle of view of a particular combination of a camera lens and film or sensor size. The term is popular because in the early years of digital photography, most photographers experienced with interchangeable lenses were most familiar with the 35 mm film format.
The Micro Four Thirds system is a standard released by Olympus and Panasonic in 2008, for the design and development of mirrorless interchangeable lens digital cameras, camcorders and lenses. Camera bodies are available from Blackmagic, DJI, JVC, Kodak, Olympus, Panasonic, Sharp, and Xiaomi. MFT lenses are produced by Cosina Voigtländer, DJI, Kowa, Kodak, Mitakon, Olympus, Panasonic, Samyang, Sharp, Sigma, SLR Magic, Tamron, Tokina, TTArtisan, Veydra, Xiaomi, Laowa, Yongnuo, Zonlai, Lensbaby, Venus Optics and 7artisans amongst others.
The Nikkor 13mm f/5.6 is an ultra-wide angle rectilinear lens which was manufactured by Nikon for use on Nikon F mount cameras until 1998. It has been dubbed 'The Holy Grail', for its low-distortion ultra-wide capabilities. The lens was produced by Nikon only upon receipt of an order, thus making it one of the Nikon lenses with the least number manufactured.