The Los Angeles County Museum of Art (LACMA) is an art museum located on Wilshire Boulevard in the Miracle Mile vicinity of Los Angeles. LACMA is on Museum Row, adjacent to the La Brea Tar Pits.
Betye Irene Saar is an African-American artist known for her work in the medium of assemblage. Saar is a visual storyteller and an accomplished printmaker. Saar was a part of the Black Arts Movement in the 1970s, which engaged myths and stereotypes about race and femininity. Her work is considered highly political, as she challenged negative ideas about African Americans throughout her career; Saar is best known for her art work that critiques American racism toward Blacks.
Alison Saar is a Los Angeles, California based sculptor, mixed-media, and installation artist. Her artwork focuses on the African diaspora and black female identity and is influenced by African, Caribbean, and Latin American folk art and spirituality. Saar is well known for "transforming found objects to reflect themes of cultural and social identity, history, and religion."
Derek Fordjour is an American interdisciplinary artist of Ghanaian heritage, who works in video/film, sculpture and painting. Fordjour received an MFA from Hunter College, an Ed. M in Arts Education from Harvard University, and a B.A. degree from Morehouse College. Fordjour lives and works in New York City.
Sonya Clark is an American artist of Afro-Caribbean heritage. Clark is a fiber artist known for using a variety of materials including human hair and combs to address race, culture, class, and history. Her beaded headdress assemblages and braided wig series of the late 1990s, which received critical acclaim, evoked African traditions of personal adornment and moved these common forms into the realm of personal and political expression. Although African art and her Caribbean background are important influences, Clark also builds on practices of assemblage and accumulation used by artists such as Betye Saar and David Hammons.
"Where We At" Black Women Artists, Inc. (WWA) was a collective of Black women artists affiliated with the Black Arts Movement of the 1960s and 1970s. It included artists such as Dindga McCannon, Kay Brown, Faith Ringgold, Carol Blank, Jerri Crooks, Charlotte Kâ (Richardson), and Gylbert Coker. Where We At was formed in the spring of 1971, in the wake of an exhibition of the same name organized by 14 Black women artists at the Acts of Art Gallery in Greenwich Village. Themes such as the unity of the Black family, Black female independence and embodiment, Black male-female relationships, contemporary social conditions, and African traditions were central to the work of the WWA artists. The group was intended to serve as a source of empowerment for African-American women, providing a means for them to control their self-representation and to explore issues of Black women's sensibility and aesthetics. Like AfriCobra, a Chicago-based Black Arts group, the WWA was active in fostering art within the African-American community and using it as a tool of awareness and liberation. The group organized workshops in schools, jails and prisons, hospitals, and cultural centers, as well as art classes for youth in their communities.
Pacific Standard Time: Art in L.A., 1945–1980 was a scholarly initiative funded by the J. Paul Getty Trust to historicize the contributions to contemporary art history of artists, curators, critics, and others based in Los Angeles. Planned for nearly a decade, PST, as it was called, granted nearly 60 organizations throughout Southern California a total of $10 million to produce exhibitions that explored the years between 1945 and 1980. Underscoring the significance of this project, art critic Roberta Smith wrote in The New York Times:
Before [PST], we knew a lot [about the history of contemporary art], and that lot tended to greatly favor New York. A few Los Angeles artists were highly visible and unanimously revered, namely Ed Ruscha and other denizens of the Ferus Gallery, that supercool locus of the Los Angeles art scene in the 1960s, plus Bruce Nauman and Chris Burden, but that was about it. After, we know a whole lot more, and the balance is much more even. One of the many messages delivered by this profusion of what will eventually be nearly 70 museum exhibitions is that New York did not act alone in the postwar era. And neither did those fabulous Ferus boys.
Katherine Gray is a Canadian glass artist and professor of art at California State University, San Bernardino. Her work includes vases, candelabras, and goblets, and some of her pieces are designed to fit inside each other.
Edith Robinson Wyle was an American artist and arts patron, founder of the Craft and Folk Art Museum in Los Angeles.
Dale Brockman Davis is a Los Angeles-based African-American artist, gallerist and educator best known for his assemblage sculpture and ceramic work that addresses themes of African American history and music, especially jazz. Along with his brother, artist Alonzo Davis, he co-founded Brockman Gallery in Leimert Park. Through the gallery and his broader community work, Davis became an important promoter of African-American artists in Los Angeles.
The Women's Center for Creative Work, or WCCW, is a network of women based in Los Angeles who promote art and feminism. Founded in 2013, the WCCW operates through various exhibitions, workshops, dinners, and other special events that connect creative women and feminists. The WCCW was founded in 2013 by Katie Bachler, Kate Johnston, and Sarah E. Williams. In 2015, the WCCW received a grant for Los Angeles-based Social Practice Art projects from SPArt.
Harrison Edward McIntosh was an American ceramic artist. He was an exponent of the Mid-century Modern style of ceramics, featuring simple symmetrical forms. His work has been exhibited in venues in the United States including the Smithsonian and internationally including at the Louvre in France.
Sonia Amalia Romero is an American artist, she is known for her printmaking, mixed media linocut prints, murals, and public art based in Los Angeles. She is known for depicting Los Angeles, Latin American imagery, and Chicano themes in her work.
Eileen Abdulrashid is an American artist and craftsperson who is known for her work in enamel on copper.
Sherin Guirguis is a visual artist based in Los Angeles, California. Guirguis has had solo exhibitions of her work at 18th Street Art Center, The Third Line Gallery (Dubai), Shulamit Nazarian Gallery, and LAXART. In 2012, Guirguis received the California Community Foundation Fellowship for Visual Artists and the 2014–15 City of Los Angeles Individual Artist Fellowship.
Antonio Pelayo is an artist, illustrator, and event producer who focuses on the Latino community of Southern California. He is also an inker at the Walt Disney Animation Studios Ink & Paint Department.
is an African American artist whose artwork is responsive to race, gender, female identity, and her ancestral history. Her works are primarily mixed media, 3-dimensional, and oil & acrylic on paper and canvas. Through her artistic practice Lezley explores western and non-western concepts of beauty, femininist psychology and spirituality. Many works conjure elements of magical realism. She has exhibited widely in the U.S. and internationally. Her work is included in museum collections such as The Kemper Museum, CAAM, The Ackland Art Museum, the Smith College Museum of Art, the Studio Museum in Harlem and MOCA. She is currently represented by Walter Maciel Gallery in Los Angeles and Various Small Fires in Asia.
Beatriz Cortez is a Los Angeles-based artist and scholar from El Salvador. In 2017, Cortez was featured in a science fiction-themed exhibit at University of California, Riverside, and in 2018, her work was shown in the Made in L.A. group artist exhibition at the Hammer Museum in Los Angeles. She holds a Ph.D in Latin American Literature from Arizona State University. She also earned an M.F.A. from the California Institute of the Arts. Cortez currently teaches in the Central American Studies department at California State University, Northridge. According to Cortez, her work explores "simultaneity, life in different temporalities and different versions of modernity, particularly in relation to memory and loss in the aftermath of war and the experience of migration". Cortez has received the 2018 Rema Hort Mann Foundation Fellowship for Emerging Artists, the 2017 Artist Community Engagement Grant, and the 2016 California Community Foundation Fellowship for Visual Artists. Beatriz Cortez is represented by Commonwealth and Council, Los Angeles.
Lisa Diane Wedgeworth is an African-American visual artist, curator, and writer. Her work encompasses abstract painting, video, and performance works. She has been a teaching artist at several Los Angeles-area museums, including the California African American Museum, the Craft and Folk Art Museum, and LACMA. She earned her B.A. in studio art from California State University, Los Angeles, in 2002, and her M.F.A. in Studio Art from the same institution in 2014. In an interview with the magazine Curator in 2018, Wedgeworth cited childhood visits to the Barnsdall Art Park in the 1970s and 80s, and the Candice Bergen-narrated commercials for the Norton Simon Museum, as early influences. She also cites Lezley Saar, daughter of Bettye Saar, as well as painter Suzanne Jackson and "outsider/self-taught artists." Wedgeworth's work is in the permanent collection of the California African American Museum.
Gloria Racine Bohanon was an American visual artist and educator based in Los Angeles, California. She was born in Atlanta, Georgia. She received a BA in Art Education and an MA in Art Education from Wayne State. She also studied at Otis College of Art and Design in 1973. She was an active member of the Los Angeles contemporary art scene in the 1970s. As a professor at Los Angeles Community College, she organized "Black Culture Week" in 1974. She taught design, painting, printmaking, and served as chair of the Arts Department while there. She was the director of ADAPT, an organization for disabled students while at LACC.
