Crawford's Advertising Agency, formally WS Crawford Ltd, was one of the most important British advertising agencies of the first half of the 20th century. It was responsible for introducing a highly visual style more influenced by European artistic movements such as modernism and futurism than by traditional American marketing techniques. The agency owed its success largely to its founder Sir William S. Crawford, Florence Sangster, the art director Ashley Havinden and Margaret Sangster. [1]
They exerted an enormous influence on British advertising from the early 1920s until the end of the 1950s. [2]
W. S. Crawford Ltd was established in High Holborn, London, in 1914. During the 1920s it moved to larger premises and remained there until 1972 when it relocated to Westbourne Terrace. These premises were shared with Dorland Advertising as a result of their financial merger in 1967.
W. S. (later Sir William) Crawford built a large part of his reputation on his contributions to official and government publicity campaigns and he was Chairman of the "Buy British Campaign" of the 1930s.[ citation needed ] The businesses success between the wars is attributed to Margaret and Florence Sangster. Margaret led a creative team and Florence rose to be a vice-chair and joint managing director. [1]
W. S. Crawford was succeeded as chairman of the agency in 1950 by Sir Hubert Oughton, a director since 1929, who continued until 1968. He was also President of the IIPA (Institute of Incorporated Practitioners in Advertising), the forerunner of the Institute of Practitioners in Advertising and AA and an important figure in NABS. [3] In 1968 Sir Hubert Houghton was succeeded as Chairman by Malcolm Ashworth who is credited as saving the agency from financial collapse.
Ashley Havinden (1903-1973) joined Crawford as a trainee in 1922 working for account executive Margaret Sangster (later her husband). [1] He was promoted to art director in 1929, a post he held until 1967. Ashley's modernist typography and style influenced by cubism, futurism and The Bauhaus was part of the agency's success and progressive reputation during the 1920s and 1930s.[ citation needed ] Amongst these were Chrysler motors, the GPO, Simpson's department store, and Eno's fruit salts. Ashley was the creative resource working for account Margaret Sangster and copywriter G.H. Saxon-Mills. [1]
Stefan Schwarzkopf has claimed that Sir William Crawford's advertising agency in London became a pioneer in promoting the social, cultural and economic role of this new group of agency workers, and that it became the first advertising agency that carved out a unique position within a highly competitive market by defining its visual production and organisational identity entirely through notions of creativity. Schwarzkopf argues that this places Crawford's, "at the heart of the emergence of a cultural economy for which creative skills are a paramount source of value creation".
Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and subjective experience. Philosophy, politics, architecture, and social issues were all aspects of this movement. Modernism centered around beliefs in a "growing alienation" from prevailing "morality, optimism, and convention" and a desire to change how "human beings in a society interact and live together".
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic of the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or Postmodern art.
Positioning refers to the place that a brand occupies in the minds of the customers and how it is distinguished from the products of the competitors. It is different from the concept of brand awareness. In order to position products or brands, companies may emphasize the distinguishing features of their brand or they may try to create a suitable image through the marketing mix. Once a brand has achieved a strong position, it can become difficult to reposition it. To effectively position a brand and create a lasting brand memory, brands need to be able to connect to consumers in an authentic way, creating a brand persona usually helps build this sort of connection.
Canadian poetry is poetry of or typical of Canada. The term encompasses poetry written in Canada or by Canadian people in the official languages of English and French, and an increasingly prominent body of work in both other European and Indigenous languages.
Saatchi and Saatchi is a British multinational communications and advertising agency network with 114 offices in 76 countries and over 6,500 staff. It was founded in 1970 and is currently headquartered in London. The parent company of the agency group was known as Saatchi and Saatchi PLC from 1976 to 1994, was listed on the New York Stock Exchange until 2000 and, for a time, was a constituent of the FTSE 100 Index. In 2000, the group was acquired by the Publicis Groupe. In 2005, the group went private.
Frederick Etchells was an English artist and architect.
J. Walter Thompson (JWT) was an advertisement holding company incorporated in 1896 by American advertising pioneer James Walter Thompson. The company was acquired in 1987 by multinational holding company WPP plc, and in November 2018, WPP merged J. Walter Thompson with fellow agency Wunderman to form Wunderman Thompson. In October 2023, WPP announced yet another merger in which Wunderman Thompson, along with another group agency VMLY&R, would cease to exist and create a new combined entity named VML. This took effect on January 1, 2024.
Antonia White was a British writer and translator, known primarily for Frost in May, a semi-autobiographical novel set in a convent school. It was the first book reissued by Virago Press in 1978, as part of their Modern Classics series of books by previously neglected women authors.
Confederation Poets is the name given to a group of Canadian poets born in the decade of Canada's Confederation who rose to prominence in Canada in the late 1880s and 1890s. The term was coined by Canadian professor and literary critic Malcolm Ross, who applied it to four poets – Charles G.D. Roberts (1860–1943), Bliss Carman (1861–1929), Archibald Lampman (1861–1899), and Duncan Campbell Scott (1862–1947) – in the Introduction to his 1960 anthology, Poets of the Confederation. He wrote, "It is fair enough, I think, to call Roberts, Carman, Lampman, and Scott our 'Confederation poets.'"
The William Morris Agency (WMA) was a Hollywood-based talent agency. It represented some of the best known 20th-century entertainers in film, television, and music. During its 109-year tenure it came to be regarded as the "first great talent agency in show business".
Malcolm Stanley Wyndham Ashworth MBIM MCIM was a decorated British army officer and intelligence officer, who is also regarded as the leading figure in the establishment of marketing as a professional discipline in the UK. He is credited with having saved Crawford's Advertising Agency, arguably the most important British advertising agency of the first half of the 20th century, from financial failure in the late 1960s while acting as chairman and chief executive.
DAKS is a British luxury fashion house, founded in 1894 by Simeon Simpson in London. It is one of only 15 firms to have held royal warrants from three members of the Royal Family. Officially granted to DAKS' Simpson Piccadilly store in 1956 was the royal warrant of Prince Philip, Duke of Edinburgh, followed by that of the Queen in 1962 and Charles, Prince of Wales in 1982.
The history of advertising can be traced to ancient civilizations. It became a major force in capitalist economies in the mid-19th century, based primarily on newspapers and magazines. In the 20th century, advertising grew rapidly with new technologies such as direct mail, radio, television, the internet, and mobile devices.
Ashley Havinden (1903–1973) was an influential British graphic designer in the mid twentieth century, specializing in posters, advertisements, logos and typography, he was also a textile and rug designer. In 1947 he was appointed a Royal Designer for Industry.
Thomas Stuart Rose CBE was the first Design Director to the British Post Office 1968-76. In 1974 he was awarded the Phillips Gold Medal for stamp design and was appointed CBE the same year.
This is a summary of 1936 in music in the United Kingdom.
The history of advertising in Britain has been a major part of the history of its capitalist economy for three centuries. It became a major force as agencies were organized in the mid-19th century, using primarily newspapers and magazines. In the 20th century, It grew rapidly with new technologies, such as direct mail, radio, television. In the late 19th century, home-based British agencies were swallowed up and became branches of international firms, but London remains one of the world's most important advertising centers. Radical changes have come recently because of the new roles for the Internet and smart phones. For current conditions see Advertising.
Marion Jean Lyon was a British advertising executive, particularly known for her long association with the magazine Punch (1910–40), as its advertising manager from 1922 – the first woman advertising manager of a major British periodical. She was the founding president of the Women's Advertising Club of London and a director of the feminist literary magazine, Time and Tide.
Margaret Havinden born Margaret Kirk Sangster became Mrs Blair was a advertising executive born in Scotland. She was a director of W.S.Crawford and President of the Women's Advertising Club of London 1935–6.
Florence Sangster became Florence Bicknell was a United Kingdom advertising executive. She was a founding member and later president of the Women's Advertising Club of London and she was vice-chair of the advertising agency W.S.Crawford