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The Creole Choir of Cuba is a Cuban musical group. Its members are Rogelio Torriente, Fidel Miranda, Teresita Miranda, Marcelo Luis, Dalio Vital, Emilia Diaz Chavez, Yordanka Fajardo, Irian Montejo, Marina Fernandes and Yara Diaz. The group is signed to Peter Gabriel's record label Real World Records, an artist who also is the founder of WOMAD.
The Creole Choir celebrate the history of their Haitian descendants enslaved to the Caribbean from West Africa. The Creole Choir's ten remarkable singers come from Camagüey, Cuba's third city, down towards the eastern end of the island. They grew up and studied music in this old colonial town, designated a UNESCO World heritage Site in 2008 for its colonial architecture. They have nurtured music passed down in their families since the early 19th century, gradually adding modern Haitian sounds following their own first visit to a Haitian festival in 1996.
The choir was founded in 1994 during the 'Special Period' when the Cuban economy fell into a black hole following the end of the USSR and of Soviet support for the revolution. Food was short while homes and work places often went dark due to lack of electricity. It was at this difficult time that members of the Professional Choir of Camagüey who were descendants of Haitians, decided to re-forge the resistance songs and laments of their forebears. Led by their Choir Director Emilia Díaz Chávez, Grupo Vocal Desandann, as they are called in Cuba, revived the songs of their ancestors for modern times. [1] Desandann literally means 'descendants' and as the choir say: "For us music is like food, it feeds the spirit and is a major inspiration for everyday life".
Songs are sung in creole, Cuba's second language, first created by slaves by fusing words together words from their African languages, the Taíno language of Caribbean indigenous people, with French, Spanish and English. Creole was spoken by the choir's parents, grandparents and great grandparents, people doubly displaced, first from Africa then from Haiti. The first wave of Haitians were brought to Cuba as slaves to work in the sugar plantations of the French aristocracy who fled Haiti after the slave revolts of the 1790s. Subsequent waves of Haitians came to the island during 19th and early 20th century, and again in the 1950s during the brutal dictatorship of Papa Doc Duvalier. All lived in the countryside in conditions akin to slavery enduring harsh discrimination until the 1959 Revolution brought with it literacy, education and equality.
The Creole Choir describe each of their songs as being 'like a small film' filled with vitality, humour and compassion. They tell stories of survival despite abject poverty, of heroes who defied colonial masters, of ghosts at the crossroads, of enduring love, of homesickness for family, of abandonment but never loss of hope, mother's laments and prayers, of the desire for freedom. With irresistible melodies driven by richly textured harmonies, shifting Caribbean rhythms with a very original root bass sound, this is impassioned singing by a unique group.
The group recently made an appearance on BBC Two's Later... with Jools Holland performing their single, the uplifting and emotional Chen Nan Ren.
The Choir have two albums, Tande-La (2011) and Santiman (2013).
Creole peoples may refer to different ethnic groups around the world. The term has been used with various meanings, often conflicting or varying from region to region.
The Greater Antilles is a grouping of the larger islands in the Caribbean Sea, including Cuba, Hispaniola, Puerto Rico, Jamaica, Navassa Island, and the Cayman Islands. Six island states share the region of the Greater Antilles, with Haiti and the Dominican Republic sharing the island of Hispaniola. Together with the Lesser Antilles, they make up the Antilles, which along with the Lucayan Archipelago, form the West Indies.
In the context of the history of slavery in the Americas, free people of color were primarily people of mixed African, European, and Native American descent who were not enslaved. However, the term also applied to people born free who were primarily of black African descent with little mixture. They were a distinct group of free people of color in the French colonies, including Louisiana and in settlements on Caribbean islands, such as Saint-Domingue (Haiti), St. Lucia, Dominica, Guadeloupe, and Martinique. In these territories and major cities, particularly New Orleans, and those cities held by the Spanish, a substantial third class of primarily mixed-race, free people developed. These colonial societies classified mixed-race people in a variety of ways, generally related to visible features and to the proportion of African ancestry. Racial classifications were numerous in Latin America.
Afro–Latin Americans or Black Latin Americans are Latin Americans of full or mainly sub-Saharan African ancestry.
Afro-Caribbean people or African Caribbean are Caribbean people who trace their full or partial ancestry to Africa. The majority of the modern Afro-Caribbean people descend from the Africans taken as slaves to colonial Caribbean via the trans-Atlantic slave trade between the 15th and 19th centuries to work primarily on various sugar plantations and in domestic households. Other names for the ethnic group include Black Caribbean, Afro or Black West Indian or Afro or Black Antillean. The term Afro-Caribbean was not coined by Caribbean people themselves but was first used by European Americans in the late 1960s.
Cadence-lypso is a fusion of cadence rampa from Haiti and calypso from Trinidad and Tobago that has also spread to other English speaking countries of the Caribbean. Originated in the 1970s by the Dominican band Exile One, it spread and became popular in the dance clubs around the Creole world and Africa as well as the French Antilles.
Africanisms refers to characteristics of African culture that can be traced through societal practices and institutions of the African diaspora. Throughout history, the dispersed descendants of Africans have retained many forms of their ancestral African culture. Also, common throughout history is the misunderstanding of these remittances and their meanings. The term usually refers to the cultural and linguistic practices of West and Central Africans who were transported to the Americas during the trans-Atlantic slave trade. Africanisms have influenced the cultures of diverse countries in North and South America and the Caribbean through language, music, dance, food, animal husbandry, medicine, and folklore.
Louisiana Creoles are a Louisiana French ethnic group descended from the inhabitants of colonial Louisiana before it became a part of the United States during the period of both French and Spanish rule. They share cultural ties such as the traditional use of the French, Spanish, and Creole languages and predominant practice of Catholicism.
Méringue, also called méringue lente or méringue de salon, is a dance music and national symbol in Haiti. It is a string-based style played on the lute, guitar, horn section, piano, and other string instruments unlike the accordion-based merengue, and is generally sung in Haitian Creole and French, as well as in English and Spanish.
Caribbean Americans or West Indian Americans are Americans who trace their ancestry to the Caribbean. Caribbean Americans are a multi-ethnic and multi-racial group that trace their ancestry further in time mostly to Africa, as well as Asia, the Indigenous peoples of the Americas, and to Europe. As of 2016, about 13 million — about 4% of the total U.S. population — have Caribbean ancestry.
The languages of the Caribbean reflect the region's diverse history and culture. There are six official languages spoken in the Caribbean:
Afro-Nicaraguans are Nicaraguans of Sub-Saharan African descent. Five main distinct ethnic groups exist: The Creoles who descend from Anglo-Caribbean countries and many of whom still speak Nicaragua English Creole, the Miskito Sambus descendants of Spanish slaves and indigenous Central Americans who still speak Miskito and/or Miskito Coast Creole, the Garifunas descendants of Zambos expelled from St. Vincent who speak Garifuna, the Rama Cay zambos a subset of the Miskito who speak Rama Cay Creole, and the descendants of those enslaved by the Spanish.
Haitian Cubans are Cuban citizens of full or partial Haitian ancestry.
For a history of Afro-Caribbean people in the UK, see British African Caribbean community.
Afro-Haitians or Black Haitians are Haitians who trace their full or partial ancestry to Sub-Saharan Africa. They form the largest racial group in Haiti and together with other Afro-Caribbean groups, the largest racial group in the region.
Joaquín de Agüero was a Cuban revolutionary. In 1843 he freed all his slaves. In 1851 he headed an insurrection against the Spanish government, in the central part of the island coinciding with the filibustering Lopez Expedition. After a desperate contest, he was defeated in battle, captured, and shot, together with his main followers.
Kontradans or the French-Haitian Contredanse, is creolized dance music formed in the 18th century in the French colony of Saint-Domingue (Haiti) that evolved from the English contra dance, or, which eventually spread throughout the Caribbean, Louisiana, Europe and the rest of the New World from the Creoles of Saint-Domingue.
Music of African heritage in Cuba derives from the musical traditions of the many ethnic groups from different parts of West and Central Africa that were brought to Cuba as slaves between the 16th and 19th centuries. Members of some of these groups formed their own ethnic associations or cabildos, in which cultural traditions were conserved, including musical ones. Music of African heritage, along with considerable Iberian (Spanish) musical elements, forms the fulcrum of Cuban music.
The following is a timeline of the history of the city of Camagüey, Cuba.
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