The Tear Garden is a psychedelic/experimental/electronic band, formed by Edward Ka-Spel of The Legendary Pink Dots and cEvin Key of Skinny Puppy in 1985 after Key served as a sound engineer on tour in Canada for Ka-Spel. An EP, The Tear Garden, was released that same year. The pair have since released a number of records with the assistance of various guest musicians. Their most recent release, The Brown Acid Caveat, was released in July 2017.
Southern Lord is an American heavy metal record label that was founded in 1998 by Greg Anderson. It initially specialized in experimental metal: particularly doom metal, stoner rock, and drone metal. The label later expanded its line-up to include artists from black metal, hardcore punk and crust punk bands.
Goatsnake is an American stoner/doom metal band from Los Angeles. They have released three studio albums, the first being 1999's Goatsnake Vol. 1.
The Lion and the Witch is a live EP by American rock band Weezer. Recorded in Japan in the spring of 2002 while promoting Maladroit, released on September 24, 2002, exactly six years after the release of Pinkerton. It was distributed as a limited edition release in independently owned music stores with only 25,000 copies having been made. The album was then rereleased and remastered on vinyl in 2015, with only 3,000 copies made.
Sonic Youth is the debut EP by American rock band Sonic Youth. It was recorded between December 1981 and January 1982 and released in March 1982 by Glenn Branca's Neutral label. It is the only recording featuring the early Sonic Youth lineup with Richard Edson on drums. Sonic Youth differs stylistically from the band's later work in its greater incorporation of clean guitars, standard tuning, crisp production and a post-punk style.
Burning Witch was an American doom/sludge metal band from Seattle, Washington, active between 1995 and 1998. Aside from EPs and split releases, the band released a compilation album called Crippled Lucifer, which had songs of their early EPs.
Onobox is a 1992 comprehensive 6-disc collection of Yoko Ono's work from 1968 to 1985. The discs are grouped by era and theme. Disc one centers around the albums Fly and Yoko Ono/Plastic Ono Band, while Disc two features nearly the entirety of Approximately Infinite Universe in a different running order and most of the tracks remixed exclusively for this boxed set. Disc three features the entire Feeling the Space project, which was originally conceived and recorded as a double album before being edited down, while disc six is the previously unreleased 1974 album A Story, which was later reissued separately with an expanded track listing, along with the rest of Ono's back catalogue.
Finally the Punk Rockers Are Taking Acid is a compilation album by The Flaming Lips, collecting their first three studio albums alongside their self-titled debut EP The Flaming Lips, and previously unreleased material and demo recordings.
Musique is the fourth studio album by the Norwegian metal band Theatre of Tragedy, released in 2000. The title on the album's cover,, is the pronunciation of the English word "music" transcribed in the International Phonetic Alphabet.
Lovecraft & Witch Hearts is a compilation album by English extreme metal band Cradle of Filth, released on 13 May 2002 by record label Music for Nations.
Greg Anderson is an American musician, a co-founder of Southern Lord Records.
Bestial Machinery is a double-CD anthology by the American grindcore band Agoraphobic Nosebleed. The album contains all of the material the group recorded prior to their Relapse Records full-length album Honky Reduction, much of which was only released on vinyl 7-inch EPs or compilations.
Pink is the tenth album by Japanese experimental music band Boris. It was originally released in 2005 through Diwphalanx Records in Japan and subsequently reissued in 2006 by American label Southern Lord Records.
Towers... is the debut EP by the band Burning Witch. It was recorded by renowned indie producer Steve Albini. It was available as a part of the compilation album Crippled Lucifer and has since been re-released as a 2 disc set Crippled Lucifer , through Southern Lord Records.
Rift.Canyon.Dreams is the second EP by the U.S. doom metal band Burning Witch. It was originally released in 1998 on Merciless Records, to a limited distribution of 500 copies. It is available on the compilation Crippled Lucifer , through Southern Lord Records.
Vigil is the fifth studio album by Australian rock band The Easybeats, released in May 1968. This would be the second and final album by the band released on the United Artists Records label.
Beer Drinkers and Hell Raisers is an EP by the band Motörhead, released in November 1980. The EP consists of four tracks recorded during sessions for their first album Motörhead, in 1977 at Escape Studios, Kent, England, but were previously unreleased. The EP was released by Big Beat Records, a subsidiary of Chiswick Records, who the band were signed to when the tracks were recorded in 1977. The release was not authorized by the band, though they did not oppose it. The EP entered the UK Singles Charts on 22 November, where it peaked at No. 43.
The Glen Campbell Collection (1962–1989) Gentle on My Mind is a double CD containing 38 of the 74 singles released by Glen Campbell that charted on the Billboard Country Singles chart. "William Tell Overture" has been recorded more than once by Campbell but the version included here is a previously unreleased recording. "Bloodline" is an album track from the 1976 "Bloodline" album.
Rock Bible is the third studio album by American heavy metal band the Mentors. The lyrical content changed from sexism to the band's personal turmoil, although there were some sexist songs and one, "My Daughter Is a Strawberry", had racist lyrics :
Gonna get my shotgun out tonight
And show her the power of the White
A bullet in the gun
And down to Compton to have some fun
Sweet Dreams: The Anthology is a compilation album by American guitarist and blues musician Roy Buchanan. The double CD contains released as well as previously unreleased recordings, live and studio. According to Mike Joyce, who reviewed the album in The Washington Post, it "presents the good, the bad and the unreleased from Buchanan's tenure with the Polydor and Atlantic labels." The anthology is part of PolyGram's "Chronicles" retrospective series.
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