Brígida Baltar was a Brazilian visual artist. Her work spanned across a wide range of mediums, including video, performance, installation, drawing, and sculpture. She was interested in capturing the ephemeral in her artwork.
Héctor Julio Páride Bernabó was an Argentine-Brazilian artist, researcher, writer, historian and journalist. His nickname and artistic name, Carybé, a type of piranha, comes from his time in the scouts. He died of heart failure after the meeting of a candomblé community's lay board of directors, the Cruz Santa Opô Afonjá Society, of which he was a member.
The creation of art in the geographic area now known as Brazil begins with the earliest records of its human habitation. The original inhabitants of the land, pre-Columbian Indigenous or Natives peoples, produced various forms of art; specific cultures like the Marajoara left sophisticated painted pottery. This area was colonized by Portugal in the 16th century and given the modern name of Brazil. Brazilian art is most commonly used as an umbrella term for art created in this region post Portuguese colonization.
Cybèle Varela is a Brazilian mixed-media artist. She is a painter, video artist, and photographer.
Alberto Henschel was a German-born Brazilian photographer born in Berlin. Considered the hardest-working photographer and businessman in 19th-century Brazil, with offices in Pernambuco, Bahia, Rio de Janeiro, and São Paulo, Henschel was also responsible for the presence of other professional photographers in the country, including his compatriot Karl Ernst Papf—with whom he later worked.
Companhia Itaú de Transportes Aéreos was a Brazilian airline founded in 1947. In 1955 it was sold to Transportes Aéreos Nacional, which incorporated the airline the following year.
Emil Bauch was a German painter, lithographer and teacher who came to reside in the city of Rio de Janeiro. He painted panoramic city scenes and portraits, as well as some views of Recife and Salvador. His landscapes are conspicuous by his close observation of all the details and the intense variety of motifs of his palette. His works have all but disappeared in the shadow of paintings created by other artists during the second half of the nineteenth century in Brazil.
Arthur Timótheo da Costa was an Afro-Brazilian painter and designer.
Francisco de Paula Ramos de Azevedo was a Brazilian architect, known for designing various buildings and landmarks in São Paulo, such as the Teatro Municipal, the Mercado Municipal and the Pinacoteca. He was one of the founders and director of the University of São Paulo's Polytechnical School.
Valentim da Fonseca e Silva, better known as Mestre Valentim, was a Brazilian sculptor and urban planner. Like Antonio Francisco Lisboa, also known as Aleijadinho, he is one of the most famous artists of colonial Brazil and was of mixed race. Mestre Valentim recounts details of his life in his testament. He was born in Serro do Frio to Manoel da Fonseca e Silva, a white man, and Amatilde da Fonseca, a black woman. Although he never married, his relationship with Josefa Maria da Conceição resulted in a daughter named Joana. Although the details of his artistic training are up to debate, he may have traveled to Portugal with his family as a child. By adulthood, he found himself living and working in Rio de Janeiro.
Arcangelo Ianelli was a painter, sculptor and illustrator from Brazil, who was involved with an artistic group called Grupo Guanabara, along with Manabu Mabe (1924–1997), Yoshiya Takaoka (1909–1978) and Tikashi Fukushima (1920–2001). His brother, Tomás Ianelli, was also a painter. He was the father of the painter Rubens Ianelli and grandfather of the poet Mariana Ianelli.
The national commemorative Exhibition of the centenary of the opening of the Ports of Brazil, also known as Brazilian National Exposition of 1908 or the National Exposition of Brazil at Rio de Janeiro, marked a hundred years since the opening of the Brazilian ports acelebrated Brazil's trade and development. It opened in Urca, Rio de Janeiro on 11 August, stayed open for 3 months and received over 1 million visitors.
Abigail de Andrade (1864–1890) was a Brazilian painter. Abigail de Andrade's name, practically absent from art history books, is mentioned by the painter and art historian Theodoro Braga (1872-1953), who lists the few studies published about Abigail de Andrade in the book Artists Painters from Brazil, 1942.
Rafael Rebecchi was an architect in Rio de Janeiro. He designed several buildings for the Brazilian National Exposition of 1908 in Rio de Janeiro. He was also involved with a rebuilding project at the Old Cathedral of Rio de Janeiro. He won a facades competition for the design of 119 buildings along a street. He was Italian. Rebecchi was also the architect in charge of renovating the Brazilian National Archives. The renovation was completed in 1906.
Sheila Maureen Bisilliat is an English-born Brazilian photographer.
Mariza Dias Costa was a Guatemalan-Brazilian political cartoonist and illustrator who influenced her genre with her novel approach.
Carlos Arthur Thiré was a Brazilian set designer, filmmaker, costume designer, painter and comics artist. He was married to actress Tônia Carrero and father of actor Cecil Thiré. He began his career as an illustrator in the 1930s at the newspaper A Noite, having been nominated to this work by Júlio César de Mello e Souza, a family friend. Thiré created the comics strip Raffles, whose comic books were published by Adolfo Aizen at Grande Consórcio de Suplementos Nacionais publishing house. He also created comics for the magazine O Tico-Tico, but, around the 1940s, he left comics to focus on his work as an actor and, later, in 1949, as a set designer, screenwriter and director at Companhia Cinematográfica Vera Cruz. In 1998, he was posthumously awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Edino Krieger was a Brazilian avant-garde composer, conductor, record producer and musical critic.
Mário Cravo Júnior was a Brazilian sculptor, designer, and painter. He was part of the first generation of plastic artists in the city of Salvador, along with artists such as Carybé and Genaro de Carvalho. He worked as a plastic artist in the 1970s, he created numerous individual and collective expositions, awards, and sculptures in open spaces throughout Brazil, mainly in Salvador, along with having his works in museums worldwide. His works drew from various materials and inspirations, including the Afro-Brazilian influences of his native Bahia. His most well known work is the "Fonte da Rampa do Mercado" in the Comércio neighborhood of Salvador. His son, Mário Cravo Neto, and grandson, Christian Cravo, are both renowned photographers.
Maria Lídia dos Santos Magliani was a Brazilian painter, designer, engraver, illustrator, costume designer and set designer..
