Critic's Choice: Top 200 Albums

Last updated
Critic's Choice: Top 200 Albums
Critic's Choice Top 200 Albums 1977 cover.jpg
Author Paul Gambaccini
CountryUnited Kingdom
LanguageEnglish
Genre Reference work
Publisher Omnibus Press
Publication date
January 1978
Media typePrint
ISBN 978-0-19-537371-4

Critic's Choice: Top 200 Albums (titled Rock Critics' Choice: The Top 200 Albums in the United States) [1] is a musical reference book compiled by American-British journalist and broadcaster Paul Gambaccini. It was first published in the United Kingdom by Omnibus Press in January 1978, and then by Quick Fox in the US. The book comprises an annotated and illustrated list of the best albums in popular music, as selected from top-ten lists provided by its 47 contributors. As a multi-contributor work seeking to critique rock and pop albums, Critic's Choice preceded The Rolling Stone Record Guide and the Greil Marcus-edited Stranded: Rock and Roll for a Desert Island, both published in 1979. [2] It was followed by several other books that classified the best (and worst) pop recordings. [3]

Contents

A second edition of the book was compiled in 1987 from a poll of 81 contributors. It was titled Paul Gambaccini Presents the Top 100 Albums and published by GRR/Pavilion. [4] In the US, it was published by Harmony Books as Critics' Choice: The Top 100 Rock 'n' Roll Albums of All Time. [5] In both editions, the number-one album was the Beatles' Sgt. Pepper's Lonely Hearts Club Band . [6] Gambaccini's polls received some criticism, particularly from author Clinton Heylin, for departing from the purview of music critics and including contributions from radio and television broadcasters.

1978 edition

Paul Gambaccini wrote regularly for Rolling Stone magazine from 1970 and established himself as a disc jockey for BBC Radio 1 in the UK. [7] In 1977, he asked various British and American music critics, journalists, radio broadcasters and individuals from the music industry to list their top ten albums of all time. Of the 47 people who participated, according to author Clinton Heylin, 31 were music or literary critics. Among these were Robert Christgau, Jonathan Cott, Cameron Crowe, Giovanni Dadomo, Simon Frith, Charlie Gillett, Clive James, Lenny Kaye, Greil Marcus, Dave Marsh, Lisa Robinson, John Tobler, Ed Ward, Chris Welch, Richard Williams and Ellen Willis. [8]

From the 47 personal lists, Gambaccini created a top 200 list of albums. The book contains an entry for each album, with its track listing, LP cover and release information, and commentary from one of Gambaccini's contributors on its impact and significance. [1] The top ten albums were as follows:

  1. The Beatles Sgt. Pepper's Lonely Hearts Club Band (1967) [1]
  2. Bob Dylan Blonde on Blonde (1966) [1]
  3. Bob Dylan Highway 61 Revisited (1965) [1]
  4. Van Morrison Astral Weeks (1968) [9]
  5. The Beatles Rubber Soul (1965) [10]
  6. The Beatles Revolver (1966)
  7. The Rolling Stones Exile on Main St. (1972) [10]
  8. The Rolling Stones Let It Bleed (1969) [9]
  9. The Beatles Abbey Road (1969)
  10. Bruce Springsteen Born to Run (1975) [5]

1987 edition

For the next edition of the book, Gambaccini reduced the scope to a top 100. The participants consisted of 81 critics, writers and broadcasters. [5] Among the music critics were Frith, Gillett, Marcus, Marsh and Williams once more, and Ken Barnes, Chet Flippo, Kurt Loder, Nick Logan and Niall Stokes. [11] The other participants included lyricist and UK chart historian Tim Rice, and several MTV video jockeys. All LP covers were reproduced in full colour. [5] The top ten albums were as follows: [4]

  1. The Beatles Sgt. Pepper's Lonely Hearts Club Band (1967)
  2. Bruce Springsteen Born to Run (1975)
  3. Bob Dylan Blonde on Blonde (1966)
  4. Marvin Gaye What's Going On (1971)
  5. Bruce Springsteen Born in the U.S.A. (1984)
  6. Elvis Presley The Sun Collection (1975)
  7. The Velvet Underground The Velvet Underground & Nico (1967)
  8. The Beach Boys Pet Sounds (1966)
  9. Van Morrison Astral Weeks (1968)
  10. The Beatles The Beatles ("White Album") (1968)

Reception

In his review of the second edition, Robert Hilburn of the Los Angeles Times wrote that he enjoyed the book but regretted that Gambaccini had chosen to include so many broadcasters and media personalities among his contributors, saying, "Mark Goodman and Alan Hunter may delight MTV audiences, but their jobs have nothing to do with weighing good music." In an attempt to gauge the genuine critical response, Hilburn reduced the number of panelists to 27 – all critics and writers whose work he knew. From their personal top tens reproduced in the book, he calculated that Blonde on Blonde would have topped the list, followed by the Velvet Underground and Presley albums, with Sgt. Pepper in sixth place. In his own top ten, Hilburn placed Presley at number one and Sgt. Pepper at number four. [11]

Writing in his 2007 book on the legacy of the Beatles' Sgt. Pepper album, The Act You've Known for All These Years, Clinton Heylin criticises the choice of contributors to the 1978 edition, due to the absence of leading critics such as Lester Bangs, Richard Goldstein, Nick Kent, Paul Nelson, Charles Shaar Murray, Tony Parsons and Paul Williams. [8] He describes Gambaccini as a "DJ" and claims that Gambaccini excluded these critical voices because they represented a "challenging view of Rock" that was at odds with his own tastes. [nb 1] He queries Sgt. Pepper's top ranking in the book, since the contributors' personal top tens show that Frith, Tobler and Welch were the only "bona-fide" critics who listed that album, whereas half of the 16 "outsiders", who possessed "no critical credentials (and precious little taste)", named it in their top four. [13] Heylin adds that the more worthy 1979 publications The Rolling Stone Record Guide and Stranded corrected this misconception by presenting Sgt. Pepper less favourably, although he complains that the Rolling Stone book gave the album an overly generous four-star rating (out of five). [2]

Amid his disapproval of the acclaim afforded Sgt. Pepper in 1987, on the occasion of its 20th anniversary and first release on CD, Heylin dismisses the second edition of Gambaccini's book and similarly ridicules a contemporary list compiled by Rolling Stone writers, titled "The 100 Best Albums of the Last Twenty Years", that placed Sgt. Pepper at number one. He says that Gambaccini produced "another uncritical edition of Critics' Choice" and "once again ... rel[ied] on some of the States' most resolutely uninformed industry figures to bolster the album's showing". [14] [nb 2]

Music historian Joe Harrington describes the first Critic's Choice as "groundbreaking" and cites the improved ranking of The Velvet Underground & Nico in the second edition as an indication of that album's increasing historical importance. [16] Writing in 2007, CNN entertainment reporter Todd Leopold praised the first edition of the book while ridiculing a top 200 albums list recently compiled by the Rock and Roll Hall of Fame. Leopold recalled that, as a teenage Beatles fan, reading Gambaccini's book was "revelatory" since it introduced him to new music such as the Velvet Underground, the Mothers of Invention, Love's Forever Changes album, and the Harder They Come soundtrack. He added that, "most importantly", he learned about "Robert Christgau, Greil Marcus, Dave Marsh, Ed Ward and the other contentious cornerstones of pop music criticism". [17]

Notes

  1. Among his articles for Rolling Stone throughout the 1970s, however, Gambaccini regularly wrote album reviews. [7] Along with Bangs, Cott, Flippo, Kaye, Marsh, Nelson and several others, his early work was published when Jon Landau served as the magazine's record reviews editor. [12]
  2. Reviewing Heylin's The Act You've Known for All These Years for The Daily Telegraph in 2007, Tim Willis commented on the author's propensity for deriding Sgt. Pepper and its admirers. According to Willis: "Heylin is very cross that Pepper instantly became – and remains – a cultural icon. To him, most critics were – and remain – lazy or craven. Editors have rigged polls to mislead readers, who are so contemptible, they don't even realise that the only true Pepper is the original mono pressing." [15]

Related Research Articles

Art rock is a subgenre of rock music that generally reflects a challenging or avant-garde approach to rock, or which makes use of modernist, experimental, or unconventional elements. Art rock aspires to elevate rock from entertainment to an artistic statement, opting for a more experimental and conceptual outlook on music. Influences may be drawn from genres such as experimental music, avant-garde music, classical music, and jazz.

<i>Sgt. Peppers Lonely Hearts Club Band</i> 1967 studio album by the Beatles

Sgt. Pepper's Lonely Hearts Club Band is the eighth studio album by the English rock band the Beatles. Released on 26 May 1967, it spent 27 weeks at number one on the Record Retailer chart in the United Kingdom and 15 weeks at number one on the Billboard Top LPs chart in the United States. The album was lauded by critics for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture. Its release was a defining moment in 1960s pop culture, heralding the Summer of Love, while the album's reception achieved full cultural legitimisation for pop music and recognition for the medium as a genuine art form.

Penny Lane 1967 single by the Beatles

"Penny Lane" is a song by the English rock band the Beatles that was released in February 1967 as a double A-side single with "Strawberry Fields Forever". It was written primarily by Paul McCartney and credited to the Lennon–McCartney songwriting partnership. The lyrics refer to Penny Lane, a street in Liverpool, and make mention of the sights and characters that McCartney recalled from his upbringing in the city.

<i>Highway 61 Revisited</i> 1965 studio album by Bob Dylan

Highway 61 Revisited is the sixth studio album by American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural chaos of contemporary America. Author Michael Gray has argued that, in an important sense, the 1960s "started" with this album.

Cultural impact of the Beatles Effect the band left on pop culture

The English rock band the Beatles are commonly regarded as the foremost and most influential band in popular music history. With a line-up comprising John Lennon, Paul McCartney, George Harrison and Ringo Starr, they sparked the "Beatlemania" phenomenon in 1963, gained international superstardom in 1964, and remained active until their break-up in 1970. Over the latter half of the decade, they were often viewed as orchestrators of society's developments. Their recognition concerns their effect on the era's youth and counterculture, British identity, popular music's evolution into an art form, and their unprecedented following.

<i>Moondance</i> 1970 studio album by Van Morrison

Moondance is the third studio album by Northern Irish singer-songwriter Van Morrison. It was released on 27 January 1970 by Warner Bros. Records. After the commercial failure of his first Warner Bros. album Astral Weeks (1968), Morrison moved to upstate New York with his wife and began writing songs for Moondance. There, he met the musicians that would record the album with him at New York City's A & R Studios in August and September 1969.

<i>Blonde on Blonde</i> 1966 studio album by Bob Dylan

Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released as a double album on June 20, 1966, by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know ". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.

<i>Astral Weeks</i> 1968 studio album by Van Morrison

Astral Weeks is the second studio album by Northern Irish singer-songwriter Van Morrison. It was recorded at Century Sound Studios in New York during September and October 1968, and released in November of the same year by Warner Bros. Records.

Greil Marcus American author, music journalist and cultural critic

Greil Marcus is an American author, music journalist and cultural critic. He is notable for producing scholarly and literary essays that place rock music in a broader framework of culture and politics.

Like a Rolling Stone 1965 single by Bob Dylan

"Like a Rolling Stone" is a song by American singer-songwriter Bob Dylan, released on July 20, 1965, by Columbia Records. Its confrontational lyrics originated in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England. Dylan distilled this draft into four verses and a chorus. "Like a Rolling Stone" was recorded a few weeks later as part of the sessions for the forthcoming album Highway 61 Revisited.

<i>Aftermath</i> (Rolling Stones album) 1966 album by the Rolling Stones

Aftermath is a studio album by the English rock band the Rolling Stones. The group recorded the album at RCA Studios in California in December 1965 and March 1966, during breaks between their international tours. It was released in the United Kingdom on 15 April 1966 by Decca Records and in the United States on 2 July by London Records. It is the band's fourth British and sixth American studio album, and closely follows a series of international hit singles that helped bring the Stones newfound wealth and fame rivalling that of their contemporaries the Beatles.

<i>Mojo</i> (magazine) British monthly music magazine

Mojo is a popular music magazine published monthly in the United Kingdom, initially by Emap, and since January 2008 by Bauer. Following the success of the magazine Q, publishers Emap were looking for a title that would cater for the burgeoning interest in classic rock music. The magazine was designed to appeal to the 30 to 45-plus age group, or the baby boomer generation. Mojo was first published on 15 October 1993. In keeping with its classic rock aesthetic, the first issue had Bob Dylan and John Lennon as its first cover stars. Noted for its in-depth coverage of both popular and cult acts, it acted as the inspiration for Blender and Uncut. Many noted music critics have written for it, including Charles Shaar Murray, Greil Marcus, Nick Kent, Jon Savage and Sylvie Simmons. The launch editor of Mojo was Paul Du Noyer and his successors have included Mat Snow, Paul Trynka and Pat Gilbert.

"Visions of Johanna" is a song written and performed by Bob Dylan on his 1966 album Blonde on Blonde. Several critics have acclaimed "Visions of Johanna" as one of Dylan's highest achievements in writing, praising the allusiveness and subtlety of the language. Rolling Stone included "Visions of Johanna" on their list of the 500 Greatest Songs of All Time. In 1999, Sir Andrew Motion, Poet Laureate of the United Kingdom, listed it as the greatest song lyric ever written.

"Sad Eyed Lady of the Lowlands" is a song by Bob Dylan. First released as the closing track on Dylan's 1966 album Blonde on Blonde, the song lasts 11 minutes and 22 seconds, occupying the entire side four of the double album. Dylan has revealed that the song was written about his wife, Sara Lownds.

Giles Martin English record producer, songwriter, composer and multi-instrumentalist

Giles Martin is an English record producer, songwriter, composer and multi-instrumentalist. His studio recordings, stage shows, TV and film works have been critically acclaimed and commercially successful around the world. He is the son of Beatles producer George Martin and half-brother of actor Gregory Paul Martin.

"The 500 Greatest Albums of All Time" is a recurring opinion survey and music ranking of the finest albums in history, compiled by the American magazine Rolling Stone. It is based on weighted votes from selected musicians, critics, and industry figures. The first list was published in a special issue of the magazine in 2003 and a related book in 2005.

"Into the Mystic" is a song written by Northern Irish singer-songwriter Van Morrison and featured on his 1970 album Moondance. It was also included on Morrison's 1974 live album, It's Too Late to Stop Now.

<i>The Basement Tapes</i> 1975 studio album by Bob Dylan and the Band

The Basement Tapes is the 16th album by American singer-songwriter Bob Dylan and his second with the Band. It was released on June 26, 1975, by Columbia Records. Two-thirds of the album's 24 tracks feature Dylan on lead vocals backed by the Band, and were recorded in 1967, eight years before the album's release, in the lapse between the recording and subsequent release of Blonde on Blonde and John Wesley Harding, during sessions that began at Dylan's house in Woodstock, New York, then moved to the basement of Big Pink. While most of these had appeared on bootleg albums, The Basement Tapes marked their first official release. The remaining eight songs, all previously unavailable, feature the Band without Dylan and were recorded between 1967 and 1975.

<i>All Time Top 1000 Albums</i> Book by Colin Larkin

All Time Top 1000 Albums is a book by Colin Larkin, creator and editor of the Encyclopedia of Popular Music. The book was first published by Guinness Publishing in 1994. The list presented is the result of over 200,000 votes cast by the public in record shops, universities, schools and the French music trade show MIDEM – and ranked in order. Each album's entry is accompanied by an annotation with a 100-word review, details of its creation and notes about the band or artist who recorded it.

Rarities is the name of two separate and unrelated compilation albums by the English rock band the Beatles. The first was released in the United Kingdom in December, 1978, while the second album was issued in the United States in March, 1980.

References

  1. 1 2 3 4 5 Cooper, B. Lee (1982). Images of American Society in Popular Music: A Guide to Reflective Teaching. New York, NY: Taylor Trade Publications. p. 148. ISBN   0-88229-514-4.
  2. 1 2 Heylin, Clinton (2007). The Act You've Known for All These Years: A Year in the Life of Sgt. Pepper and Friends. New York, NY: Canongate. pp. 265–66. ISBN   978-1-84195-918-4.
  3. Cooper, B. Lee; Haney, Wayne S. (2013) [1997]. Rock Music in American Popular Culture II: More Rock 'n' Roll Resources. New York, NY: Routledge. p. 267. ISBN   978-1-56023-877-5.
  4. 1 2 Jones, Carys Wyn (2016) [2008]. The Rock Canon: Canonical Values in the Reception of Rock Albums. Abingdon, UK: Routledge. p. 144. ISBN   978-0-7546-6244-0.
  5. 1 2 3 4 Taylor, Jonathan (25 March 1987). "Pop Critics Pick Rock's Top 100". Los Angeles Daily News . Retrieved 12 November 2019 via chicagotribune.com.
  6. Heylin 2007, pp. 265, 279.
  7. 1 2 "Paul Gambaccini". Rock's Backpages . Retrieved 12 November 2019.
  8. 1 2 Heylin 2007, pp. 264–65.
  9. 1 2 Marcus, Greil (17 August 2016) [1978]. "Top 10 Albums (1978 Edition)". greilmarcus.net . Retrieved 13 November 2019.
  10. 1 2 Christgau, Robert. "Rock Critic's Choice: Top Ten". robertchristgau.com . Retrieved 12 November 2019.
  11. 1 2 Hilburn, Robert (15 March 1987). "In Search of Rock's 10 Best LPs". Los Angeles Times . Retrieved 12 November 2019.
  12. Lindberg, Ulf; Guomundsson, Gestur; Michelsen, Morten; Weisethaunet, Hans (2005). Rock Criticism from the Beginning: Amusers, Bruisers, and Cool-Headed Cruisers. New York, NY: Peter Lang. p. 135. ISBN   978-0-8204-7490-8.
  13. Heylin 2007, p. 265.
  14. Heylin 2007, pp. 278–80.
  15. Willis, Tim (21 June 2007). "A Mutineer in the Ranks of the Fans". The Daily Telegraph . Retrieved 12 November 2019.
  16. Harrington, Joe S. (February 2015). "The Two Sides of 1967 by Joe S. Harrington". Reel and Rock. Retrieved 9 March 2020.
  17. Leopold, Todd (7 March 2007). "A Really Infuriating Top 200 List".The Marquee at CNN.com. Retrieved 14 November 2019.