Crooked Beat Records | |
---|---|
Founded | 2014 |
Founder | Bill Daly |
Genre | Punk, indie rock |
Country of origin | U.S. |
Location | Alexandria, Virginia |
Official website | CrookedBeat.com |
Crooked Beat Records, based in Alexandria, Virginia, is an independent record label which puts out music by artists from the Washington, DC area. [1] [2] The Crooked Beat label is affiliated with a record store of the same name. [3] Crooked Beat has produced five seven-inch records and six albums, including tributes to The Clash [4] and Jonathan Richman. Records released by Crooked Beat Records are distributed nationally for Record Store Day.
Crooked Beat Records and the affiliated store are owned and operated by Bill Daly. Daly previously operated a record label called Crisis Discs in Raleigh, North Carolina, during the 1990s. [2] Daly is also a member of the band Insurgence DC, previously known as Insurgence. Insurgence DC has recorded for both Crisis Discs and Crooked Beat Records.
The first releases from Crooked Beat Records were issued in 2014, and included seven-inch records by Insurgence DC and Möbius Strip. [1] [2] Three additional seven-inch records were released for Record Store Day 2015. [5] Crooked Beat Records produced single LPs in 2016, 2017, 2019, and 2020; and a double LP in 2018.
The first LP released by Crooked Beat Records, "A Bang on the Ear," included music by Insurgence DC, Möbius Strip, and Don Zientara. The record was released for Record Store Day 2016. [6]
In 2017, Crooked Beat Records issued "Recutting the Crap, Volume One," released for Record Store Day 2017. [7] [8] "Recutting the Crap, Volume One," is a tribute to The Clash, with various US artists performing songs from the Clash album "Cut the Crap," as well as two songs from the B-side of the single This Is England. The record features bands from the DC metropolitan area, and from around the U.S. [9] The Violets, a band from Athens, Georgia, reformed after 25 years of inactivity to record a song for "Recutting the Crap, Volume One." [9] The Violets had been active from 1988 to 1992, and had previously recorded "I Hate The Grateful Dead" for Bill Daly's first label, Crisis Discs. [10] [11] Other artists contributing to "Recutting the Crap, Volume One" included Don Zientara; Too Much Joy, Insurgence DC, Geisha Hit Squad, and The Scotch Bonnets. [12]
For Record Store Day 2018, Crooked Beat Records issued "Recutting the Crap, Volume Two." [13] [14] "Recutting the Crap, Volume Two," like Volume One, features various U.S. artists performing newly recorded versions of songs from The Clash's "Cut The Crap" sessions. Crooked Beat Records also included a bonus record entitled "The Future Was Unwritten," with various artists covering Joe Strummer/Mick Jones compositions written after The Clash broke up.
For Record Store Day 2019, Crooked Beat Records issued "Broken In The Theater of the Absurd," the first full length album by Insurgence DC in 20 years. [15] "Broken In The Theater of the Absurd" includes new 2018 mixes of "Poison Profits" and "Dishonor," originally issued in 2015 on Crooked Beat CB014, and "True To Life," originally issued in 2014 on Crooked Beat CB011. [16]
For the third 2020 Record Store Day Drop on October 24, 2020, Crooked Beat Records issued "Athens, GA 1988-1992," a collection of songs by The Violets. [17] This release includes "I Hate The Grateful Dead," previously released by Crisis Discs. The Violets also previously contributed to the prior Crooked Beat releases "Recutting the Crap," Volumes One and Two.
For the second 2021 Record Store Day Drop on July 17, 2021, Crooked Beat Records released "Songs from The Astral Plane, Volume One: A Tribute to Jonathan Richman & The Modern Lovers." [18] The album included contributions from The Violets, The Scotch Bonnets, Wonderlick, and the North Carolina band Finger. [19] The track from Finger was the band's first new recording in over twenty-five years.
Tim Hinely of Blurt Online praised Crooked Beat's first release, "True To Life / Man in Black" by Insurgence DC, citing its "rabble-rousing anthemism." [20] The music website "Divide And Conquer" described Indiobravo's debut release for Crooked Beat, "Breakdown / Crawl Back," as sounding "live, raw and unprocessed." [21]
The Pittsburgh Post-Gazette described "Recutting The Crap, Volume One" as "a collector's delight of various artists' versions of songs from The Clash." [22] Steve Shafer of "Duff Guide to Ska" favorably reviewed "Recutting The Crap, Volume One," saying that "The Scotch Bonnets' terrific, stripped-down reggae take on...'Are You Red...Y' alone is worth the cost of this LP." [23] In a subsequent review, Shafer described "Recutting The Crap, Volume Two," as "largely succeed[ing] in redeeming Strummer's Clash II legacy." Shafer described Insurgence DC's version of "This Is England" as "a truly great Clash song made even better here." [4]
On July 31, 2021, the Jonathan Richman tribute album "Songs from The Astral Plane, Vol. 1" entered the Billboard Compilation Album charts at #23. [24]
On June 29, 2019, Crooked Beat Records participated in a "D.C. Music Preservation Pop-Up" held as part of the 2019 Smithsonian Folklife Festival. Crooked Beat was one of a number of independent record labels from the Washington, D.C. area to appear at a Smithsonian-sponsored Local Record Market. [25]
Daly founded a record store called Crooked Beat Records in 1997 in Raleigh, N.C. In 2004, Crooked Beat Records moved to 18th Street in the Adams Morgan section of Washington, D.C. [1] From 2004 until 2006, the Adams Morgan store was operated by Bill Daly and Neal Becton as a shared retail space. In 2006, Becton left and opened Som Records, a competing record store still operating in Washington D.C. [26] Crooked Beat Records remained in Washington for twelve years, until moving to Alexandria, Virginia, in 2016. Before moving to Alexandria, Crooked Beat Records was named one of the best record stores in the Washington, D.C., area in 2015. [27] Since moving to Alexandria, the business organization Visit Alexandria [28] named Crooked Beat Records in a list of "11 Shops That Are Worth The Trip In Old Town Alexandria." [29]
In 1997, when Crooked Beat Records opened in Raleigh, N.C., approximately 30% of sales came from vinyl records. By 2011, vinyl records accounted for "99 percent of total sales," according to Daly. In 2011, Crooked Beat Records ceased sales of CDs, except for albums by local artists. [30] Crooked Beat Records specializes in sales of both new and used vinyl. [29]
Year | Catalog No. | Artist | Title |
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2014 | CB011 | Insurgence DC | "True to Life / Man in Black" [20] |
2014 | CB012 | Möbius Strip | "Palabras Podridas" [31] |
2015 | CB013 | Indiobravo [32] | "Breakdown / Crawl Back" [21] |
2015 | CB014 | Insurgence DC | "Poison Profits / Dishonor" [33] |
2015 | CB015 | The Everymen | "Spaceship Opening (A Very Short Tribute To Eric's Trip)" [34] |
Year | Catalog No. | Artist | Title |
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2016 | CB016 | Insurgence DC Möbius Strip Don Zientara | A Bang on the Ear [6] |
2017 | CB017 | Various Artists | Recutting the Crap, Volume One [7] |
2018 | CB018 / CB018.5 | Various Artists | Recutting the Crap, Volume Two [13]
|
2019 | CB019 | Insurgence DC | Broken In The Theater of the Absurd [15] |
2020 | CB020 | The Violets | Athens, GA 1988-1992 [17] |
2021 | CB021 | Various Artists | Songs from the Astral Plane, Volume One: A Tribute to Jonathan Richman & The Modern Lovers [18] |
Reggae is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term reggae more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument.
Ska is a music genre that originated in Jamaica in the late 1950s and was the precursor to rocksteady and reggae. It combined elements of Caribbean mento and calypso with American jazz and rhythm and blues. Ska is characterized by a walking bass line accented with rhythms on the off beat. It was developed in Jamaica in the 1960s when Stranger Cole, Prince Buster, Clement "Coxsone" Dodd, and Duke Reid formed sound systems to play American rhythm and blues and then began recording their own songs. In the early 1960s, ska was the dominant music genre of Jamaica and was popular with British mods and with many skinheads.
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Jeremy David Hounsell Dammers GCOT is a British musician who was a founder, keyboard player and primary songwriter of the Coventry-based ska band The Specials and later The Spatial AKA Orchestra. Through his foundation of the record label Two Tone, his work blending political lyrics and punk with Jamaican music, and his incorporation of 60's retro clothing, Dammers is a pivotal figure of the ska revival. He has also been acknowledged in his work for racial unity.
Neville Eugenton Staple, sometimes credited as Neville Staples, is a Jamaican-born English singer, known for his work with the 2 Tone ska band the Specials, as well as with his own group, the Neville Staple Band. He also performed with Ranking Roger in the supergroup Special Beat.
The Beat are a British band formed in Birmingham, England, in 1978. Their music fuses Latin, ska, pop, soul, reggae and punk rock.
Sandinista! is the fourth studio album by the English punk rock band the Clash. It was released on 12 December 1980 as a triple album containing 36 tracks, with 6 songs on each side. It crosses various genres including funk, reggae, jazz, gospel, rockabilly, folk, dub, rhythm and blues, calypso, disco, and rap. For the first time, the band's traditional songwriting credits of Strummer and Jones were replaced by a generic credit to the Clash. The band agreed to a decrease in album royalties in order to release the 3-LP at a low price.
Cut the Crap is the sixth and final studio album by English punk band the Clash, released on 4 November 1985 by CBS Records. It was recorded in early 1985 at Weryton Studios, Munich, following a turbulent period: co-founder, lead guitarist and co-principal songwriter Mick Jones and drummer Topper Headon had been dismissed by lead vocalist Joe Strummer and bassist Paul Simonon. Jones and Headon were replaced by three unknowns: guitarists Vince White and Nick Sheppard and drummer Pete Howard. During the tense recording sessions, Clash manager Bernie Rhodes and Strummer fought each other for control over the band's songwriting and musical direction.
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Crooked Beat will be putting out three more seven-inches
They also had a song released on Recutting The Crap, a Crooked Beat Records' LP that reinterprets The Clash's swan song, Cut The Crap.