Crosstrap

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Crosstrap
Crosstrap (1962 film).jpg
Opening title
Directed by Robert Hartford-Davis
Screenplay byPhilip Wrestler
Based onnovel The Last Seven Hours by John Newton Chance
Produced by Michael Deeley
George Mills
Starring Laurence Payne
Jill Adams
Gary Cockrell
Cinematography Eric Cross
Edited by Harry Booth
Music by Steve Race
Distributed byUnifilms Ltd.
Release date
  • January 1962 (1962-01)
Running time
62 minutes
CountryUnited Kingdom
LanguageEnglish

Crosstrap is a 1962 British B-movie [1] crime film directed by Robert Hartford-Davis, starring Laurence Payne, Jill Adams and Gary Cockrell. [2] The screenplay was by Philip Wrestler, adapted from the 1956 novel The Last Seven Hours by John Newton Chance. [3]

Contents

Plot

Novelist Geoff and his wife Sally rent an isolated countryside bungalow to enable Geoff to finish his latest book without the distractions of life in London. On their arrival, they are horrified to find a dead man in the property; before they can report the discovery they are confronted by Duke, a gangland boss, and his henchmen who have, it transpires, been using the empty property as a hide-out for stolen valuables which they are planning to smuggle out of the country. A rival gangster, Juan, also has his eye on the goods and has discovered their whereabouts. The dead man is one of his minions.

Geoff and Sally are held captive, and matters take a turn for the worse when Juan and his men also arrive on the scene, forcing a stand-off between the two factions during which Geoff and Sally are roughly-treated by both sides. Duke starts to fall for Sally, and his obvious interest in her antagonises his girlfriend Rina. Eventually there is a bloody shoot-out between the rival gangs, with Duke's men getting the better of the exchange. Duke and his gang board the plane to make good their escape with the valuables, but the plane is shot at before takeoff by the jealous and vengeful Rina, first shooting the pilot and then hitting the fuel tank, after which the plane bursts into flames, killing all 4 people on board.

Cast

Reception

Monthly Film Bulletin said "Overacted, ludicrous and amateurish, this so-called thriller finally explodes in a merry crescendo of guns, fists and bloodletting. The build-up, on the other hand, is laboured in the extreme." [4]

Kine Weekly said "Brawny, but brainless, British romantic crime melodrama. .. The picture, cheap crime fiction, takes a long while to unravel its plot and then goes to the other extreme and polishes off the bad lads with ludicrous haste. Laurence Payne fancies himself much too much as Duke, and Jill Adams and Gage Cockrell are no great shakes as Sally and Geoffrey. The rest also lack finesse. The country exteriors are, however, impressive, and cameraman Eric Cross definitely deserves a hand." [5]

According to the British Film Institute (BFI), The Daily Cinema wrote: "incredible but lively tale of gang-warfare, packed with hearty action and intrigue, plus a spot of sex for flavour" offering "robust ... programme support", with a "climactic blood-bath where corpses bite the dust as freely as Indians in a John Ford western". [6]

Post-release

Crosstrap was originally released to cinemas as a supporting film in January 1962 by Unifilms Ltd.[ citation needed ] Unusually for a supporting feature, it was later picked up by Monarch Films for another cinema outing as a double-bill feature in 1967. There was no record of the film after this point. There was no indication that it was ever shown on television in the UK, and attempts to trace a print of the film proved fruitless for decades.[ citation needed ]

Crosstrap is viewed with interest by film historians as the debut of Hartford-Davis, who would go on to direct a number of cult 1960s films which pushed the boundaries of what was acceptable at the time in terms of sexual content ( That Kind of Girl (1963), The Yellow Teddy Bears (1963)) or violence ( Corruption (1968)), alongside others that provide a very time-specific depiction of Swinging London ( Saturday Night Out (1964), The Sandwich Man (1966)).[ citation needed ] It was one of two Hartford-Davis films – the other being Nobody Ordered Love (1971) – that the BFI included on its 2010 "75 Most Wanted" list of missing British feature films. [6] The BFI reported that a black-and-white negative of the film was discovered in the early 2010s and digitally scanned. It was screened on Talking Pictures TV on 9 March 2018 and 3 October 2019. It is also available for viewing on the BFI player website. [7]

See also

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References

  1. ↑ McFarlane, Brian, ed. (2013). The Encyclopedia of British Film (4th ed.). Manchester University Press. p. 336. ISBN   9780719091391.
  2. ↑ "Crosstrap". British Film Institute Collections Search. Retrieved 19 November 2023.
  3. ↑ "» A Movie Review by David Vineyard: CROSSTRAP (1962)".
  4. ↑ "The Yellow Teddy Bears". Monthly Film Bulletin . 29 (336): 39. 1962 – via ProQuest.
  5. ↑ "The Yellow Teddy Bears". Kine Weekly . 537 (2835): 24. 1 February 1962 – via ProQuest.
  6. 1 2 75 Most Wanted - Crosstrap Archived 3 August 2012 at the Wayback Machine BFI National Archive. Retrieved 09-09-2010
  7. ↑ "Crosstrap on BFI Player". Archived from the original on 28 March 2017.
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