| Nobody Ordered Love | |
|---|---|
 Still from the film | |
| Directed by | Robert Hartford-Davis |
| Written by | Robert Shearer |
| Produced by | Robert Hartford-Davis |
| Starring | Ingrid Pitt Judy Huxtable John Ronane Tony Selby |
| Music by | Tony Osborne |
Release date |
|
Running time | 87 minutes |
| Country | United Kingdom |
| Language | English |
Nobody Ordered Love is a lost 1972 British comedy drama film directed by Robert Hartford-Davis. The cast includes Ingrid Pitt, Judy Huxtable, John Ronane, and Tony Selby. [1]
After film director Paul Medbury attempts to replace Alice Allison, the alcoholic star of his new First World War movie entitled The Somme, with up-and-coming starlet Caroline Johnson, a series of tragic events begins to unfold.
According to the British Film Institute (BFI), which holds an annotated shooting script in its collection, Nobody Ordered Love is considered a lost film and is on its 75 Most Wanted list. Kevin Lyons of the BFI National Library Filmographic Unit writes:
Rank released Nobody Ordered Love in 1972 and it certainly played the New Victoria in London, regular home to low-budget exploitation fare. Star Ingrid Pitt has suggested – in an interview with the Celluloid Slammer blog as well as in one of her on-going series of columns for the Den of Geek website that Hartford-Davis had a falling out with Rank over the lack of promotion they were giving the film and stormed off with the prints, decamping to the States, where he continued to work. After his death, Pitt claims, his widow arranged for his belongings to be disposed of and the cans of film were among those items thrown out. [2]
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John Ronane was a British actor.
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Robert Hartford-Davis was a British born producer, director and writer, who worked on film and television in both in the United Kingdom and United States. He is also sometimes credited as Michael Burrowes or Robert Hartford.
Judy Huxtable is a British actress.
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The Touchables is a 1968 British crime drama film directed by Robert Freeman and starring Judy Huxtable, Esther Anderson and James Villiers. It was written by Ian La Frenais from a story by Donald Cammell. Cammell, who shares screenplay credit, would later rework its themes in Performance (1970).
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