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Crumar is an Italian manufacturer of electronic musical instruments. It was established by Mario Crucianelli in the late 1960s, [1] and manufactured synthesizers and keyboards during the '70s and '80s. Its name is a portmanteau of "Crucianelli" and the name of his business partner, Marchetti. [1] The company appears to have grown out of the Crucianelli accordion company and also continued to manufacture accordions under both names.
Crumar started out manufacturing electronic pianos and string synthesizers, such as the Compac-piano (1972/1973), Compac-string (1973), Pianoman (1974) and Stringman (1974), the functions of which were combined in 1975 with the Multiman (also known as the Orchestrator), and in 1977 with the Multiman-S. [1] The company was also known for "clonewheel" organs made in the 70's and 80's, such as the Organizer (1974), Organizer T1 (1978) and T1/C (1981), T2 (1978), and T3 (1981). [1]
In 1978, Crumar released their first full-fledged synthesizer, the DS-2, which had one of the earliest digitally controlled oscillators (DCO). [2] Crumar synthesizers are comparable and contemporaneous to Moog synthesizers and other analog synthesizers; in fact, the Crumar Spirit synthesizer (1983) was designed by Bob Moog himself, along with Minimoog co-designer Jim Scott and Tom Rhea (who wrote Moog manuals). [3] In 1984, [1] Crumar began producing polyphonic synthesizers utilizing DCOs under the Bit name (Unique in the US). [3] The Performer is a polyphonic analog Strings and Brass machine produced at the end of the 1970s and is slightly compact with just 49 keys and is fully polyphonic (can play all 49 notes simultaneously). Programming is simple and clearly laid-out with just 15 sliders and a few buttons. A solid black chassis and wood end-cheeks round out this classic and often overlooked string machine. The Performer is best remembered for its Strings more so than its Brass and was used by Duran Duran.
In the early 1980s, Crumar formed a design/distribution collaborative with New York-based Music Technology (MT) in an effort to commercialize the Bell Labs Digital Synthesizer. Crumar and the MT designers worked in conjunction with some respected names in electronic music to produce the Crumar GDS (General Development System) [4] in 1980, and the Digital keyboards Synergy [5] in 1981. These synthesizers, which used additive synthesis technology and frequency modulation synthesis [5] (or phase modulation [ citation needed ]), were bulky and cumbersome, but were state-of-the-art at the time. The complexity of this project, along with Japanese competition (notably from the Yamaha DX7) contributed to the company's eventual downfall.
Crumar ceased trading in 1987, just as they were about to launch a high-quality sampler at the lower end of the market.
In 2008 the Crumar brand was acquired by a new Italian company that soon began producing new keyboards under the Crumar name, including the Baby Grand piano (introduced at the 2008 Musikmesse), Bassman bass synth, and Mojo clonewheel organ.
In 2018 a digital electric piano called Seven was introduced. It featured modern day technology in a wooden vintage 1970s style case.
An electronic musical instrument or electrophone is a musical instrument that produces sound using electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker, creating the sound heard by the performer and listener.
An electronic keyboard, portable keyboard, or digital keyboard is an electronic musical instrument based on keyboard instruments. Electronic keyboards include synthesizers, digital pianos, stage pianos, electronic organs and digital audio workstations. In technical terms, an electronic keyboard is a rompler-based synthesizer with a low-wattage power amplifier and small loudspeakers.
Keytar is a keyboard instrument similar to a synthesizer or MIDI controller that is supported by a strap around the neck and shoulders, similar to the way a guitar is held.
The Korg Poly-800 is an 8-voice analog synthesizer released by Korg in 1983. Its initial list price of $795 made it the first fully programmable polyphonic synthesizer that sold for less than $1,000. It was designed for portability, featuring battery power and a lightweight design that allowed the user to play with it strapped around their neck. It utilized digitally controlled oscillators (DCOs), and was a paraphonic synth with a single filter shared between its eight voices.
A sound module is an electronic musical instrument without a human-playable interface such as a piano-style musical keyboard. Sound modules have to be operated using an externally connected device, which is often a MIDI controller, of which the most common type is the musical keyboard. Another common way of controlling a sound module is through a sequencer, which is computer hardware or software designed to record and playback control information for sound-generating hardware. Connections between sound modules, controllers, and sequencers are generally made with MIDI, which is a standardized interface designed for this purpose.
Bass pedals are an electronic musical instrument with a foot-operated pedal keyboard with a range of one or more octaves. The earliest bass pedals from the 1970s consisted of a pedalboard and analog synthesizer tone generation circuitry packaged together as a unit. The bass pedals are plugged into a bass amplifier or PA system so that their sound can be heard. Since the 1990s, bass pedals are usually MIDI controllers, which have to be connected to a MIDI-compatible computer, electronic synthesizer keyboard, or synth module to produce musical tones. Some 2010s-era bass pedals have both an onboard synth module and a MIDI output.
The Realistic Concertmate MG-1 is an analog synthesizer manufactured by Moog Music in 1981 and sold by Radio Shack from 1982 to 1983 under their "Realistic" brand name. It was produced without some standard Moog features, such as pitch and modulation wheels, as a cost-cutting measure aimed at achieving a lower price for the consumer market. The synthesizer also featured a pair of pass-through RCA jacks, which allowed users to mix radio or records into the final live synthesized sound output.
The microKORG is a MIDI-capable digital synthesizer/vocoder from Korg featuring DSP-based analog modelling. The synthesizer is built in such a way that it is essentially a Korg MS-2000 with a programmable step arpeggiator, a less advanced vocoder, lack of motion sequencing, lack of an XLR microphone input, and in a smaller case with fewer real-time control knobs.
Arturia is a French electronics company founded in 1999 and based in Grenoble, France. The company designs and manufactures audio interfaces and electronic musical instruments, including software synthesizers, drum machines, analog synthesizers, digital synthesizers, MIDI controllers, sequencers, and mobile apps.
A clonewheel organ is an electronic musical instrument that emulates the sound of the electromechanical tonewheel-based organs formerly manufactured by Hammond from the 1930s to the 1970s. Clonewheel organs generate sounds using solid-state circuitry or computer chips, rather than with heavy mechanical tonewheels, making clonewheel organs much lighter-weight and smaller than vintage Hammonds, and easier to transport to live performances and recording sessions.
The Polymoog is a hybrid polyphonic analog synthesizer that was manufactured by Moog Music from 1975 to 1980. The Polymoog was based on divide-down oscillator technology similar to electronic organs and string synthesizers of the time.
Polyphony is a property of musical instruments that means that they can play multiple independent melody lines simultaneously. Instruments featuring polyphony are said to be polyphonic. Instruments that are not capable of polyphony are monophonic or paraphonic.
The Elka Synthex is a polyphonic analog synthesizer produced by Italian music instrument manufacturer Elka from 1981 to 1985.
The AX80 is a polyphonic analogue keyboard synthesizer manufactured by Akai Professional in 1984. It was Akai's first venture into the professional electronic musical instrument market. The AX80 used digitally controlled oscillators (DCO) and filter circuitry based on the Curtis Electronics CEM 3372 integrated circuit. It was marketed as part of a line of project studio equipment called the Akai Music Studio System, which included the S612 digital sampler the MR16 drum machine, the MS08 sequencer, and the MG1212 multitrack tape recorder.
The Bell Labs Digital Synthesizer, better known as the Alles Machine or Alice, was an experimental additive synthesizer designed by Hal Alles at Bell Labs during the 1970s. The Alles Machine used computer-controlled 16-bit digital synthesizer operating at 30k samples/sec with 32 sine-wave oscillators. The Alles Machine has been called the first true digital additive synthesizer, following on earlier Bell experiments that were partially or wholly implemented as software on large computers. Only one full-length composition was recorded for the machine, before it was disassembled and donated to Oberlin Conservatory's TIMARA department in 1981. Several commercial synthesizers based on the Alles design were released during the 1980s, including the Atari AMY sound chip.
The Korg Z1 is a digital synthesizer released by Korg in 1997. The Z1 built upon the foundation set by the monophonic Prophecy released two years prior by offering 12-note polyphony and featuring expanded oscillator options, a polyphonic arpeggiator and an XY touchpad for enhanced performance interaction. It was the world's first multitimbral physical modelling synthesizer.
A string synthesizer or string machine is a synthesizer designed to make sounds similar to those of a string section. Dedicated string synthesizers occupied a specific musical instrument niche between electronic organs and general-purpose synthesizers in the 1970s and early 1980s, until advances in digital signal processing technology allowed the production of inexpensive general-purpose polyphonic synthesizers and samplers, which made the existence of a separate type of instrument unnecessary.
The Yamaha DX21 is a digital controlled bi-timbral programmable digital FM synthesizer with a four operator synth voice generator which was released in 1985. It uses sine wave-based frequency modulation (FM) synthesis. It has two FM tone generators and a 32-voice random-access memory (RAM), 32 user voices and 128 read-only memory (ROM) factory preset sounds. As a programmable synth, it enables users to create their own unique synthesized tones and sound effects by using the algorithms and oscillators. The instrument weighs 8 kg (17.6 lbs). On its release, it sold for $795.
The history of home keyboards lies in mechanical musical instrument keyboards, electrified keyboards and 1960s and 1970s synthesizer technologies.