"Moving" is a song by English rock band Supergrass from their eponymous third album (1999). Released as a single in September 1999, "Moving" reached number nine on the UK Singles Chart, becoming Supergrass's last top-10 hit. In addition, it peaked at number 14 in Finland, where it is the band's sole top-20 hit, and number 81 in the Netherlands. The song later appeared on their greatest hits compilation Supergrass Is 10 (2004). The song features over the closing credits of East is East.
"Come as You Are" is the lead single from English singer Beverley Knight's fourth studio album, Affirmation (2004). Co-written by Guy Chambers, it was Knight's second UK top-10 hit and is her highest-charting song in the UK, peaking at number nine and remaining in the UK top 75 for 10 weeks. It also briefly charted in Germany, peaking at number 100.
"Shoulda Woulda Coulda" is a song by English singer Beverley Knight, released as the second single from her third studio album, Who I Am (2002). Written about the breakup of her long-term relationship because she decided to put her career first, the song became Knight's first top-10 single in the United Kingdom, peaking at number 10 on the UK Singles Chart and topping the UK R&B Singles Chart.
"She Will Have Her Way" is a song by New Zealand singer-songwriter and Crowded House lead singer Neil Finn. Released on 1 June 1998, the track peaked at number 19 on the New Zealand Singles Chart and number 26 on the UK Singles Chart. The song gave its name to the 2005 tribute album She Will Have Her Way, which features female Australasian artists performing tracks written by Neil and Tim Finn. It was also the inspiration for the title of the 2010 tribute album He Will Have His Way.
"Sun Hits the Sky" is a song by English rock band Supergrass. It was released as the third single from the band's second album, In It for the Money (1997), in June 1997. The single reached number 10 on the UK Singles Chart and reached the top 20 in Iceland. The B-side, "Some Girls Are Bigger Than Others", is a cover of the 1986 Smiths song.
"Late in the Day" was the fourth and final single from Britpop band Supergrass' second studio album, In It for the Money (1997). It was released in October 1997 and reached number 18 on the UK Singles Chart. The song also charted in Iceland, peaking at number 32 in November 1997. The two CD releases of the single have the same photo as their cover but the colours of one have been reversed on the second one.
"Grace" is a song by Britpop band Supergrass. It was the second single to be taken from Life on Other Planets (2002), the band's fourth studio album. It was released on 16 September 2002 and reached number 13 on the UK Singles Chart. Unlike the previous single, "Never Done Nothing Like That Before", a vinyl-only release, it was released on all major formats.
"On Silent Wings" is a song by American singer-songwriter Tina Turner with guest vocals from English musician Sting. Released in May 1996 in support of Turner's ninth album, Wildest Dreams (1996), the single performed well on the US and Canadian adult contemporary charts, peaking at numbers 24 and 13 respectively. The dance version of "On Silent Wings", remixed by Soul Solution, charted at number 47 on the US Billboard Dance Club Songs chart. Like much of Turner's later work, "On Silent Wings" enjoyed greater success in the United Kingdom, peaking at number 13 on the UK Singles Chart.
"Good Thing" is a song by British R&B girl group Eternal, released as the third single from their second album, Power of a Woman, on 26 February 1996. The song reached No. 8 in the United Kingdom and stayed in the top 100 for eight weeks. It was their seventh non-consecutive top-10 hit in the UK.
"You Only Tell Me You Love Me When You're Drunk" is a song by English synth-pop duo Pet Shop Boys, released on 3 January 2000 as the third and final single from their seventh studio album, Nightlife (1999). It reached number eight on the UK Singles Chart but failed to chart in the United States.
"Liberation" is a song by English synth-pop duo Pet Shop Boys, released by Parlophone as the fourth single from their fifth studio album, Very (1993). It peaked at number 14 on the UK Singles Chart, making it the lowest-charting single from Very in the United Kingdom. Its music video was directed by Howard Greenhalgh. The single's B-side, "Decadence", featuring Pat O'Brien was on the Further Listening: 1992–1994 re-release of Very, and the B-sides compilation Alternative.
"Before" is a song by English synth-pop duo Pet Shop Boys, released on 22 April 1996 as the lead single from their sixth studio album, Bilingual (1996). Upon its release, the single peaked at number seven on the UK Singles Chart, number four in Finland, and number one in Hungary. In the United States, it topped the Billboard Hot Dance Club Play chart.
"Single-Bilingual" is a song by English synth-pop duo Pet Shop Boys, released on 11 November 1996 as the third single from their sixth studio album, Bilingual (1996). The track peaked at number 14 on the UK Singles Chart. The song is named "Single" on the album version but was retitled "Single-Bilingual" because Everything but the Girl also had a song named "Single", which had been released the previous May. The album version cross-fades with the previous track, "Discoteca", of which both the album and single versions feature an interpolation at the end.
"A Red Letter Day" is a song by English synth-pop duo Pet Shop Boys, released on 17 March 1997 as the fourth single from their sixth studio album, Bilingual (1996). The single peaked at number 9 on the UK Singles Chart, making it another top 10 single for the group. However, it then fell straight out of the UK top 40 the following week. At the time, this was a record as the biggest such fall to ever occur in UK chart history, but it was then beaten the following year by Embrace with their single "My Weakness Is None of Your Business".
"New York City Boy" is a song by English synth-pop duo Pet Shop Boys, released on 22 September 1999 as the second single from their seventh studio album, Nightlife (1999). In the UK, the single peaked at number 14 on the UK Singles Chart. It also reached the charts in numerous European countries, peaking at number three in Spain, and number four in Finland and Hungary. In the US, the song hit number one on the Billboard Hot Dance Club Play chart and number 53 on the Billboard Hot Singles Sales chart.
"I Don't Know What You Want but I Can't Give It Any More" is a song by English synth-pop duo Pet Shop Boys from their seventh studio album, Nightlife (1999). Released on 19 July 1999 as the album's lead single, it peaked at number 15 on the UK Singles Chart, number two on the US Hot Dance Club Play chart, and number 66 on the US Hot Singles Sales chart.
"Arms Around the World" is a song by English singer Louise, released on 22 September 1997 as the lead single from her second studio album, Woman in Me (1997). It appeared on several music charts, peaking at number four on the UK Singles Chart in September 1997. As reported by the Official Charts Company in January 2020, "Arms Around the World" has sold 159,000 copies in the UK. The video was directed by Toby Tremlett.
"Let's Go Round Again" was a single released by the Scottish funk and R&B group Average White Band. The single charted at UK No. 12, US Pop No. 53, US R&B No. 33 and US Disco No. 24 The corrected title "Let's Go 'Round Again" can be seen in their printed 1994 compilation album Pickin' Up the Pieces: The Best of Average White Band 1974-1980.
"The Day We Find Love" is a song by English boy band 911. It was released in the United Kingdom through Virgin Records on 10 February 1997 as the fourth single from their debut studio album, The Journey (1997). The song debuted at number four on the UK Singles Chart.
"Summertime" is a song by English alternative rock band the Sundays. Written and produced by guitarist David Gavurin and lead singer Harriet Wheeler, the song was recorded for the band's third and final studio album, Static & Silence (1997), and released on 8 September 1997 as the first single from the album. Wheeler and Gavurin were inspired to write the song after several of their friends joined a dating service, and the lyrics reflect on how the pursuit of perfect romantic relationships can become taxing.
