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The Herodian dynasty was a royal dynasty of Idumaean (Edomite) descent, ruling the Herodian Kingdom of Judea and later the Herodian Tetrarchy as a vassal state of the Roman Empire. The Herodian dynasty began with Herod the Great, who assumed the throne of Judea, with Roman support, bringing down the century-old Hasmonean Kingdom. His kingdom lasted until his death in 4 BCE, when it was divided among his sons as a tetrarchy, which lasted for about 10 years. Most of those tetrarchies, including Judea proper, were incorporated into Judaea Province from 6 CE, though limited Herodian de facto kingship continued until Agrippa I's death in 44 CE and nominal title of kingship continued until 92 CE, when the last Herodian monarch, Agrippa II, died and Rome assumed full power over his de jure domain.
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The Nativity of Jesus has been a major subject of Christian art since the 4th century.
A Nativity play or Christmas pageant is a play which recounts the story of the Nativity of Jesus. It is usually performed at Christmas, the feast of the Nativity.
The birth of Jesus has been depicted since early Christianity, and continues to be interpreted in modern artistic forms. Some of the artforms that have described Jesus' nativity include drama and music. Featured characters usually include Jesus, Mary, and Joseph.
Balthazar, also called Balthasar, Balthassar, and Bithisarea, was according to Western Christian tradition one of the three biblical Magi along with Caspar and Melchior who visited the infant Jesus after he was born. Balthazar is traditionally referred to as the King of Arabia and gave the gift of myrrh to Jesus. In the Catholic Church, he is regarded as a saint.
The pageant of Magnus Herodes is the sixteenth of the pageants of the Towneley Cycle of medieval mystery plays. It occupies folios 55-60 of the unique manuscript of the cycle, Huntington MS HM 1. It is composed in the distinctive stanza-style rhyming associated by scholars with a putative poet known as the 'Wakefield Master'. In the assessment of A. C. Cawley, 'the Wakefield playwright's skill in characterisation is nowhere better shown than in this pageant'. Like other tyrant characters in medieval drama, the protagonist of Herod the Great fictionalises the audience as his own subjects, and this pageant 'presents one of the most extended displays of this figure's interactive antics'.
References
- ↑ David Staines, 'To Out-Herod Herod: The Development of a Dramatic Character', Comparative Drama, 10.1 (spring 1976), 29-53, doi : 10.1353/cdr.1976.0015.
- ↑ R. Chris Hassel, Jr., '"No Boasting like a Fool?" Macbeth and Herod', Studies in Philology, 98.2 (Spring, 2001), 205-24.