Cynthia Nielsen

Last updated
Cynthia R. Nielsen
Cynthia R Nielsen Oct 2017.jpeg
Cynthia R Nielsen Oct 2017
Alma mater University of Dallas (Ph.D.), University of North Florida (B.Music in Jazz Studies)
Era 21st century Philosophy
Region Western philosophy
School Continental
Institutions University of Dallas,(2015–present) Villanova (2012–14)
Doctoral advisor Philipp W. Rosemann
Doctoral students John V. James
Main interests
hermeneutics, Hans-Georg Gadamer, philosophy of art, aesthetics, social and political philosophy, ethics

Cynthia R. Nielsen is an American philosopher and Professor of Philosophy at the University of Dallas. [1] She is known for her expertise in the field of hermeneutics (focusing especially on Hans-Georg Gadamer), the philosophy of music, aesthetics, ethics, and social philosophy. [2] [3] [4] Since 2015 she has taught at the University of Dallas. Prior to her appointment at the University of Dallas, she taught at Villanova University as a Catherine of Sienna Fellow in the Ethics Program Archived 2018-12-19 at the Wayback Machine . Nielsen serves on the executive committee of the North American Society for Philosophical Hermeneutics. [5]

Contents

Nielsen's work engages a wide range of theorists, philosophers, and topics. [6] [7] A common thread in her work is a "hermeneutics of the other," an attempt to enter into dialogue with various "others" (racialized and gendered subjects, artworks, jazz improvisations, literary texts, etc.) in order to listen attentively to the other's "voice" and incite a transformative understanding of self, world, and other. Through her integration of Gadamerian hermeneutics, social and critical philosophy, and the philosophy of music, she has developed the notion of hermeneutics as a communal improvisational practice. [8] [9]

Education

Nielsen earned a Bachelor of Music in Jazz Studies at the University of North Florida, [10] where she studied jazz guitar with renowned jazz guitarist Jack Petersen. She earned her Ph.D. in philosophy at the University of Dallas, [1] where she studied with Professor Philipp W. Rosemann. [11]

Overview of work

Nielsen's early research (from 2009–2013) focuses primarily on how subjects, on the one hand, are socially constructed, and on the other, actively resist sociopolitical, economic, cultural, and other forces in order to shape their subjectivities. For example, her work on Frederick Douglass and Frantz Fanon analyzes how racialized and colonized subjectivities are constructed and highlights how agents employ various strategies in order to resist, reconfigure, and subvert dehumanizing structures, discourses, and practices. [4] [12] Her work on Foucault and Douglass shows how Douglass was cognizant of the disciplinary power at work in Covey's panoptic gaze. [13] [14]

In light of her background and experience as a jazz musician, Nielsen frequently brings music, and jazz in particular, into conversation with philosophy, discussing not only the philosophical and theoretical aspects of music, but also the ethical and sociopolitical dimensions. Her book, Gadamer's Hermeneutical Aesthetics: Art as a Performative, Dynamic, Communal Event (Routledge, 2023), brings Gadamer's hermeneutics into conversation with the practices of Free Jazz, Banksy's street art, and African American artist Romare Bearden. [15]

Because Nielsen's work is interdisciplinary and explores a wide range of cultural, ethical, sociopolitical, and hermeneutical issues, her work has been appropriated by scholars in multiple disciplines including not only philosophy but also sociology, psychology, theology, postcolonial studies, ethnomusicology, critical race theory, literary theory, and political theory. [16] [17] For example, in her review of Nielsen's book, Foucault, Douglass, Fanon, and Scotus in Dialogue, Dr. Renee Harrison, describes Nielsen's work as "a significant interdisciplinary contribution to the fields of philosophy, religion, history, and African American studies." [6]

Her current research (since 2014) concentrates on Hans-Georg Gadamer's hermeneutical philosophy with a special interest in his hermeneutical aesthetics and reflections on the ontology of art as a communicative and communal event. [2]

Selected publications

Books

Book chapters

Articles

Encyclopedia entries

Related Research Articles

The following outline is provided as an overview of and topical guide to critical theory:

<span class="mw-page-title-main">Hans-Georg Gadamer</span> German philosopher (1900–2002)

Hans-Georg Gadamer was a German philosopher of the continental tradition, best known for his 1960 magnum opus on hermeneutics, Truth and Method.

<span class="mw-page-title-main">Romare Bearden</span> American artist, author, and songwriter (1911–1988)

Romare Bearden was an American artist, author, and songwriter. He worked with many types of media including cartoons, oils, and collages. Born in Charlotte, North Carolina, Bearden grew up in New York City and Pittsburgh, Pennsylvania, and graduated from New York University in 1935.

<span class="mw-page-title-main">Hermeneutics</span> Theory and methodology of text interpretation

Hermeneutics is the theory and methodology of interpretation, especially the interpretation of biblical texts, wisdom literature, and philosophical texts. As necessary, hermeneutics may include the art of understanding and communication.

<span class="mw-page-title-main">Wilhelm Dilthey</span> German historian, psychologist, sociologist, student of hermeneutics, and philosopher (1833–1911)

Wilhelm Dilthey was a German historian, psychologist, sociologist, and hermeneutic philosopher, who held Georg Wilhelm Friedrich Hegel's Chair in Philosophy at the University of Berlin. As a polymathic philosopher, working in a modern research university, Dilthey's research interests revolved around questions of scientific methodology, historical evidence and history's status as a science.

Arto Haapala is a Finnish philosopher, aesthetician and Professor of Aesthetics at the Department of Philosophy, History, Culture and Art Studies at Helsinki University, Finland. Haapala received his PhD from Birkbeck, University of London in 1985. He is also active in the work of the Finnish Society for Aesthetics and the International Institute of Applied Aesthetics in Lahti, Finland.

Robert L. Bernasconi is Edwin Erle Sparks Professor of Philosophy at Pennsylvania State University. He is known as a reader of Martin Heidegger and Emmanuel Levinas, and for his work on the concept of race. He has also written on the history of philosophy.

Babette Babich is an American philosopher who writes from a continental perspective on aesthetics, philosophy of science, especially Nietzsche's, and technology, especially Heidegger's and Günther Anders, in addition to critical and cultural theory.

Hugh J. Silverman was an American philosopher and cultural theorist whose writing, lecturing, teaching, editing, and international conferencing participated in the development of a postmodern network. He was executive director of the International Association for Philosophy and Literature and professor of philosophy and comparative literary and cultural studies at Stony Brook University, where he was also affiliated with the Department of Art and the Department of European Languages, Literatures, and Cultures. He was program director for the Stony Brook Advanced Graduate Certificate in Art and Philosophy. He was also co-founder and co-director of the annual International Philosophical Seminar since 1991 in South Tyrol, Italy. From 1980 to 1986, he served as executive co-director of the Society for Phenomenology and Existential Philosophy. His work draws upon deconstruction, hermeneutics, semiotics, phenomenology, aesthetics, art theory, film theory, and the archeology of knowledge.

<span class="mw-page-title-main">Jeff Malpas</span> Australian philosopher

Jeff Malpas is an Australian philosopher and emeritus distinguished professor at the University of Tasmania in Hobart. Known internationally for his work across the analytic and continental traditions, Malpas is also at the forefront of contemporary philosophical research on the concept of "place", as first and most comprehensively presented in his Place and Experience: A Philosophical Topography—now in its second edition—and further developed in numerous subsequent works.

Patricia Altenbernd Johnson is Distinguished Service Professor Emerita of Philosophy at the University of Dayton. She has written books about contemporary philosophers. She is a specialist in philosophy of religion, hermeneutics and 19th and 20th century continental philosophy, and on the works of Martin Heidegger and Hans-Georg Gadamer.

Andrew S. Bowie is Professor of Philosophy and German at Royal Holloway, University of London and Founding Director of the Humanities and Arts Research Centre (HARC).

Georgia Warnke is a Distinguished Professor of Political Science and the Director of the Center for Ideas & Society at the University of California, Riverside. She chaired the Department from 2002 to 2004. She also acted as the Associate Dean for Arts and Humanities, College of Humanities, Arts and Social Sciences at UCR from 2006 to 2011.

<span class="mw-page-title-main">Inge Hardison</span> American sculptor, artist and photographer

Ruth Inge Hardison was an American sculptor, artist, and photographer, known particularly for her 1960s busts entitled "Negro Giants in History". Hardison's 1983 collection called "Our Folks", which features sculpted portraits of everyday people, is also of note. Her artistic productions largely surround historical black portraiture. She was especially interested in creatively representing the unspoken voices of the African American past. She was the only female in the Black Academy of Arts and Letters (BAAL), a group that encourages awareness of black artistic accomplishments, when this organization was founded in 1969.

<span class="mw-page-title-main">Andrzej Wierciński</span> Polish philosopher

Andrzej Wierciński is a hermeneutician, philosopher, and theologian. As the transdisciplinary thinker, he is Professor of Liberal Arts, Faculty of Artes Liberales at the University of Warsaw, President-Founder (2001) of the International Institute for Hermeneutics (IIH), and President of Agora Hermeneutica (IIH).

The hermeneutics of suspicion is a style of literary interpretation in which texts are read with skepticism in order to expose their purported repressed or hidden meanings.

The North American Society for Philosophical Hermeneutics is an organization whose purpose is to advance the study of philosophical hermeneutics. Although the society has a particular interest in the work of Hans-Georg Gadamer, it likewise encourages dialogue and engagement with a multitude of philosophical thinkers, traditions, and contemporary concerns. It was established in 2005.

Nicholas Davey is a British philosopher and professor of philosophy at the University of Dundee. He is known for his expertise in aesthetics, hermeneutics, and his work on Hans-Georg Gadamer. Davey has also played a leading role in founding several research groups and institutes at the University of Dundee, which include Theoros, Hermeneutica Scotia, and the university's Arts and Humanities Research Institute.

Cynthia A. Freeland is an American philosopher of art. She has published three monographs, over two dozen articles, and edited several books. She is emeritus professor of philosophy at the University of Houston. She was the president of the American Society of Aesthetics until 2017. She has been awarded a fellowship from the National Endowment for the Humanities in 2003 for a research project on Fakes and Forgeries. Her book But is it Art? (2001) has been translated into fourteen languages and was republished as part of the Oxford Very Short Introductions series. She talked about her book Portraits&Persons with Nigel Warburton on the Philosophy Bites podcast. She was interviewed by Hans Maes for the book Conversations on Art and Aesthetics (2017) which includes a photograph of her by American photographer Steve Pyke.

<span class="mw-page-title-main">Hans-Herbert Kögler</span> German-American philosopher

Hans-Herbert Kögler, is a German-American philosopher.

References

  1. 1 2 "Nielsen's CV". Academia.edu. Retrieved December 18, 2018.
  2. 1 2 Fuyarchuk, Andrew (2017). The Inner Voice in Gadamer's Hermeneutics: Mediating Between Modes of Cognition in the Humanities and Sciences. Lanham, MD: Lexington. pp. 146–147. ISBN   9781498547055.
  3. Rabaka, Reiland (2014). Concepts of Cabralism: Amilcar Cabral and Africana Critical Theory (Critical Africana Studies). Lanham, MD: Lexington. pp. 302, 346. ISBN   9780739199268.
  4. 1 2 Rabaka, Reiland (2016). The Negritude Movement: W.E.B. Du Bois, Leon Damas, Aime Cesaire, Leopold Senghor, Frantz Fanon, and the Evolution of an Insurgent Idea (Critical Africana Studies). Lanham, MD: Lexington. pp. 248, 278–80. ISBN   9781498511377.
  5. "NASPH Website" . Retrieved January 19, 2019.[ permanent dead link ]
  6. 1 2 Harrison, Renee K. (August 2014), Black Theology, 12 (2): 187–188, doi:10.1179/1476994814z.00000000028, S2CID   142715099 {{citation}}: CS1 maint: untitled periodical (link)
  7. Cutts, Joshua (2015). "Review". Foucault Studies. 19: 229–233. doi: 10.22439/fs.v0i19.4832 .
  8. Nielsen, Cynthia R. (2016). "Gadamer on the Event of Art, the Other, and a Gesture Toward a Gadamerian Approach to Free Jazz". Journal of Applied Hermeneutics. Archived from the original on 2018-05-08. Retrieved 2018-12-20.
  9. Nielsen, Cynthia (2016). "Harsh Poetry and Art's Address: Romare Bearden and Hans-Georg Gadamer in Conversation" (PDF). Polish Journal of Aesthetics. 43: 103–123.
  10. "List of University of North Florida Alumni".
  11. "Braniff Pages". Ramify: The Journal of the Braniff Graduate School of Liberal Arts. 3 (1). 2012. ISSN   2158-5784.
  12. Meudec, Marie (2015). "Processus d'altérisation de l'obeah à Sainte-Lucie". Anthropologica. 57: 225–237, cited 232 via Research Gate.
  13. Haase, Felix (2015). "Within the Circle: Space and Surveillance in Frederick Douglass's Narrative of the Life of Frederick Douglass, an American Slave" (PDF). AsPeers. 8: 71–88, cited 76–77. doi:10.54465/aspeers.08-06. S2CID   253147456 via EBSCO.
  14. Taylor, Jack (2018). "Slavery and Biopolitics: Douglass's My Bondage and My Freedom as Biopolitical Theory". Interdisciplinary Literary Studies. 20 (1): 79–102, cited pp. 86, 91. doi:10.5325/intelitestud.20.1.0079. JSTOR   10.5325/intelitestud.20.1.0079. S2CID   148812462.
  15. Lin, Chun (2023). "Review of Gadamer's Hermeneutical Aesthetics". Universa. Recensioni di filosofia.
  16. Fludernik, Monkia (2017). "Panopticisms: from fantasy to metaphor to reality". Textual Practice. 31: 1–26. doi:10.1080/0950236X.2016.1256675. S2CID   151779179 via EBSCO.
  17. Politz, Sarah (2018). "We Don't Want to Be Jazz-Jazz": Afro-Modernism, Jazz, and Brass Band Music in Benin". Jazz & Culture. 1: 12–48. doi: 10.5406/jazzculture.1.2018.0012 . JSTOR   10.5406/jazzculture.1.2018.0012. S2CID   246626704.