John M. McCollum was an American tenor who had an active singing career in operas, concerts, and recitals during the 1950s through the 1970s. As an opera singer he performed with companies throughout North America, mostly working with second tier opera houses. He was much more successful as a singer of oratorios and other works from the concert repertoire, and enjoyed a particularly productive and lengthy relationship with the Boston Symphony Orchestra. As a concert singer he sang a wide repertoire but drew particular acclaim for his performances in the works of Johann Sebastian Bach and George Frideric Handel.
Patricia Neway was an American operatic soprano and musical theatre actress who had an active international career during the mid-1940s through the 1970s. One of the few performers of her day to enjoy equal success on both the opera and musical theatre stages, she was a regular performer on both Broadway and at the New York City Opera during the 1950s and 1960s.
Opera has long been part of the musical culture of New Orleans, Louisiana. Operas have regularly been performed in the city since the 1790s, and since the early 19th century, New Orleans has had a resident company regularly performing opera in addition to theaters hosting traveling performers and companies.
Monica Yunus is an American operatic soprano who has performed with many opera companies and music ensembles. She is the daughter of Bangladeshi social entrepreneur, banker, economist Muhammad Yunus. About her singing quality reviewers from US dailies, The New York Times, the Charleston City Paper and the Palm Beach Daily News have described her voice as "especially winning", "utterly captivating" and "a voice destined for super-stardom" respectively. Her voice's performance range lies from a low A (A3) to a high F (F6). She performed regularly at the Metropolitan Opera in New York City from 2003-2014; appearing in several broadcasts of Metropolitan Opera Live in HD.
Alice Nielsen was an American Broadway performer and operatic soprano who had her own opera company and starred in several Victor Herbert operettas.
Marisa Galvany is an American soprano who had an active international career performing in operas and concerts up into the early 2000s. Known for the great intensity of her performances, Galvany particularly excelled in portraying Verdi heroines. She was notably a regular performer at the New York City Opera between 1972 and 1983.
Waltraud Meier is a German dramatic soprano and mezzo-soprano singer. She is particularly known for her Wagnerian roles as Kundry, Isolde, Ortrud, Venus, Fricka, and Sieglinde, but has also had success in the French and Italian repertoire appearing as Eboli, Amneris, Carmen, and Santuzza. She resides in Munich.
Blanche Thebom was an American operatic mezzo-soprano, voice teacher, and opera director. She was part of the first wave of American opera singers that had highly successful international careers. In her own country she had a long association with the Metropolitan Opera in New York City which lasted 22 years. Opera News stated, "An ambitious beauty with a velvety, even-grained dramatic mezzo, Thebom was a natural for opera: she commanded the stage with the elegantly disciplined hauteur of an old-school diva, relishing the opportunity to play femmes du monde such as Marina in Boris Godunov, Herodias and Dalila."
Opera Quotannis (OQ) was a New York-based opera company which was founded in 1990, with conductor Bart Folse as music director and stage director Brian Morgan serving as artistic director. It specialized in experimental productions of both ancient and contemporary opera.
Charles Kenningham was an English opera singer and actor best remembered for his roles in the 1890s with the D'Oyly Carte Opera Company.
Eugène Espérance Oudin was an American baritone, composer and translator of the Victorian era.
Elaine Malbin is an American soprano who had a prolific international career singing in operas, musicals, and concerts from the 1940s through the 1960s. She made her Town Hall debut at the age of 14. She appeared in a number of Broadway productions in the 1940s and 1950s and notably portrayed Marsinah in the original 1953 West End production of Kismet. She starred on Broadway in the title role of My Darlin’ Aida & sang a season of Gilbert and Sullivan at the Mark Hellinger Theater in New York. She was a regular at the New York City Opera during the 1950s and 1960s with leading roles in Love for Three Oranges, Carmen (Micaela), Turandot (Liù), La Bohème (Mimi) and Don Giovanni (Zerlina). She appeared with most of America's leading opera companies during this time as well, including the Houston Grand Opera and the San Francisco Opera. In San Francisco Malbin debuted in a staged version of Carmina Burnana and sang Mimi in La Bohème. She also appeared in concert with several notable orchestras including the New York Philharmonic and the Philadelphia Orchestra. On the International stage she appeared at a number of opera houses and major music festivals in the United Kingdom, Italy, and France. She performed at the Glyndebourne and Edinburgh Festivals as well as Madama Butterfly with the Scottish Opera Company. She is perhaps best remembered for appearing in several opera roles live for television with the NBC Opera Theatre and for recording two duets with Mario Lanza at RCA on 11 April 1950.
Frances Lillian Bible was an American operatic mezzo-soprano who had a thirty-year career at the New York City Opera between 1948 and 1978. She also made a number of opera appearances with other companies throughout the United States, but only made a limited number of appearances abroad. Martin Bernheimer wrote in Opera News that, "Frances Bible was cheated by destiny. She never quite achieved the international recognition she deserved. Bible had it all—a mellow, wide-ranging mezzo-soprano, an attractive stage presence, genuine theatrical flair, a probing mind and a technique that allowed her to sing bel-canto filigree one night, Verdian drama the next. She was one of the rare American singers who savor the English language. She understood the value of economy, never stooping to easy effects. Perhaps she was too versatile, too tasteful and — dare one say it? — too intelligent for her own good."
Asheville Lyric Opera (ALO) is a professional, non-profit opera company located in Asheville, North Carolina. Its repertoire encompasses styles ranging from the comedies of Mozart and Rossini to the classic Verdi and Puccini dramas as well as classic musical theatre works. Founder David Craig Starkey served as General and Artistic Director until 2016. The 500-seat Diana Wortham Theatre, built in 1991, has been the company's home since 2001. ALO is a member of Opera America. Dean Anthony was announced as the company's new Artistic and Producing Direction beginning with the 2019/2020 Season.
Jennifer Wilson is an American soprano known especially for her Wagnerian opera roles. She is the daughter of Newton Wilson and Katherine Still. The daughter, granddaughter and niece of professional singers, instrumentalists and music educators, Wilson grew up steeped in music from opera and oratorio to rock 'n' roll and bluegrass. She began tap dance lessons at age 3, ballet at 8, piano at 10, and solo classical singing at 12. Wilson attended Cornell University for several years, eventually departing on a leave of absence which she filled with advanced training in acting, languages, and vocal studies with former Metropolitan Opera coloratura soprano Marilyn Cotlow. During this time, Wilson supported herself as a news bureau assistant and wire editor for Radio Free Europe/Radio Liberty. The consolidation of US international broadcast services in 1995 caused Wilson to lose her position with RFE/RL, forcing her to find other employment. At this point she took up singing full-time, though her breakthrough to the elusive ranks of international soloist was still several years away.
The New Opera Theatre was a New Orleans-based opera company founded in 1986, with conductor Louise LaBruyère as Music Director and stage director Brian Morgan serving as Artistic Director. It specialized in experimental productions of both ancient and contemporary opera.
Andrew McKinley was an American operatic tenor, violinist, arts administrator, music educator, and school administrator. Although he mainly performed in the United States, he had an active international singing career with major opera companies and symphony orchestras from the 1940s through the 1960s. His repertoire spanned a wide range, from leading tenor parts to character roles.
The Devriès family were operatic singers over three generations, of Dutch descent. They were mainly active in France, Belgium and the USA in the second half of the 19th and the early 20th centuries.
Vera Schoenenberg is a German soprano in opera, operetta, Lied and oratorio, and a lecturer at the Mozarteum University Salzburg.
