Céline Cassone is a French-born ballerina dancing with the Morphoses/The Wheeldon Company and Benjamin Millepied's Danses Concertantes [Reviews 1] at the Joyce Theater during their 2008 seasons. She at the Conservatoire National d’Avignon and began her dance career at the Deutsche Oper Berlin. She later joined the State Theater of Karlsruhe and for four danced in Germinal Casado's ballets. Céline then joined the Béjart Ballet and in 1999 the Ballet du Grand Théâtre de Genève where she was promoted to soloist.
Christopher Peter Wheeldon OBE is an English international choreographer of contemporary ballet.
Wendy Whelan is an American ballet dancer. She was principal dancer with the New York City Ballet and performed with the company for 30 years, and toured in U.S., Europe, and Asia. Whelan has also been an influential guest artist with Morphoses/The Wheeldon Company. In 2019, Whelan was named Associate Artistic Director of New York City Ballet.
Leanne Faye Benjamin is a retired Australian ballet dancer who was a principal dancer with the Royal Ballet in London.
Teresa Reichlen is an American ballet dancer. She is currently a principal dancer at the New York City Ballet.
Lourdes Lopez is a Cuban-American ballet company artistic director of Miami City Ballet and former principal dancer of New York City Ballet. She is also a member of the board of trustees of the Ford Foundation.
Drew Jacoby is an American contemporary ballet dancer. As of 2020, she is a principal dancer of Royal Ballet of Flanders.
Andrew Crawford is an Australian danseur performing with the Morphoses/The Wheeldon Company, having previously danced with the Monte Carlo Ballet and the Dutch National Ballet.
Danielle Rowe is an Australian-born ballet dancer.
Gabrielle Lamb is a dancer, choreographer, and company director.
Melissa Barak is a choreographer and ballerina. Since 2006 she has danced with the Los Angeles Ballet and with Morphoses/The Wheeldon Company, formerly having danced for New York City Ballet.
Tyler Gurfein is an American dancer performing with the Staatsballett Berlin in Berlin, Germany and previously with Ballett Zürich in Zürich, Switzerland and Morphoses/The Wheeldon Company. He trained at the School of American Ballet and the Jacqueline Kennedy Onassis School at American Ballet Theatre then joining ABT II in 2007.
Rachel Sherak is a ballerina dancing with Morphoses/The Wheeldon Company and formerly with the Carolina Ballet. She began studying dance at the North Atlanta Dance Academy followed by the School of American Ballet. At SAB, she performed in New York City Ballet's productions of Coppelia and Susan Stroman's Double Feature and originated a principal role the James Sewall's 2006 ballet for the New York Choreographic Institute.
Rory Hohenstein is a danseur with the Joffrey Ballet. Born in Washington, D.C., he began his training at the Kirov Academy of Ballet. Before finishing high school, he joined Le Jeune Ballet de France in Paris where completed his studies. He joined the San Francisco Ballet in July 2000 and six years later was promoted to soloist in 2006. In 2008 Morphoses/The Wheeldon Company and toured with the company to Sadler's Wells and the Sydney Festival. Hohenstein freelanced in 2010 with the Lar Lubovitch Dance and M & Company before joining the Joffrey in 2011.
Matthew Prescott, born and raised in Idaho, is a danseur performing with the Morphoses/The Wheeldon Company. He attended the Joffrey/New School University in New York City and in 2000 was invited to join the Joffrey Ballet. He has also worked with Donald Byrd's Spectrum Dance Theater, Alonzo King's LINES Ballet and Complexions Contemporary Ballet; in 2005 he joined the Suzanne Farrell Ballet.
Beatriz Eugenia Stix-Brunell is an American ballet dancer. She is currently a First Soloist of The Royal Ballet.
Stephanie Williams is an Australian ballet dancer, a member of the corps de ballet of the American Ballet Theatre.
Alison Roper is an American professional ballet dancer who performed as a principal dancer with the Oregon Ballet Theatre.
Aesha Ash is an American ballet dancer and teacher. She had danced at the New York City Ballet, where she was the only African American woman at the time, then at the Béjart Ballet and Alonzo King LINES Ballet. Following her retirement in 2008, she founded The Swan Dreams Project in 2011, and became the first African American female faculty member at the School of American Ballet in 2020.