Da-ka-xeen Mehner

Last updated

Da-ka-xeen Mehner (born 1970) [1] is a Tlingit/Nisga'a American visual artist whose work includes photography and multimedia installations that incorporate video, sculpture and sound. [2]

Contents

Early life and education

Mehner was born in Fairbanks, Alaska to an American father and a Tlingit/Nisga'a mother. [3] He was raised in two cultures; by his mother in Anchorage as an "urban Native" and in Fairbanks as a "rural hippie". [4] His extended family includes several artists, and he was particularly influenced by the photographer Larry McNeil, who is his uncle. In 1990, he left Alaska and moved to Santa Fe, New Mexico to pursue an education at the Institute of American Indian Arts [1] where he received an AA degree in 1992. He received a BFA from the University of New Mexico in 2003, and an MFA from the University of Alaska, Fairbanks in 2007. [3] [5] His student work explored themes that included the environment, death and destruction. [1]

Work

Mehner works in photography and installations that combine video, sculpture and sound. [2] His work examines Native American identity and explorations of the self as a cross-cultural person. [3] [6]

He has had solo exhibitions at the State Museum of Alaska, [6] the Museum of the Institute of American Indian Arts, [7] the Anchorage Museum [8] among other venues.

He is currently Professor of Native Art [9] at the University of Alaska, Fairbanks, where he is the director of the Native Arts Center. [2] [3]

Awards

In 2014 Mehner was awarded with a fellowship from the Native Arts and Cultures Foundation. [2] In 2015, he was named a fellow by United States Artists in conjunction with the Rasmuson Foundation. Also in 2015 he received a Eiteljorg Contemporary Art Fellowship. [3] [5]

Collections

Mehner's work is held in the collections of the University of Alaska Museum of the North, the Anchorage Museum of History and Art, the Museum of Contemporary Native Arts, the Alaska State Museum, and the C.N. Gorman Museum. [7] The National Gallery of Canada holds his photographic work in their permanent collection. [10]

See also

Related Research Articles

<span class="mw-page-title-main">Tlingit</span> Indigenous people of the Pacific Northwest Coast of North America

The Tlingit or Lingít are Indigenous peoples of the Pacific Northwest Coast of North America and constitute two of the 231 federally recognized Tribes of Alaska. Although the majority, about 14,000 people, are Alaska Natives, there is a small minority, 2,110, who are Canadian First Nations.

<span class="mw-page-title-main">Totem pole</span> Monumental carvings by Indigenous peoples of the Pacific Northwest

Totem poles are monumental carvings found in western Canada and the northwestern United States. They are a type of Northwest Coast art, consisting of poles, posts or pillars, carved with symbols or figures. They are usually made from large trees, mostly western red cedar, by First Nations and Indigenous peoples of the Pacific Northwest Coast including northern Northwest Coast Haida, Tlingit, and Tsimshian communities in Southeast Alaska and British Columbia, Kwakwaka'wakw and Nuu-chah-nulth communities in southern British Columbia, and the Coast Salish communities in Washington and British Columbia.

<span class="mw-page-title-main">Nisga'a</span> Indigenous people in British Columbia

The Nisga’a, formerly spelled Nishga or Niska, are an Indigenous people in British Columbia, Canada. They reside in the Nass River valley of northwestern British Columbia. The origin of the term Niska is uncertain. The spelling Nishga is used by the Nishga Tribal Council, and some scholars claim that the term means 'people of the Nass River'. The name is a reduced form of, which is a loan word from Tongass Tlingit, where it means 'people of the Nass River'.

<span class="mw-page-title-main">Ronald Senungetuk</span> Inupiaq artist from Alaska (1933–2020)

Ronald Senungetuk was an Iñupiaq artist originally from Wales, Alaska, who worked primarily in wood and metal.

<span class="mw-page-title-main">Eiteljorg Museum of American Indians and Western Art</span> Art museum in Indianapolis, Indiana, U.S.

The Eiteljorg Museum of American Indians and Western Art is an art museum in downtown Indianapolis, Indiana, United States. The Eiteljorg houses an extensive collection of visual arts by indigenous peoples of the Americas as well as Western American paintings and sculptures collected by businessman and philanthropist Harrison Eiteljorg (1903–1997). The museum houses one of the finest collections of Native contemporary art in the world.

Alvin Eli Amason is a Sugpiaq Alaskan painter and sculptor. He was raised in Kodiak and is of Alutiiq ancestry. He received his Master of Fine Arts from Arizona State University and taught for several years at Navajo Community College. For seventeen years, he taught at the University of Alaska Fairbanks and was the head of the Alaska Native Art studies program there. After retiring, he was asked to join the Department of Art at the University of Alaska, Anchorage and develop an Alaska Native Art curriculum.

<span class="mw-page-title-main">Ernestine Hayes</span> Tlingit writer, poet, and former Alaska State Writer Laureate

Ernestine Saankaláxt Hayes is a Tlingit author and an Emerita professor at the University of Alaska Southeast in Juneau, Alaska. She belongs to the Wolf House of the Kaagwaaataan clan of the Eagle side of the Tlingit Nation. Hayes is a memoirist, essayist, and poet. She served as Alaska State Writer Laureate 2017–2018.

Robert James "Jim" Schoppert was an Tlingit Alaska Native artist and educator. His work includes woodcarving, painting, poetry, and essays. He has been described as an innovator, whose works pushed the boundaries of what was expected from Northwest Coast art.

Joe Feddersen is a Colville sculptor, painter, photographer and mixed-media artist. He is known for creating artworks strong in geometric patterns reflective of what is seen in the environment, landscape and his Native American heritage.

<span class="mw-page-title-main">Nathan Jackson (artist)</span> American artist

Nathan Jackson is an Alaska Native artist. He is among the most important living Tlingit artists and the most important Alaskan artists. He is best known for his totem poles, but works in a variety of media.

The Native Art Center at the University of Alaska Fairbanks is an art school located at the University of Alaska Fairbanks (UAF), near Fairbanks, Alaska. The Native Art Center was started in 1966 by Ronald Senungetuk (Iñupiaq). Today, the Native Art Center is directed by Da-ka-xeen Mehner (Tlingit-Nisga'a) and offers BFA and MFA degrees in Native Art.

Larry McNeil is a Native American photographer and printmaker. His photographs range on subjects and formats from realist portraits to tribal elders, from abstract cityscapes to electronic manipulations of tribal environments. His images are considered personally meaningful as they are representative of tribal realities and highlight the sensitivity behind the representation of Native Americans.

Rick Rivet is a Sahtu–Métis painter living in Canada.

<span class="mw-page-title-main">Nicholas Galanin</span> Musical artist

Nicholas Galanin is a Sitka Tribe of Alaska multi-disciplinary artist and musician of Tlingit and Unangax̂ descent. His work often explores a dialogue of change and identity between Native and non-Native communities.

Susie Paallengetaq Silook is a carver, sculptor, writer and actress, of Siberian Yupik, Inupiaq and Irish descent. She was born in Gambell, Alaska.

<span class="mw-page-title-main">Teri Rofkar</span> Native American weaver and educator (1956–2016)

Teri Rofkar, or Chas' Koowu Tla'a (1956–2016), was a Tlingit weaver and educator from Sitka, Alaska. She specialized in Ravenstail designs and spruce root baskets.

<span class="mw-page-title-main">Rosita Worl</span> American anthropologist (born 1937)

Rosita Kaaháni Worl is an American anthropologist and Alaska Native cultural, business and political leader. She is president of the Sealaska Heritage Institute, a Juneau-based nonprofit organization that preserves and advances the Tlingit, Haida and Tsimshian Native cultures of Southeast Alaska, and has held that position since 1997. She also served on the board of directors of the Sealaska regional Native corporation for 30 years, beginning in 1987, including as board vice president. The corporation, with more than 22,000 shareholders, founded the heritage institute and provides substantial funding.

Tanis Maria S'eiltin is a Tlingit installation artist, painter, printmaker, and sculptor.

Brenda Mallory is a Native American visual/sculpture/mixed media/installation artist and a member of the Cherokee Nation. Her artwork ranges from small decorations to large sculptures and utilizes a variety of materials such as handmade papers, cloth, wax, and recycled objects.

References

  1. 1 2 3 Jonaitis, Aldona (Autumn 2008). "A Generation of Innovators in Southeast Alaska: Nicholas Galanin, Stephen Jackson, Da-ka-xeen Mehner and Donald Varnell" (PDF). American Indian Art Magazine. Retrieved 20 May 2023.
  2. 1 2 3 4 "Da-ka-xeen Mehner". Native Arts and Cultures Foundation. Retrieved 20 May 2023.
  3. 1 2 3 4 5 "Da-ka-xeen Mehner". United States Artists. Retrieved 20 May 2023.
  4. "amily, Tlingit Culture Inspire Da-ka-xeen Mehner's New Solo Art Exhibition". Alaska Native News. 3 September 2012. Retrieved 20 May 2023.
  5. 1 2 "Da-ka-xeen Mehner". Eiteljorg Contemporary Art Fellowship. Retrieved 20 May 2023.
  6. 1 2 "Da-Ka-Xeen Mehner's Artist Statement on Self-Constructions". Museums Alaska. Retrieved 20 May 2023.
  7. 1 2 "Da–Ka–Xeen Mehner—Saligaaw (It Is Loud-Voiced)". Institute of American Indian Arts. Retrieved 20 May 2023.
  8. Bundy, Jean (1 October 2012). "Finding My Song at the Anchorage Museum". Alaska Public Media (PBS). Retrieved 20 May 2023.
  9. "UAF Department of Art Contacts". University of Alaska Fairbanks. Retrieved 20 May 2023.
  10. "Da-Ka-Xeen, The Thlingit Artist". The National Gallery of Canada. Retrieved 3 November 2023.

Further reading

Conde, Clarke. Arts Interview: Indigenizing Our History, The Monument Project of Da-Ka-Xeen Mehner. Alibi Weekly, July 18, 2019