| Dagfin | |
|---|---|
 Russian poster | |
| Directed by | Joe May |
| Written by |
|
| Produced by | Joe May |
| Starring | |
| Cinematography | |
| Music by | Willy Schmidt-Gentner |
Production companies | May-Film Phoebus Film |
| Distributed by | Phoebus Film |
Release date | 20 December 1926 |
| Country | Germany |
| Languages | Silent German intertitles |
Dagfin is a 1926 German silent film directed and co-written by Joe May and starring Paul Richter, Alfred Gerasch and Marcella Albani. [1]
The film's art direction was by Ernst Schütte and Erich Zander.
Marcella Albani was an Italian actress and writer. Albani was an idol of European cinema in the 1920s, and appeared in 50 films between 1919 and 1936 in 5 different countries.
Fridericus is a 1937 German historical film directed by Johannes Meyer and starring Otto Gebühr, Hilde Körber and Lil Dagover. It is based on the life of Frederick II of Prussia. It was part of the popular cycle of Prussian films. It was shot at the Halensee Studios in Berlin and on location in Brandenburg. The film's sets were designed by the art directors Otto Erdmann and Hans Sohnle.
Max Mack (1884–1973) was a German screenwriter, film producer and director during the silent era. He is particularly known for his 1913 film The Other. He directed, and co-starred in, an early film adaptation of Dr. Jekyll and Mr. Hyde in 1914, called Ein Seltsamer Fall, written by Richard Oswald. During the 1910s, he directed nearly a hundred films in a variety of different genres.
Struggle for the Matterhorn is a 1928 German-Swiss silent drama film co-directed by Mario Bonnard and Nunzio Malasomma and starring Luis Trenker, Marcella Albani, and Alexandra Schmitt. The film is part of the popular cycle of mountain films of the 1920s and 1930s. Art direction was by Heinrich Richter. Trenker later remade the film as The Challenge in 1938.
Spring Parade is a 1934 comedy film directed by Géza von Bolváry and starring Paul Hörbiger, Franciska Gaal, and Wolf Albach-Retty.
Circle of Lovers is a 1927 German silent drama film directed by Rudolf Walther-Fein and Rudolf Dworsky and starring Hans Mierendorff, Marcella Albani, and Charlotte Ander. It was shot at the Staaken Studios in Berlin. The film's sets were by art director Jacek Rotmil.
The Women's War is a 1928 German silent film directed by Franz Seitz and starring Fritz Kampers, Liane Haid and Lotte Lorring. It is based upon the play by Ludwig Anzengruber.
His Best Friend is a 1962 West German drama film directed by Luis Trenker and starring Toni Sailer, Dietmar Schönherr and Hilti von Allmen.
The Lady with the Tiger Skin is a 1927 German silent film directed by Willi Wolff and starting Ellen Richter, Mary Kid and Georg Alexander.
A Day of Roses in August is a 1927 German silent film directed by Max Mack and starring Eduard von Winterstein, Margarete Schön, and Ernst Rückert. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Kurt Richter. The film takes place in August 1914 at the beginning of the First World War.
Ingeborg is a 1960 West German comedy film directed by Wolfgang Liebeneiner and starring Ingrid Ernest, Dietmar Schönherr and Walter Giller. The film's sets were designed by the art directors Wolf Englert and Ernst Richter.
Behind the Altar or The Secret of Abbe X is a 1927 German silent drama film directed by Julius Brandt and William Dieterle and starring Dieterle, Marcella Albani, and Alfred Gerasch.
The Tempelhof Studios are a film studio located in Tempelhof in the German capital of Berlin. They were founded in 1912, during the silent era, by German film pioneer Alfred Duskes, who built a glass-roofed studio on the site with financial backing from the French company Pathé. The producer Paul Davidson's PAGU then took control and constructed a grander structure. The First World War propaganda drama The Yellow Passport, the historical comedy Madame DuBarry and the expressionist 1920 silent film The Golem were made there by PAGU.
The Forester's Daughter is a 1962 West German historical musical film directed by Franz Josef Gottlieb and starring Sabine Sinjen, Peter Weck and Gerlinde Locker. It was one of four film versions of the 1907 operetta Die Försterchristl.
Blondes for Export is a 1950 West German crime thriller film directed by Eugen York and starring Lotte Koch, Catja Görna and René Deltgen. Norbert Jacques wrote the screenplay, adapting his own novel. It was shot at the Göttingen Studios and on location around Hamburg. The film's sets were designed by the art director Hans Ledersteger and Ernst Richter.
Playing with Fire is a 1934 German comedy film directed by Ralph Arthur Roberts and starring Paul Hörbiger, Trude Marlen and Elga Brink.
Spell of the Looking Glass is a 1932 German comedy drama film directed by Frank Wisbar and starring Franz Weber, Ursula Grabley, and Oskar Karlweis. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art directors Karl Machus and Fritz Maurischat.
The Game of Love is a 1924 German silent film directed by Guido Parish and starring Marcella Albani, Alfred Abel, and Carl de Vogt.
Mother Song is a 1937 German-Italian musical drama film directed by Carmine Gallone and starring Beniamino Gigli, Maria Cebotari and Hans Moser. It was produced by Itala Film, a Berlin-based production company with strong links to Italy.
Before God and Man is a 1955 West German drama film directed by Erich Engel and starring Viktor de Kowa, Antje Weisgerber and Hans Söhnker. It was shot at the Tempelhof Studios in West Berlin. The film's sets were designed by the art directors Emil Hasler and Walter Kutz.
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