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Destroy All Monsters is a 1968 Japanese epic kaiju film directed by Ishirō Honda, with special effects directed by Sadamasa Arikawa and supervised by Eiji Tsuburaya. The film, which was produced and distributed by Toho Co., Ltd, is the ninth film in the Godzilla franchise, and features eleven monster characters, including Godzilla, Mothra, Rodan, King Ghidorah, Anguirus, and Minilla. The film stars Akira Kubo, Jun Tazaki, Yukiko Kobayashi and Yoshio Tsuchiya.
Kaiju is a Japanese term that is commonly associated with media involving giant monsters. The kaiju film genre is credited to tokusatsu director Eiji Tsuburaya and filmmaker Ishirō Honda, who popularized it by creating the Godzilla franchise and its spin-offs. The term can also refer to the monsters themselves, which are usually depicted attacking major cities and battling either the military or other creatures.
Gamera is a fictional monster, or kaiju, originating from a series of Japanese films. Debuting in the 1965 film Gamera, the Giant Monster, the character and the first film were intended to compete with the success of Toho's Godzilla film series. Since then, Gamera has become a Japanese icon in his own right, appearing in a total of 12 films produced by Daiei Film and later by Tokuma Shoten and Kadokawa Daiei Studio respectively, and various other media such as novelizations, manga, video games, and so on.
Rodan is a fictional monster, or kaiju, which first appeared as the title character in Ishirō Honda's 1956 film Rodan, produced and distributed by Toho. Following its debut standalone appearance, Rodan went on to be featured in numerous entries in the Godzilla franchise, including Ghidorah, the Three-Headed Monster (1964), Invasion of Astro-Monster (1965), Destroy All Monsters (1968), Godzilla vs. Mechagodzilla II (1993), and Godzilla: Final Wars (2004), as well as in the Legendary Pictures-produced film Godzilla: King of the Monsters (2019).
King Ghidorah is a fictional monster, or alien, or kaiju, which first appeared in Ishirō Honda's 1964 film Ghidorah, the Three-Headed Monster. The creature was initially created by Tomoyuki Tanaka, Eiji Tsuburaya, and Shinichi Sekizawa as an homage to the eight-headed mythological Japanese dragon Yamata no Orochi. Although the name of the character is officially trademarked by Toho as "King Ghidorah", the character was originally referred to as Ghidorah, Ghidrah, or Monster Zero in some English markets.
Godzilla vs. Gigan, is a 1972 Japanese kaiju film directed by Jun Fukuda, written by Shinichi Sekizawa, and produced by Tomoyuki Tanaka, with special effects by Teruyoshi Nakano. Distributed by Toho and produced under their effects-based subsidiary Toho-Eizo, it is the 12th film in the Godzilla franchise, and features the fictional monster characters Godzilla, Gigan, Anguirus, and King Ghidorah. The film stars Hiroshi Ishikawa, Yuriko Hishimi, Tomoko Umeda, and Minoru Takashima, alongside Haruo Nakajima as Godzilla, Kenpachiro Satsuma as Gigan, Koetsu Omiya as Anguirus, and Kanta Ina as Ghidorah. It is the last film in which Godzilla was portrayed by Nakajima after playing the character since the original 1954 film; he subsequently retired from suit acting.
Tokusatsu is a Japanese term for live-action films or television programs that make heavy use of practical special effects. Credited to special effects director Eiji Tsuburaya, tokusatsu mainly refers to science fiction, war, fantasy, or horror media featuring such technology but is also occasionally dubbed a genre itself. Its contemporary use originated in the Japanese mass media around 1958 to explain special effects in an easy-to-understand manner and was popularized during the "first monster boom" (1966-1968). Prior to the monster boom, it was known in Japan as tokushu gijutsu or shortened tokugi.
Gigan is a kaiju from Toho's Godzilla franchise who first appeared in the 1972 film, Godzilla vs. Gigan. Gigan is a giant extraterrestrial space monster, resembling a species of reptile, who was turned into a cyborg by the alien race known as the Nebulans. Gigan sports a huge buzzsaw in its frontal abdominal region, large metallic hooks for hands, and a birdlike beak. Gigan is considered one of Godzilla's most brutal and violent opponents, and the first kaiju in the Toho sci-fi series to make him noticeably bleed. Complex listed the character as No. 2 on its "The 15 Most Badass Kaiju Monsters of All Time" list.
Hedorah, also known as the Smog Monster, is a kaiju monster who first appeared in Toho's 1971 film Godzilla vs. Hedorah. The huge monster was named for Hedoro (へどろ), the Japanese word for sludge, slime, vomit or chemical ooze.
Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack is a 2001 Japanese kaiju film directed and co-written by Shusuke Kaneko. The 26th film in the Godzilla franchise and the third of the Millennium era, it serves as a direct sequel to Godzilla (1954), ignoring the events of every other installment in the series. Chiharu Niiyama stars as a reporter covering the story of Mothra, King Ghidorah, and Baragon defending Japan from Godzilla, a creature possessed by the souls of those killed during the Pacific War. The supporting cast includes Ryudo Uzaki, Masahiro Kobayashi, Hideyo Amamoto, and Shirō Sano, with Mizuho Yoshida as Godzilla, Akira Ohashi as Ghidorah, and Rie Ōta as Baragon.
Godzilla: Final Wars is a 2004 kaiju film directed by Ryuhei Kitamura, with special effects by Eiichi Asada. An international co-production between Japan, Australia, the United States, and China, the film was produced by Toho Pictures, CP International, Zazou Productions, and Napalm Films, and is the 29th film in the Godzilla franchise, the sixth and final film in the franchise's Millennium series and Toho's 28th Godzilla film. The film stars Masahiro Matsuoka, Rei Kikukawa, Don Frye, Maki Mizuno, Kazuki Kitamura, Kane Kosugi, Kumi Mizuno, Kenji Sahara, Masami Nagasawa, Chihiro Otsuka, Shigeru Izumiya, Masakatsu Funaki, Masato Ibu, Jun Kunimura, and Akira Takarada. In the film, when a mysterious race of aliens known as the Xiliens arrive on Earth, the Earth Defense Force find themselves locked in battle with various monsters attacking cities around the world, leading them to revive the only chance to save their planet: Godzilla.
"Man or Astro-man?" is an American surf rock group that was formed in Auburn, Alabama in the early 1990s and came to prominence over the following decade.
Biollante is a rose, human, and Godzilla mutant hybrid kaiju who first appeared in Toho's 1989 film Godzilla vs. Biollante and has since appeared in numerous licensed video games, novels, and comic books. The creature is portrayed as a genetically engineered clone of Godzilla spliced with the genes of a rose plant and a human. As the character was created during the end of the Cold War and the wane in concerns over nuclear weapons represented by Godzilla, Biollante was conceived as a symbol of more contemporary controversies regarding genetic engineering.
SpaceGodzilla is a kaiju and mutated clone of Godzilla that first appeared in Toho's 1994 film Godzilla vs. SpaceGodzilla as the main antagonist.
Godzilla is a Japanese monster, or kaiju, franchise centering on the titular character, a prehistoric reptilian monster awakened and empowered by nuclear radiation. The films series are recognized by the Guinness World Records as the "longest continuously running film series", having been in ongoing production since 1954, with several hiatuses of varying lengths. There are 38 Godzilla films: 33 Japanese films produced and distributed by Toho Co., Ltd., and five American films; one by TriStar Pictures and four films by Legendary Pictures.
A monster movie, monster film, creature feature or giant monster film is a film that focuses on one or more characters struggling to survive attacks by one or more antagonistic monsters, often abnormally large ones. The film may also fall under the horror, comedy, fantasy, or science fiction genres. Monster movies originated with adaptations of horror folklore and literature.
G-Fest, often typeset as G-FEST, is an annual convention devoted to the Godzilla film franchise and other kaiju franchises such as Gamera and the Ultra Series. G-Fest is staged by Daikaiju Enterprises, Ltd., and G-Fan magazine. It regularly features panels, contests, and theatrically screened films of interest to fans of Japanese monsters.
As an enduring and iconic symbol of post-World War II cinematic history, the fictional giant monster Godzilla has been referenced and parodied numerous times in popular culture. Godzilla and other atomic monsters have appeared in a variety of mediums, including cartoons, film, literature, television, and video games.
Shoichi Hirose, occasionally miscredited as Masakazu Hirose and nicknamed Solomon for his survival in the naval Battle of the Eastern Solomons, was a Japanese actor. Hirose portrayed Godzilla's archenemy King Ghidorah and King Kong in King Kong vs. Godzilla, along with several "tough guy" roles.
Eiji Tsuburaya (1901–1970) was a Japanese special effects director and filmmaker who worked on roughly 250 films throughout his five-decade career. Having pioneered and popularized the special effects sector of the Japanese film industry, he is popularly known as the "Father of Tokusatsu". Tsuburaya started his career in the Japanese film industry as a cinematographer for several successful dramas and jidaigeki films in the early 1920s. His directorial debut was the propaganda documentary film Three Thousand Miles Across the Equator, which he filmed in the Pacific Ocean on the Asama for most of 1935. Following the completion of photography on this film, he worked as the cinematographer and had his debut as special effects director on Princess Kaguya (1935). It was one of Japan's first major productions to feature special effects. The next year, Tsuburaya made his dramatic directorial debut with the release of Folk Song Collection: Oichi of Torioi Village and had substantial success staging the special effects for Arnold Fanck's The Daughter of the Samurai.
References
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- ↑ Ruhlmann, William. "Daikaiju". Allmusic. Retrieved 3 May 2016.
- ↑ "Daikaiju EPK". daikaiju.org. Retrieved 19 May 2016.
- ↑ "Monster Surf". RateYourMusic. Retrieved 9 May 2016.[ permanent dead link ]
- ↑ "The Phasing Spider Menace". RateYourMusic. Retrieved 9 May 2016.[ permanent dead link ]
- 1 2 3 Tangari, Joe. "Daikaiju: Daikaiju Album Review". Pitchfork Media. Retrieved 9 May 2016.
- 1 2 3 "DaiKaiju Attacks Florida!". floridageekscene.com. Retrieved 6 May 2016.
- 1 2 "Larryville Chronicles" . Retrieved 25 January 2017.
- ↑ "Year's end roundup: the best of Beijing music - Music - Time Out - Beijing". Archived from the original on 3 June 2016. Retrieved 19 May 2016.
- ↑ "DAIKAIJU, An Incredible Surf Rock Band, Totally Stole The Show Last Night". Metal Injection. Retrieved 4 May 2016.
- 1 2 Tung, Liz. "10 Minutes With... Daikaiju". Time Out Beijing. Archived from the original on 8 January 2017. Retrieved 6 May 2016.
- 1 2 "Review - DAIKAIJU: The Phasing Spider Menace (self-released)". Cosmik Debris. Archived from the original on 10 June 2016. Retrieved 9 May 2016.