Moose Jaw is the fourth largest city in Saskatchewan, Canada. Lying on the Moose Jaw River in the south-central part of the province, it is situated on the Trans-Canada Highway, 77 km (48 mi) west of Regina. Residents of Moose Jaw are known as Moose Javians. The city is surrounded by the Rural Municipality of Moose Jaw No. 161.
The Eiteljorg Museum of American Indians and Western Art is an art museum in downtown Indianapolis, Indiana, United States. The Eiteljorg houses an extensive collection of visual arts by indigenous peoples of the Americas as well as Western American paintings and sculptures collected by businessman and philanthropist Harrison Eiteljorg (1903–1997). The museum houses one of the finest collections of Native contemporary art in the world.
Kelly Richardson is a Canadian artist working with digital technologies to create hyper-real landscapes. She is currently a professor at the Department of Visual Arts of the University of Victoria.
Rebecca Belmore is a Canadian interdisciplinary Anishinaabekwe artist who is notable for politically conscious and socially aware performance and installation work. She is Ojibwe and a member of Obishikokaang. Belmore currently lives in Toronto, Ontario.
The Morris and Helen Belkin Art Gallery is a contemporary art gallery in Vancouver, British Columbia, on the campus of the University of British Columbia. The gallery is housed in a building designed by architect Peter Cardew which opened in 1995. Cardew received a RAIC gold medal for the building's design in 2012. It houses UBC's growing collection of contemporary art as well as archives containing objects and records related to the history of art in Vancouver.
The grunt gallery is a Canadian artist-run centre, founded in 1984 and located in Vancouver, British Columbia. They show work by both Indigenous and non-Indigenous artists.
Nadia Myre is a contemporary visual artist from Quebec and an Algonquin member of the Kitigan Zibi Anishinaabeg First Nation, who lives and works in Montreal. For over a decade, her multi-disciplinary practice has been inspired by participant involvement as well as recurring themes of identity, language, longing and loss. Of the artist, Canadian Art Magazine writes, "Nadia Myre’s work weaves together complex histories of Aboriginal identity, nationhood, memory and handicraft, using beadwork techniques to craft exquisite and laborious works."
Sybil Henley Jacobson, was a Canadian painter. Her oil and watercolor paintings of prairie landscapes, portraits, and still life are in a traditional style. Her work is largely found in private collections, but is also found the major collections at Norman Mackenzie Art Gallery, Moose Jaw Art Museum and National Exhibition Centre, and Nutana Collegiate. In 1929 she was one of ten founding members of the Women's Art Association of Saskatchewan.
Skawennati is a First Nations (Kahnawakeronon) multimedia artist, best known for her online works as well as Machinima that explore contemporary Indigenous cultures, and what Indigenous life might look like in futures inspired by science fiction. She served as the 2019 Indigenous Knowledge Holder at McGill University. In 2011, she was awarded an Eiteljorg Contemporary Art Fellowship which recognized her as one of "the best and most relevant native artists."
Lani Maestro is a Filipino-Canadian artist who divides her time between France and Canada. She works in installation, sound, video, bookworks and writing. Her works deal with investigations of memory, forgetting, language, silence, and the ethics of care. From 1990 to 1994 Maestro was co-founder and editor of HARBOUR Magazine of Art and Everyday Life, a journal of artworks and writings by artists, writers and theorists.
Ellen Vaughan Kirk Grayson was a Canadian artist and educator. She was born in Moose Jaw, Saskatchewan but her time spent hiking in the Canadian Rockies and the Okanagan Valley has shaped her artistic style.
The Hnatyshyn Foundation Visual Arts Awards, the Award for Outstanding Achievement as an Artist and the Award for Curatorial Excellence in Contemporary Art are two annual arts awards of $25,000 and $10,000 that recognize mid-career Canadian visual artists and curators. The Hnatyshyn Foundation is a private charity established by Ray Hnatyshyn, Canada’s 24th Governor General.
Honor Elizabeth Kever is a Canadian artist.
Barbara Barber FRSA (1873–1966) was a Canadian artist. Barber, along with Sybil Henley Jacobson and Harriette Keating was one of two of the founding members of the Women's Art Association of Saskatchewan. Barber moved to Regina with her husband in 1912. She trained in Toronto and was a Fellow of the Royal Society of Arts.
Judy Anderson is a Nêhiyaw Cree artist from the Gordon First Nation in Saskatchewan, Canada, which is a Treaty 4 territory. Anderson is currently an Associate Professor of Canadian Indigenous Studio Art in the Department of Arts at the University of Calgary. Her artwork focuses on issues of spirituality, colonialism, family, and Indigeneity and she uses in her practice hand-made paper, beadwork, painting, and does collaborative projects, such as the ongoing collaboration with her son Cruz, where the pair combine traditional Indigenous methodologies and graffiti. Anderson has also been researching traditional European methods and materials of painting.
The Audain Prize for the Visual Arts is an annual award that recognizes a distinguished Canadian artist. Worth $100,000, it is one of Canada's most significant honours for the arts. The prize is supported by the Audain Foundation and presented by the Audain Art Museum.
Skeena Reece is a Canadian First Nations artist whose multi-disciplinary practice includes such genres as performance art, "sacred clowning," songwriting, and video art. Reece is of Cree, Tsimshian, Gitksan, and Métis descent.
Zainub Verjee CM, is a Kenya-born Canadian video artist, curator, writer, arts administrator and public intellectual. She began her career in the Vancouver arts community of the 1970s, which was steeped in interdisciplinary, intermedia, and intercultural practices. Having made her mark as an emerging artist, she shifted the emphasis of her work to curatorial, administrative and policy arenas. Applying the insight, creativity and criticality of an artist, she has brought “institutional critique” into the workings of the institution itself. Deeply engaged with the UK’s British Black Arts, Tactical Video Movement, Third Cinema and the post-Bandung Conference decolonization, Verjee has been embedded in the history of women’s labour in British Columbia. In February 2020 she was awarded the 2020 Governor General’s Award in Visual and Media Arts for “outstanding contribution to the arts”. In 2021 she was conferred an honorary doctorate by the OCAD University recognizing her outstanding contribution to arts, racial and gender equity She was elected as a Senior Fellow of the Massey College at University of Toronto in the fall of 2021. Earlier she was appointed as McLaughlin College Fellow at the York University. In 2022 she was conferred Doctor of Fine Arts, honoris causa, by Nova Scotia College of Art and Design NSCAD University, Halifax She was the recipient of the honorary degree of Doctor of Fine Arts given by Simon Fraser University, Burnaby in the Spring Convocation of 2023. Her contribution to the pioneering prison theatre program in Canada and for integral role in the formation of the British Columbia Arts Council was recognized by University of Victoria by conferring her with an honorary degree of Doctor of Fine Arts in Spring Convocation in 2023.
Andrea Fatona is a Canadian independent curator and scholar. She is an associate professor at OCAD University, where her areas of expertise includes black, contemporary art and curatorial studies.
Cleo Reece is a Cree Métis Red Power movement activist, environmental activist, and filmmaker. She is currently a band councilor for Fort McMurray #468 First Nation.
