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Dance, Little Lady | |
---|---|
Directed by | Val Guest |
Written by | Val Guest Doreen Montgomery |
Story by | R. Howard Alexander Alfred Dunning |
Produced by | George Minter |
Starring | Terence Morgan Mai Zetterling Guy Rolfe Mandy Miller |
Cinematography | Wilkie Cooper |
Edited by | John Pomeroy |
Music by | Ronald Binge |
Production company | |
Distributed by | Renown Pictures |
Release date | 13 July 1954 |
Running time | 87 minutes |
Country | United Kingdom |
Language | English |
Dance, Little Lady is a 1954 British drama film directed by Val Guest and starring Terence Morgan, Mai Zetterling, Guy Rolfe and Mandy Miller. [1] The film was made by independent producer George Minter and distributed by his Renown Pictures. It was shot in Eastmancolor at the Walton Studios near London. The film's sets were designed by the art director Frederick Pusey.
Prima ballerina Nina Gordon is being financially exploited by her husband Mark (Terence Morgan). On the night of her triumphant Royal Opera House debut, she discovers he is also being unfaithful. Distraught, she leaves the party they were attending. However, Mark pulls up in their car and she gets in and he drives off at speed into the night. There is a car crash and Nina's leg is badly broken.
Learning that she'll never dance again, Nina is abandoned by Mark. But with the help of a sympathetic doctor (Guy Rolfe), Nina recovers the use of her legs, and begins to live her life vicariously through her talented daughter (Mandy Miller). When Mark reenters Nina's life, intending to take control of the daughter's dancing career, he finds the tables are turned on him.
The Radio Times wrote, "the dance sequences are fine, but the poor production values ruin the look of the film" ; [2] while TV Guide called it "a trite film" ; [3] but Sky Movies wrote, "Terence Morgan makes the best impression, as a sponger as smooth as he is nasty, in this ballet-orientated story, tailored to the talents of Britain's then screen wonder child, Mandy Miller. It bases its appeal on a blend of small-girl sentiment, highly coloured melodramatics and ballet (the dance ensembles are very well done). Mai Zetterling and Guy Rolfe provide rather limp support to Mandy's undeniable charm, but the story's fiery climax is most effective." [4]
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