Murder at the Windmill | |
---|---|
Directed by | Val Guest |
Written by | Val Guest |
Based on | original story by Val Guest |
Produced by | Daniel Angel |
Starring | Garry Marsh Jon Pertwee Jack Livesey Eliot Makeham Jimmy Edwards |
Cinematography | Bert Mason |
Edited by | Douglas Myers |
Music by | Ronald Hanmer |
Production companies | Angel Productions Grand National Pictures |
Distributed by | Associated British Film Distributors (United Kingdom) Monogram Pictures (United States) |
Release dates |
|
Running time | 70 minutes |
Country | United Kingdom |
Language | English |
Budget | under £50,000 [1] |
Murder at the Windmill (U.S. title: Mystery at the Burlesque, also known as Murder at the Burlesque [2] ) is a 1949 British crime film directed and written by Val Guest and starring Garry Marsh, Jon Pertwee, Jack Livesey, Eliot Makeham and Jimmy Edwards. [2] The film is "Daniel Angel and Nat Cohen prsents."
It was shot at Walton Studios and was the first film to show footage inside the Windmill Theatre. [3]
It was the first feature produced by Daniel Angel.
A spectator is shot during a performance at London's Windmill Theatre, causing the Metropolitan Police to investigate. [4]
According to a 1988 interview with Val Guest, [5] a number of people had tried to get permission for making a film about the Windmill but been refused by Vivian Van Damm. Daniel Angel managed to get the rights because he was the son in law of Van Damm. Angel approached Guest to write and direct because he knew Guest had written sketches for the Windmill. Guest thought up a story overnight which was approved by Van Damm. Guest said: "we went on the floor, we built the Windmill in the studio, we did a few things at the Windmill but not a lot, we built it all in the studio, we did it with numbers, shot it with production numbers and everything in 17 days."
Guest wrote several songs for the film. The movie was co-financed by Nat Cohen who received a "presents" credit alongside Angel. The film was also financed by Grand National Pictures. [6]
Filming started after Christmas in 1948. [7]
According to Guest the film "went out and made a fortune." [5] He and Angel made several more movies together: The Body Said No , Miss Pilgrim's Progress and Mr Drake's Duck .
The Monthly Film Bulletin wrote: "Although the story is far from original, the authentic settings, and glimpses of life on the other side of the curtain at the Windmill, are sure to appeal to most audiences, and whilst some of the company seem a little out of their element on the screen, the addition of such seasoned film actors as Eliot Makeham, as Gimpy, and Garry Marsh and Jon Pertwee, as an amusing pair of policemen, lends the necessary support to their efforts. Diana Decker is attractively vivacious as the show's leading lady." [8]
Kine Weekly wrote: "Much less ambitious but considerably more entertaining than To-Night and Every Night , America's highly coloured tribute to the "music hall that never closed," it is certain to go down well with the crowd." [9]
Variety wrote: "Despite story triteness, it moves along okay and the footage is only 58 minutes, keying it for lowercase bookings. ... A little more time on development of meller factors would have helped." [10]
In the Radio Times , David McGillivray wrote, "partly filmed in situ, with performers and staff playing themselves, this creaky whodunnit is a valuable record, within the bounds of the strict censorship of the day, of the lowbrow songs and sketches that made the theatre famous. Jimmy Edwards's spot, dreadful now, was thought hilarious at the time, and won the whiskery comic his part in radio's celebrated Take It from Here ." [11]
TV Guide thought the film was "hampered by trite dialog and an easy solution," and "the mystery is little more than an excuse to film a few song and dance numbers. These are nicely staged and come off a good deal better than the investigation." [12]
A striptease is an erotic or exotic dance in which the performer gradually undresses, either partly or completely, in a seductive and sexually suggestive manner. The person who performs a striptease is commonly known as a "stripper" or an "exotic" or "burlesque" dancer.
The Windmill Theatre in Great Windmill Street, London, was a variety and revue theatre best known for its nude tableaux vivants, which began in 1932 and lasted until its reversion to a cinema in 1964. Many prominent British comedians of the post-war years started their careers at the theatre.
James Keith O'Neill Edwards, DFC was an English comedy writer and actor of stage, radio, television and film, known for his roles as Pa Glum in Take It from Here and as headmaster "Professor" James Edwards in Whack-O!.
Major Daniel Morris Angel was a leading British film producer who was responsible for several notable British films during the 1950s, such as Another Man's Poison (1952), The Sea Shall Not Have Them (1954), Reach for the Sky (1956), and Carve Her Name with Pride (1958).
Vivian Van Damm was a prominent British theatre impresario from 1932 until 1960, managing the Windmill Theatre in London's Great Windmill Street. The theatre was famed for its pioneering tableaux vivants of motionless female nudity, and for its reputation of having 'never closed' during the Blitz.
Miss Pilgrim's Progress is a 1949 black-and-white British comedy film by producer Nat Cohen and director Val Guest.
The Flanagan Boy is a 1953 British second feature ('B') film noir directed by Reginald Le Borg. It was made by Hammer Film Productions and stars Barbara Payton, Tony Wright, Frederick Valk and Sid James. The sceenplay was by Guy Elmes and Richard H. Landau based on the 1949 novel of the same name by Max Catto.
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Garry Marsh was an English stage and film actor.
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Harold Elliott Makeham was an English film and television actor.
Companions in Crime is a 1954 British crime film directed by John Krish and starring Clifford Evans, George Woodbridge and Kenneth Haigh. It was written by Kenneth Hayles, Patricia Lathan and Lester Powell, as a spin-off from the television series Stryker of the Yard, and features two cases originally transmitted as separate episodes: "The Case of the Two Brothers" and "The Case of the Black Falcon".
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Jack Edwards Livesey was a British film actor.
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Someone at the Door is a 1950 British second feature ('B') crime comedy film directed by Francis Searle and starring Michael Medwin, Garry Marsh and Yvonne Owen. It was written by A. R. Rawlinson based on the West End play of the same name by Campbell Christie and his wife Dorothy, which had previously been turned into a film in 1936.
I'll Be Your Sweetheart is a 1945 British historical musical film directed by Val Guest and starring Margaret Lockwood, Vic Oliver and Michael Rennie. It was the first and only musical film produced by Gainsborough Studios. Commissioned by the British Ministry of Information, it was set at the beginning of the 20th century, and was about the composers of popular music hall songs fighting for a new copyright law that will protect them from having their songs stolen. Copyright scholar Adrian Johns has called the film "propaganda" and "a one-dimensional account of the piracy crisis [about sheet music in the early 20th century] from the publishers' perspective", but also highlighted its value as historical document, with large parts of the dialogue "closely culled from the actual raids, court cases, and arguments of 1900-1905."
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