| Dance Mania | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | August 1958 | |||
| Recorded | November – December 1957 | |||
| Genre | Mambo | |||
| Length | 37:50 | |||
| Label | RCA | |||
| Producer | Mickey Crofford | |||
| Tito Puente chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |  link |
Dance Mania is a studio album by American musician Tito Puente. [1] [2] [3] The album was added to the National Recording Registry in 2002. It is also listed among the 1001 Albums You Must Hear Before You Die. [4] [5]
All tracks written by Tito Puente, except where noted.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "El Cayuco" | 2:33 | |
| 2. | "Complicación" | Aguabella | 3:18 |
| 3. | "3-D Mambo" | Santos | 2:23 |
| 4. | "Llegó Miján" | 3:10 | |
| 5. | "Cuando Te Vea" | 4:10 | |
| 6. | "Hong Kong Mambo" | 3:42 | |
| 7. | "Mambo Gozón" | 2:44 | |
| 8. | "Mi Chiquita Quiere Bembé" | 3:55 | |
| 9. | "Varsity Drag" | 2:48 | |
| 10. | "Estoy Siempre Junto a Ti" | Delgado | 3:10 |
| 11. | "Agua Limpia Todo" | Aguabella | 2:55 |
| 12. | "Saca Tu Mujer" | 3:02 |
Abraxas is the second studio album by Latin rock band Santana. It was released on September 23, 1970, by Columbia Records and became the band's first album to reach number one in the United States.
Ramón "Mongo" Santamaría Rodríguez was a Cuban percussionist and bandleader who spent most of his career in the United States. Primarily a conga drummer, Santamaría was a leading figure in the pachanga and boogaloo dance crazes of the 1960s. His biggest hit was his rendition of Herbie Hancock's "Watermelon Man", which was inducted into the Grammy Hall of Fame in 1998. From the 1970s, he recorded mainly salsa and Latin jazz, before retiring in the late 1990s.
Raymundo "Ray" Barretto Pagán was an American percussionist and bandleader of Puerto Rican descent. Throughout his career as a percussionist, he played a wide variety of Latin music styles, as well as Latin jazz. His first hit, "El Watusi", was recorded by his Charanga Moderna in 1962, becoming the most successful pachanga song in the United States. In the late 1960s, Barretto became one of the leading exponents of boogaloo and what would later be known as salsa. Nonetheless, many of Barretto's recordings would remain rooted in more traditional genres such as son cubano. A master of the descarga, Barretto was a long-time member of the Fania All-Stars. His success continued into the 1970s with songs such as "Cocinando" and "Indestructible". His last album for Fania Records, Soy dichoso, was released in 1990. He then formed the New World Spirit jazz ensemble and continued to tour and record until his death in 2006.
Carlos Manuel "Charlie" Palmieri was a Puerto Rican bandleader and musical director of salsa music. He was known as the "Giant of the Keyboards".
Pablo Rodríguez Lozada, better known as Tito Rodríguez, was a Puerto Rican singer and bandleader. He started his career singing under the tutelage of his brother, Johnny Rodríguez. In the 1940s, both moved to New York, where Tito worked as a percussionist in several popular rhumba ensembles, before directing his own group to great success during the 1950s. His most prolific years coincided with the peak of the mambo and cha-cha-cha dance craze. He also recorded boleros, sones, guarachas and pachangas.
Brilliant Corners is a studio album by American jazz musician Thelonious Monk. It was his third album for Riverside Records, and the first, for this label, to include his own compositions. The complex title track required over a dozen takes in the studio.
A descarga is an improvised jam session consisting of variations on Cuban music themes, primarily son montuno, but also guajira, bolero, guaracha and rumba. The genre is strongly influenced by jazz and it was developed in Havana during the 1950s. Important figures in the emergence of the genre were Cachao, Julio Gutiérrez, Bebo Valdés, Peruchín and Niño Rivera in Cuba, and Tito Puente, Machito and Mario Bauzá in New York. Originally, descargas were promoted by record companies such as Panart, Maype and Gema under the label Cuban jam sessions. From the 1960s, the descarga format was usually adapted by large salsa ensembles, most notably the Fania All-Stars.
Machito was a Latin jazz musician who helped refine Afro-Cuban jazz and create both Cubop and salsa music. He was raised in Havana with the singer Graciela, his foster sister.
Cándido Camero Guerra, known simply as Cándido, was a Cuban conga and bongo player. He is considered a pioneer of Afro-Cuban jazz and an innovator in conga drumming. He was responsible for the embracing of the tuneable conga drum, the first to play multiple congas developing the techniques that all players use today, as well as the combination of congas, bongos, and other instruments such as the foot-operated cowbell, an attached guiro, all played by just one person. Thus he is the creator of the multiple percussion set-up.
Ellington at Newport is a 1956 live jazz album by Duke Ellington and his band of their 1956 concert at the Newport Jazz Festival, a concert which revitalized Ellington's flagging career. Jazz promoter George Wein describes the 1956 concert as "the greatest performance of [Ellington's] career... It stood for everything that jazz had been and could be." It is included in the book 1001 Albums You Must Hear Before You Die, which ranks it "one of the most famous... in jazz history". The original release was partly recreated in the studio after the Ellington Orchestra's festival appearance.
Juan Pablo Knipping Pacheco, known as Johnny Pacheco, was a Dominican musician, arranger, composer, bandleader, and record producer. Born in the Dominican Republic, Pacheco became a leading figure in the New York salsa scene in the 1960s and 1970s as the founder and musical director of Fania Records.
The Atomic Mr. Basie (originally called Basie, also known as E=MC2 and reissued in 1994 as The Complete Atomic Basie) is a 1958 album by Count Basie, featuring the song arrangements of Neal Hefti and the Count Basie Orchestra. Allmusic gave it 5 stars, reviewer Bruce Eder saying: "it took Basie's core audience and a lot of other people by surprise, as a bold, forward-looking statement within the context of a big-band recording." It is included in the book 1001 Albums You Must Hear Before You Die, Will Fulford-Jones calling it "Basie's last great record." It was voted number 411 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).
"Oye Cómo Va" is a 1962 cha-cha-chá by Tito Puente, originally released on El Rey Bravo. The song achieved worldwide popularity in 1970, when it was recorded by American rock group Santana for their album Abraxas. This version was released as a single in 1971, reaching number 13 on the Billboard Hot 100, number 11 on the Billboard Easy Listening survey, and number 32 on the R&B chart. The block chord ostinato pattern that repeats throughout the song was most likely borrowed by Puente from Cachao's 1957 mambo "Chanchullo", which was recorded by Puente in 1959.
Live! is a live in-studio album recorded on July 25, 1971, by Fela Kuti's band Africa '70, with the addition of former Cream drummer Ginger Baker on two songs. It was released in 1971 by EMI in Africa and Europe and by Capitol/EMI in the United States and Canada. It was reissued on CD by Celluloid in 1987 and was reissued on CD in remastered form by Barclay with a bonus track from 1978.
Imagen Latina is an album by Venezuelan musician Alberto Naranjo, originally released in 1992 and reedited thrice in 2002, 2008 and 2012. It is the seventh album of El Trabuco Venezolano musical project arranged and directed by Naranjo.
Palo Congo is the debut album by conguero Sabú Martínez, recorded on April 27, 1957 and released on Blue Note later that year. The octet features Arsenio Rodríguez, his brothers Raúl and "Quique"—alongside Ray "Mosquito" Romero—on congas, bassist Evaristo Baró, and vocalists Willie Capó and Sarah Baró.
Ernest AnthonyPuente Jr., commonly known as TitoPuente, was an American musician, songwriter, bandleader, timbalero, and record producer. He composed dance-oriented mambo and Latin jazz music.
El Rey is a 1984 Latin jazz album on the Concord Picante label by musician, band and orchestra leader, Tito Puente. Puente's move towards jazz came at the same time as Eddie Palmieri's albums. It includes performances by Tito Puente not only on timbales, but on vibraharp playing a medley of "Stella by Starlight" and "(Tu, Mi) Delirio", as well as "Autumn Leaves" and "Rainfall". There are also excellent, inventive, driving performances of two works by John Coltrane: "Giant Steps" and "Equinox", as well as Puente's own hit songs "Oye Como Va" and "Linda Chicana".
This is a list of notable events in Latin music that took place in 2007.
SALSWING! is the sixth studio album by the Panamian singer Rubén Blades and Roberto Delgado & Orquesta, released on April 16, 2021, through Rubén Blades Productions. It was produced by Roberto Delgado and features songs by Blades like "Paula C" as well as salsa songs and jazz standards such as "Pennies from Heaven" and "The Way You Look Tonight".
