| Rhythm in the House | ||||
|---|---|---|---|---|
 | ||||
| Studio album by Hilton Ruiz with Tito Puente | ||||
| Released | 1998 | |||
| Recorded | 1998 | |||
| Genre | Jazz | |||
| Length | 36:39 | |||
| Label | TropiJazz RMD 82255 | |||
| Producer | Hilton Ruiz, Jack Hooke | |||
| Hilton Ruiz chronology | ||||
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Rhythm in the House is an album by pianist Hilton Ruiz with special guest Tito Puente recorded in 1998 and released on TropiJazz label, a subsidiary of the Latin music label, RMM. [1]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
The AllMusic review by Stephen Thomas Erlewine called it "a kinetic, entertaining record that proves Latin jazz is not a static form" stating "while not every song has a memorable melody, it's all infectious Latin dance music that proves Ruiz' versatility". [2]
All compositions by Hilton Ruiz.
Michel Camilo is a Grammy-award winning pianist and composer from Santo Domingo, Dominican Republic. He specializes in jazz, Latin and classical piano work. Camilo lists some of his main influences as Chick Corea, Keith Jarrett, Oscar Peterson, Bill Evans, and Art Tatum.
Ramón "Mongo" Santamaría Rodríguez was a Cuban percussionist and bandleader who spent most of his career in the United States. Primarily a conga drummer, Santamaría was a leading figure in the pachanga and boogaloo dance crazes of the 1960s. His biggest hit was his rendition of Herbie Hancock's "Watermelon Man", which was inducted into the Grammy Hall of Fame in 1998. From the 1970s, he recorded mainly salsa and Latin jazz, before retiring in the late 1990s.
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RMM Records, also known as RMM Records & Video Corp, was an independent Latin music record label established in 1987 and based in New York City. The label was most active during the late 1980s and early 1990s and produced primarily salsa, Latin jazz, and merengue music. At its peak, RMM Records employed 55 staff members and had distribution deals in 42 cities around the world, occupying 9,000 square feet in two floors at its Soho headquarters. The label was established by Fania Records promoter Ralph Mercado, who had established RMM Management in 1972 as an artist management and booking agency, providing bookings for Latin artists Tito Puente, Celia Cruz, and Ray Barretto.
"Oye Cómo Va" is a 1962 cha-cha-chá by Tito Puente, originally released on El Rey Bravo. The song achieved worldwide popularity in 1970, when it was recorded by American rock group Santana for their album Abraxas. This version was released as a single in 1971, reaching number 13 on the Billboard Hot 100, number 11 on the Billboard Easy Listening survey, and number 32 on the R&B chart. The block chord ostinato pattern that repeats throughout the song was most likely borrowed by Puente from Cachao's 1957 mambo "Chanchullo", which was recorded by Puente in 1959.
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Ernest AnthonyPuente Jr., commonly known as TitoPuente, was an American musician, songwriter, bandleader, timbalero, and record producer. He composed dance-oriented mambo and Latin jazz music.
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The Slade Collection 81-87 is a compilation album by the British rock band Slade, released by RCA/BMG in March 1991. It contains seventeen tracks spanning the band's years with the RCA label from 1981 to 1987, including three live tracks from Slade on Stage. A follow-up album, The Slade Collection Vol. 2, 79-87, was released in 1993.
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