| Dance Moderno | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1961 | |||
| Genre | Bossa nova | |||
| Length | 29:06 | |||
| Sérgio Mendes chronology | ||||
| ||||
Dance Moderno is the first album by Sérgio Mendes. [1] It is purely an instrumental album, featuring his first band, the Sexteto Bossa Rio. [2] [3]
Bossa nova is a relaxed style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band. Another defining characteristic of the style is the use of unconventional chords in some cases with complex progressions and "ambiguous" harmonies. A common misconception is that these complex chords and harmonies were derived from jazz, but samba guitar players have been using similar arrangement structures since the early 1920s, indicating a case of parallel evolution of styles rather than a simple transference from jazz to bossa nova. Nevertheless bossa nova was influenced by jazz, both in the harmonies used and also by the instrumentation of songs, today many bossa nova songs are considered jazz standards. The increase in popularity of bossa nova has helped to renew samba and contributed to the modernization of Brazilian music in general.
Sérgio Santos Mendes was a Brazilian musician. His career took off with worldwide hits by his band Brasil '66. He had over 55 releases and was known for playing bossa nova, often crossed with funk. He was nominated for an Oscar for Best Original Song in 2012 as co-writer of the song "Real in Rio" from the animated film Rio.
Jorge Duílio Lima Menezes is a Brazilian popular musician, performing under the stage name Jorge Ben Jor since the 1980s, though commonly known by his former stage name Jorge Ben. Performing in a samba style that also explored soul, funk, rock and bossa nova sounds, Ben has recorded such well-known songs as "Chove Chuva", "Mas, que Nada!", "Ive Brussel" and "Balança Pema". His music has been interpreted by artists such as Caetano Veloso, Sérgio Mendes, Miriam Makeba, Soulfly and Marisa Monte.
Antônio Maurício Horta de Melo is a Brazilian jazz guitarist and vocalist.
Love, Strings and Jobim is a 1966 album by various Brazilian artists who play new Brazilian songs by various composers. Because Antônio Carlos Jobim is pictured on the cover and mentioned in the title, he has been and continues to be credited to be the performing artist on the album. Jobim does not appear on the album except as a composer of two of the twelve songs. The original Brazilian title of this album is "Tom Jobim Apresenta" and it appeared on the Elenco label.
"The Look of Love" is a popular song composed by Burt Bacharach and Hal David and originally popularized by English pop singer Dusty Springfield. The song is notable for its sensuality and its relaxed bossa nova rhythm. The song was featured in an extended slow-motion interlude to the 1967 spoof James Bond film Casino Royale. In 2008, the song was inducted into the Grammy Hall of Fame. It also received a Best Song nomination at the 1968 Academy Awards. The song partially inspired the film Austin Powers: International Man of Mystery (1997).
John Pisano was an American jazz guitarist.
Oscar Castro-Neves, was a Brazilian guitarist, arranger, and composer who is considered a founding figure in bossa nova.
João Donato de Oliveira Neto was a Brazilian jazz and bossa nova pianist as well as a trombonist from Rio Branco. He first worked with Altamiro Carrilho and went on to perform with Antonio Carlos Jobim and Astrud Gilberto. Because of the area he grew up in Brasil he was able to hear Cuban music on the radio. This influence would manifest itself in many of his compositions, piano, and trombone playing. Donato's most well-known compositions include: "Amazonas", "Lugar Comum", "Simples Carinho", "Até Quem Sabe" and "Nasci Para Bailar".
Cannonball's Bossa Nova is a 1962 album by jazz musician Julian "Cannonball" Adderley. First released on Riverside in 1963, the album was reissued on Capitol Records several times with different covers and titles.
Astrud Gilberto was a Brazilian samba and bossa nova singer and songwriter. She gained international attention in the mid-1960s following her recording of the song "The Girl from Ipanema".
The Swinger from Rio is a 1966 album by Sérgio Mendes. Recorded over three days in December 1964 for the Atlantic label, it features guest artists Phil Woods, Art Farmer, and Hubert Laws, plus Antônio Carlos Jobim on rhythm guitar. It has also been released under the title Bossa Nova York.
Discography for Sérgio Mendes.
Ugo Marotta is a Brazilian musician, conductor, arranger, composer, keyboardist and vibraphonist. He took part at the Brazilian music movements Bossa Nova and Musicanossa.
Gracinha Leporace is a Brazilian singer who worked extensively with her late husband Sérgio Mendes and his band.
I Love Brazil! is a 1977 studio album by Sarah Vaughan, accompanied by prominent Brazilian musicians Milton Nascimento, Dori Caymmi, and Antônio Carlos Jobim.
Wanda Maria Ferreira de Sá is a Brazilian bossa nova singer and guitarist, active from 1964 to the present day.
Do the Bossa Nova with Herbie Mann is an album by American jazz flautist Herbie Mann recorded in 1962 for the Atlantic label.
Latin Fever is an album by American jazz flautist Herbie Mann recorded for the Atlantic label and released in 1964. The album features tracks from the 1962 sessions that produced Do the Bossa Nova with Herbie Mann with more recent recordings.
Rain Forest is a 1966 album by Walter Wanderley. It contains the pop crossover hit "Summer Samba", which reached No. 26 on the US Hot 100; the album itself reached No. 22 on the Top LPs chart.
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