Dancers in the Dark | |
---|---|
Directed by | David Burton |
Written by | Herman J. Mankiewicz adaptation Brian Marlow Howard Emmett Rogers |
Based on | play Jazz King by James Ashmore Creelman |
Starring | Miriam Hopkins Jack Oakie George Raft |
Music by | Dana Suesse |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 74 minutes |
Country | United States |
Language | English |
Dancers in the Dark is a 1932 American pre-Code film about a taxi dancer (Miriam Hopkins), a big band leader (Jack Oakie), and a gangster (George Raft).
George Raft, billed sixth, was listed much lower in the cast than the size of his role indicated because he was at the dawn of his career. His part was as large as any of the other players except for Hopkins and arguably Oakie. The same thing had happened to Raft previously in his earlier film Quick Millions , a gangster vehicle starring Spencer Tracy, in which Raft's role was extremely large and colorful, even featuring some dancing. [1]
At a downtown dance hall, Duke Taylor is the band leader, Gloria Bishop the singer, Floyd Stevens the saxophonist and Louie Brooks a local gangster and regular patron.
Gloria has a "past" with both Duke and Louie but as the film opens is falling for Floyd. Floyd is steady and true but might not be if he knew more about her romantic history. Duke thinks Gloria is not good enough for Floyd whom he treats as a brother. Louie is interested in having her back but not as much as he wants to rob premises upstairs from the dance hall.
Floyd proposes to Gloria; she accepts but is worried about her past and puts him off. Duke manoeuvres him out of town for a few months and sets about luring Gloria back to him to expose her shallow nature. The ploy fails because he starts to fall in love with her as well. In the meantime the robbery takes place (off screen) and Louie kills someone but isn't caught. Floyd comes back and after a rapid sequence of misunderstandings and the arrival of the police looking for Louie everything works out nicely.
The film was based on a play The Jazz King by James Creely who was better known as a screenwriter. In March 1929 it was announce the play would be put on next October. [2] It was not produced on Broadway. In October 1931 Paramount bought screen rights to the play which was also known as St Louis Blues and Master of Ceremonies. [3] The same month it was announced the film would star Miriam Hopkins and Charles Buddy Rogers. [4] The film was conceived a drama with musical interludes. [5]
Filming started under the title The Jazz King. [6]
Raft was later signed to a long term contract by Paramount. He made it after Scarface but before that film was released. [7]
The New York Times called it "curiously tedious." [8]
The Smiling Lieutenant is a 1931 American pre-Code musical comedy film directed by Ernst Lubitsch, starring Maurice Chevalier, Claudette Colbert and Miriam Hopkins, and released by Paramount Pictures.
The following is an overview of 1932 in film, including significant events, a list of films released and notable births and deaths.
Raoul Walsh was an American film director, actor, founding member of the Academy of Motion Picture Arts and Sciences (AMPAS), and the brother of silent screen actor George Walsh. He was known for portraying John Wilkes Booth in the silent film The Birth of a Nation (1915) and for directing such films as the widescreen epic The Big Trail (1930) starring John Wayne in his first leading role, The Roaring Twenties starring James Cagney and Humphrey Bogart, High Sierra (1941) starring Ida Lupino and Humphrey Bogart, and White Heat (1949) starring James Cagney and Edmond O'Brien. He directed his last film in 1964. His work has been noted as influences on directors such as Rainer Werner Fassbinder, Jack Hill, and Martin Scorsese.
George Raft was an American film actor and dancer identified with portrayals of gangsters in crime melodramas of the 1930s and 1940s. A stylish leading man in dozens of movies, Raft is remembered for his gangster roles in Quick Millions (1931) with Spencer Tracy, Scarface (1932) with Paul Muni, Each Dawn I Die (1939) with James Cagney, Invisible Stripes (1939) with Humphrey Bogart, and Billy Wilder's comedy Some Like It Hot (1959) with Marilyn Monroe and Jack Lemmon; and as a dancer in Bolero (1934) with Carole Lombard and a truck driver in They Drive by Night (1940) with Ann Sheridan, Ida Lupino and Bogart.
The Ladies Man is a 1961 American comedy film directed by and starring Jerry Lewis. It was released on June 28, 1961, by Paramount Pictures.
Bolero is a 1934 American pre-Code musical drama film directed by Wesley Ruggles and starring George Raft and Carole Lombard. The Paramount production was a rare chance for Raft to star and to play a dancer, which had been his profession in New York City, rather than portraying a gangster. The film takes its title from the Maurice Ravel composition Boléro (1928). The supporting cast includes William Frawley, Ray Milland, and Sally Rand.
Murder at the Vanities is a 1934 American Pre-Code musical film based on the 1933 Broadway show with music by Victor Young. It was released by Paramount Pictures. It was directed by Mitchell Leisen, stars Victor McLaglen, Carl Brisson, Jack Oakie, Kitty Carlisle, Gertrude Michael, Toby Wing, and Jessie Ralph. Duke Ellington and His Orchestra are featured in the elaborate "Ebony Rhapsody" number.
Quick Millions is a 1931 pre-Code crime film directed by Rowland Brown and starring Spencer Tracy, Marguerite Churchill, Sally Eilers, and featuring George Raft as the sidekick with a solo eccentric dance performance.
The Glass Key, released in 1935, was based upon the 1931 suspense novel The Glass Key by Dashiell Hammett, directed by Frank Tuttle, starring George Raft and featuring Edward Arnold, Claire Dodd, Guinn "Big Boy" Williams and Ray Milland. Ann Sheridan has a brief speaking role as Raft's character's nurse in their first film together.
Follow the Boys also known as Three Cheers for the Boys is a 1944 musical film made by Universal Pictures during World War II as an all-star cast morale booster to entertain the troops abroad and the civilians at home. The film was directed by A. Edward "Eddie" Sutherland and produced by Charles K. Feldman. The movie stars George Raft and Vera Zorina and features Grace McDonald, Charles Grapewin, Regis Toomey and George Macready. At one point in the film, Orson Welles saws Marlene Dietrich in half during a magic show. W.C. Fields, in his first movie since 1941, performs a classic pool-playing presentation he first developed in vaudeville four decades earlier in 1903.
All of Me is a 1934 American pre-Code drama film directed by James Flood and starring Fredric March, Miriam Hopkins, and George Raft. The film was written by actor Thomas Mitchell and Sidney Buchman from Rose Porter's play Chrysalis.
Rumba is a 1935 American musical drama film starring George Raft as a Cuban dancer and Carole Lombard as a Manhattan socialite. The movie was directed by Marion Gering and is considered an unsuccessful follow-up to Raft and Lombard's smash hit Bolero the previous year.
The Glass Key is a 1942 American crime drama based on the 1931 novel of the same name by Dashiell Hammett. The picture was directed by Stuart Heisler starring Brian Donlevy, Veronica Lake and Alan Ladd. A successful earlier film version starring George Raft in Ladd's role had been released in 1935. The 1942 version's supporting cast features William Bendix, Bonita Granville, Richard Denning and Joseph Calleia.
Albert E. Lewis was a Polish-born Broadway and film producer. His family emigrated to the Lower East Side of Manhattan, New York when he was a boy. He became a vaudeville comedian, then started a partnership producing one-act plays for vaudeville. Around 1930 he moved to Hollywood and worked as a film producer with Paramount, RKO, and MGM until after World War II.
The Story of Temple Drake is a 1933 American pre-Code drama film directed by Stephen Roberts and starring Miriam Hopkins and Jack La Rue. It tells the story of Temple Drake, a reckless woman in the American South who falls into the hands of a brutal gangster and rapist. It was adapted from the highly controversial 1931 novel Sanctuary by William Faulkner. Though some of the more salacious elements of the source novel were not included, the film was still considered so indecent that it helped give rise to the strict enforcement of the Hays Code.
Paramount on Parade is a 1930 all-star American pre-Code revue released by Paramount Pictures, directed by several directors including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, A. Edward Sutherland, Lothar Mendes, Otto Brower, Edwin H. Knopf, Frank Tuttle, and Victor Schertzinger—all supervised by the production supervisor, singer, actress, and songwriter Elsie Janis.
The George Raft Story is a 1961 American biographical film directed by Joseph M. Newman that stars Ray Danton as Hollywood film star George Raft. The picture was retitled Spin of a Coin for release in the United Kingdom, a reference to Raft's character's nickel-flipping trick in Scarface (1932), the film that launched his career as an actor known for portraying gangsters.
She Loves Me Not is a 1934 American comedy film directed by Elliott Nugent and starring Bing Crosby and Miriam Hopkins. Based on the novel She Loves Me Not by Edward Hope and the subsequent play by Howard Lindsay, the film is about a cabaret dancer who witnesses a murder and is forced to hide from gangsters by disguising herself as a male Princeton student. Distributed by Paramount Pictures, the film has been remade twice as True to the Army (1942) and as How to Be Very, Very Popular in (1955), the latter starring Betty Grable. The film is notable for containing one of the first major performances of Bing Crosby, and it helped launch him to future stardom. This was also the last film that Miriam Hopkins made under her contract to Paramount Pictures, which began in the early 1930s upon her arrival in Hollywood. In 1935, the film received an Academy Award nomination for Best Original Song for "Love in Bloom", theme song of comedian Jack Benny.
A Gentleman After Dark is a 1942 crime/drama film starring Brian Donlevy and Miriam Hopkins.
The Social Lion is a 1930 American Pre-Code comedy film directed by A. Edward Sutherland and written by Octavus Roy Cohen, Joseph L. Mankiewicz and Agnes Brand Leahy, and starring Jack Oakie, Mary Brian, Richard "Skeets" Gallagher, Olive Borden, Charles Sellon, Cyril Ring and E. H. Calvert. It was released on June 21, 1930, by Paramount Pictures.