Dangerous Mission | |
---|---|
Directed by | Louis King |
Screenplay by | Charles Bennett W. R. Burnett Horace McCoy |
Story by | James Edmiston Horace McCoy |
Produced by | Irwin Allen |
Starring | Victor Mature Piper Laurie Vincent Price |
Cinematography | William E. Snyder |
Edited by | Frederic Knudtson Gene Palmer |
Music by | Roy Webb |
Production company | RKO Radio Pictures |
Distributed by | RKO Radio Pictures |
Release date |
|
Running time | 75 minutes |
Country | United States |
Language | English |
Box office | $1 million [2] |
Dangerous Mission is a 1954 American Technicolor thriller film [3] starring Victor Mature, Piper Laurie, Vincent Price and William Bendix. The film was produced by Irwin Allen, directed by Louis King and released by RKO Radio Pictures. [4] It is remembered today mainly for its use of 3-D film technology.
Louise Graham witnesses the murder of a New York City crime boss and flees the East to hide out in Glacier National Park, on the Montana-Canadian border. She is trailed there by two men, Matt Hallett and Paul Adams, one of whom is a federal agent charged with protecting her, the other a ruthless New York hit man who's been paid to silence her.
A subplot involves a Blackfeet Indian girl, Mary Tiller, a brilliant award-winning scholar whose overriding worries center on her father, Katoonai, a fugitive from the White man's justice. However, Glacier Park's chief of rangers, Joe Parker, believes he is innocent. Mary has another problem. She's unknowingly fallen in love with the aforementioned hit man.
All plotlines weave their way to one of the park's snow-covered mountains, a dangerous terrain where two of these characters meet their fate.
The film was also known as Glacier and Rangers of the North. Filming began in July 1953. [5] [6]
The film is set in Glacier National Park, Montana and was largely filmed there.
In a contemporary review for The New York Times , critic Bosley Crowther called the film "unnatural, uninteresting and drab" and wrote: "Since our great national parks are open to virtually anyone who cares to visit them, there probably is no way of preventing their occasionally being exploited and abused. And that is most certainly what has happened to Glacier Park in the R. K. O. film ... [A] company of Hollywood people has the cheek to play a tale that hasn't the vitality or intelligence of a good comic-strip episode. It is a miserably dull and mixed-up fable about a hunt for a missing witness to a crime, with Vincent Price eventually emerging as some sort of villain, which is obvious all along." [7]
More recently, critic Dennis Schwartz has also reviewed the film negatively, writing: "An action movie made for 3D that starts off looking like a real corker but winds up looking as stale as month-old bread. Director Louis King ( Frenchie / Green Grass of Wyoming ) never steers it away from its awkwardness. Despite a fine cast (unfortunately they all give corpse-like performances), capable screenwriters Charles Bennett and W.R. Burnett, and veteran story writers Horace McCoy and James Edmiston, the film is at best bearable ... William Bendix plays a blustery park ranger chief who knew Mature from their days as marines. His mission, in this film, is to put out a forest fire that has nothing to do with the plot, but looks swell on 3D. The film is noteworthy for the clumsy job Gene Palmer turned in as editor." [8]
The Bridges at Toko-Ri is a 1954 American war film about the Korean War and stars William Holden, Grace Kelly, Fredric March, Mickey Rooney, and Robert Strauss. The film, which was directed by Mark Robson, was produced by Paramount Pictures. Dennis Weaver and Earl Holliman make early screen appearances in the film.
Francis Bosley Crowther Jr. was an American journalist, writer, and film critic for The New York Times for 27 years. His work helped shape the careers of many actors, directors and screenwriters, though some of his reviews of popular films have been seen as unnecessarily harsh. Crowther was an advocate of foreign-language films in the 1950s and 1960s, particularly those of Roberto Rossellini, Vittorio De Sica, Ingmar Bergman, and Federico Fellini.
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