Daniel Kenneth Rothbart (Stanford, CA, January 29, 1966), is an artist and writer.
Rothbart was born in Stanford, California and raised in Eugene, Oregon. He is the son of psychologists Myron Rothbart and Mary K. Rothbart. He studied sculpture at the Rhode Island School of Design and Columbia University.
Daniel Rothbart is an artist and writer whose work explores the relationship between nature, urban postmodern identity and metaphysics. In the words of critic John Ash, "What he presents is the visual aspect of an imaginary 'ritual without theology' (to use his own phrase)." [1] Art theorist and curator Enrico Pedrini wrote, "His world of myth prompts one to reconsider the sacred as a point of interaction where icons and symbols converge and undergo changes of meaning."
Rothbart has exhibited at Andrea Meislin Gallery, [2] Exit Art, WhiteBox, [3] and the LAB Gallery in New York City along with the Hudson Valley Center for Contemporary Art in Peekskill, New York and the Artists Residence Gallery in Herzliya, Israel. Studio projects include Inscrutable Theologies, Aachen, Germany; [4] STREAMING II, The Frank Institute @ CR10, Linlithgo, New York; [5] The Rumsey Street Project, Grand Rapids, Michigan; [6] Air de Venise, Venice, Italy; WATERLINES, Galerie Depardieu, Nice, France; La Napoule Art Foundation, Mandelieu-la-Napoule, France. [7] and RamleAnthropocene, the Pool of the Arches, Center for Contemporary Art Ramle CACR, Ramle, Israel. [8] He exhibited in Ventisette artisti e una rivista, Galleria Nazionale d’Arte Moderna, Rome, Italy; [9] Citydrift, Momenta Art, Brooklyn, New York; But I’m an American, Belgrade Cultural Centre, Serbia; [10] The End of Language: Wittgenstein Reimagined, Museum of Contemporary Art, Belgrade, Serbia; and Meditation | Mediation, Life is Art Foundation, New Orleans, Louisiana. [11]
Rothbart was awarded a New York Foundation for the Arts grant and a residency at La Napoule Art Foundation in 2002. [12] He was awarded a New York State Council on the Arts grant and a residency at The Artists' Residence, Herzliya, Israel in 2023. His work is the subject of a monograph by Enrico Pedrini published in 2010 by Ulisse e Calipso of Naples, Italy. Rothbart's work can be found in public and private collections, including the Museum of Modern Art in New York. [13]
In 2015, Rothbart wrote an essay and four commentaries on the theme of water-based performance as the lead section of PAJ 111, published by MIT Press. [14] Rothbart is the author of three books. Jewish Metaphysics as Generative Principle in American Art (1994) explores the relationship between Jewish culture and post-war American abstraction. [15] The Story of the Phoenix (1999) examines American cultural identity, Hollywood, and the transmutation of meaning through digital collages inhabited by his sculpture. [16] Seeing Naples: Reports from the Shadow of Vesuvius (2018) is a book of travel writing inspired by Rothbart's experiences as a Fulbright scholar in Naples during the early 1990s. [17] The work combines personal narrative with stories from the city's history, ancient and modern, that speak to Neapolitan values and culture. [18] Poet and cultural critic Wayne Koestenbaum observes "Rothbart's narrative of Naples bears the freight of a melancholy intrinsic to the act of paying attention to a city that is older and wiser than we will ever live to be." [19]
Richard Milazzo (Writer/Poet) and Daniel Rothbart (Writer/Collagist), More Fugitive Than Light: Poems of Rome, Venice, Paris, 2016-2017 (Tsukuda Island Press, 2024).
Seeing Naples: Reports from the Shadow of Vesuvius (Edgewise Press, 2018).
The Story of the Phoenix (Ulisse e Calipso, 1999).
Jewish Metaphysics as Generative Principle in American Art (Ulisse e Calipso, 1994).
Enrico Pedrini, John Perreault, Varda Genossar (Writers), and Daniel Rothbart (Artist, Interviewee), Daniel Rothbart: Works 1988 – 2009, Naples: Ulisse e Calipso, 2010.
Simonetta Lux and Şükran Moral, Arte ipercontemporanea. Un certo loro sguardo... Ulteriori protocolli dell'arte contemporanea, Rome: Gangemi Editore, 2006.
Carla Subrizi (Writer) and Daniel Rothbart (Artist, Book Designer), Worlds, Rome: Lee Arthur Studio (New York, N.Y.), Galleria Planita (Rome, Italy), 1994.
Campania is an administrative region of Italy located in Southern Italy; most of it is in the south-western portion of the Italian Peninsula, but it also includes the small Phlegraean Islands and the island of Capri. The capital of the Campania region is Naples. As of 2018, the region had a population of around 5,820,000 people, making it Italy's third most populous region, and, with an area of 13,590 km2 (5,247 sq mi), its most densely populated region. Based on its GDP, Campania is also the most economically productive region in Southern Italy and the 7th most productive in the whole country. Naples' urban area, which is in Campania, is the eighth most populous in the European Union. The region is home to 10 of the 58 UNESCO sites in Italy, including Pompeii and Herculaneum, the Royal Palace of Caserta, the Amalfi Coast, the Longobardian Church of Santa Sofia in Benevento and the Historic Centre of Naples. In addition, Campania's Mount Vesuvius is part of the UNESCO World Network of Biosphere Reserves.
Giuseppe Maria Alberto Giorgio de Chirico was an Italian artist and writer born in Greece. In the years before World War I, he founded the scuola metafisica art movement, which profoundly influenced the surrealists. His best-known works often feature Roman arcades, long shadows, mannequins, trains, and illogical perspective. His imagery reflects his affinity for the philosophy of Arthur Schopenhauer and of Friedrich Nietzsche, and for the mythology of his birthplace.
Dorothy Karen "Cookie" Mueller was an American actress, writer, and Dreamlander who starred in many of filmmaker John Waters' early films, including Multiple Maniacs, Pink Flamingos, Female Trouble, and Desperate Living.
Michael Grant was an English classicist, numismatist, and author of numerous books on ancient history. His 1956 translation of Tacitus's Annals of Imperial Rome remains a standard of the work. Having studied and held a number of academic posts in the United Kingdom and the Middle East, he retired early to devote himself fully to writing. He once described himself as "one of the very few freelancers in the field of ancient history: a rare phenomenon". As a populariser, his hallmarks were his prolific output and his unwillingness to oversimplify or talk down to his readership. He published over 70 works.
Naples yellow, also called antimony yellow or lead antimonate yellow, is an inorganic pigment that largely replaced lead-tin-yellow and has been used in European paintings since the seventeenth century. While the mineral orpiment is considered to be the oldest yellow pigment, Naples yellow, like Egyptian blue, is one of the oldest known synthetic pigments. Naples yellow was used in ancient Egypt and Mesopotamia, finding widespread application during the Hellenistic and Roman periods. Prior to its earliest occurrences in European paintings, the pigment was commonly employed in pottery, glazes, enamels, and glass. The pigment ranged in hue from a muted, earthy, reddish yellow to a bright light yellow.
Metaphysical painting or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which cannot be seen". De Chirico, his younger brother Alberto Savinio, and Carrà formally established the school and its principles in 1917.
Italian Journey is Johann Wolfgang von Goethe's report on his travels to Italy from 1786 to 1788 that was published in 1816 & 1817. The book is based on Goethe's diaries and is smoothed in style, lacks the spontaneity of his diary report and is augmented with the addition of afterthoughts and reminiscences.
Wayne Koestenbaum is an American artist, poet, and cultural critic. He received an American Academy of Arts and Letters Award in Literature in 2020. He has published over 20 books to date.
The Denial of Saint Peter(La Negazione di Pietro) is a painting finished around 1610 by the Italian painter Caravaggio. It depicts Peter denying Jesus after Jesus was arrested. The painting is housed in the Metropolitan Museum of Art in New York City.
The Villa Poppaea is an ancient luxurious Roman seaside villa located in Torre Annunziata between Naples and Sorrento, in Southern Italy. It is also called the Villa Oplontis or Oplontis Villa A as it was situated in the ancient Roman town of Oplontis.
Enrico Pedrini was an academic, theorist and collector of Conceptual Art. He also taught epistemology in Italy.
Massimo Stanzione was an Italian Baroque painter, mainly active in Naples, where he and his rival Jusepe de Ribera dominated the painting scene for several decades. He was primarily a painter of altarpieces, working in both oils and fresco. His main subject matter was biblical scenes. He also painted portraits and mythological subjects. He had many pupils and followers as his rich color and idealized naturalism had a large influence on other local artists, such as Francesco Solimena. In 1621 Pope Gregory XV gave him the title of Knight of the Golden Spur and Pope Urban VIII made him a knight of St. John around 1624 and a knight of the Order of Christ in 1627. From then on, he liked to sign his works as "EQUES MAXIMUS".
Ugo Attardi was an Italian painter, sculptor and writer.
Henry Clews Jr. was an American-born artist who moved to France in 1914 in search of greater artistic freedom. He is known for the reconstruction of a Mediterranean waterfront chateau on the French Riviera a few miles west of Cannes, known as the Château de la Napoule, which today is operated by a trust and is open to the public. Together with his American wife, Elsie Whelan Goelet Clews, Clews began rebuilding the medieval fortress in 1918; the couple continued the fantasy-themed construction for the rest of their lives.
Edgewise: A Picture of Cookie Mueller is a book by Chloé Griffin published in 2014. Published by Bbooks Verlag, Edgewise is an oral history of the actress and writer Cookie Mueller.
Portrait of Caroline Murat, Queen of Naples is an 1814 oil on canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres. Caroline Murat, née Bonaparte, was the sister of Napoleon, and married Joachim Murat, a Marshal of France and Admiral of France, and later King of Naples. Caroline commissioned the portrait as part of an effort to convey her standing and worth to reign as Queen of Naples during an unstable political climate.
David Humphrey is an American painter, art critic, and sculptor associated with the postmodern turn in painting that began in the late 1970s. He is best known for his playful, cartoonish, puzzling paintings, which blend figuration and abstraction and create "allegories" about the medium of painting itself. Humphrey holds a BFA from Maryland Institute College of Art (1977) and a MA from New York University (1980), where he studied with film critic Annette Michelson; he also attended the New York Studio School from 1996 – 1997. He has been the recipient of many awards including the Guggenheim Fellowship in 2002, the Rome Prize in 2008, and the American Academy of Arts and Letters Purchase Award in 2011. He was born in Augsburg Germany and raised in Pittsburgh, Pennsylvania. He lives and works in New York City.
Polifemo is an opera in three acts by Nicola Porpora with a libretto by Paolo Rolli. The opera is based on a combination of two mythological stories involving the cyclops Polyphemus: His killing of Acis and his blinding by Ulysses.
John Newman is an American sculptor. He was born in Flushing, Queens in 1952. He received his B.A. from Oberlin College (1973). He attended the Whitney Museum Independent Study Program in 1972 and received his M.F.A. in 1975 from the Yale School of Art. He was a fellow at the Center for Advanced Visual Studies at MIT from 1975 to 1978. He is based in New York City.
Jeff Weinstein is an American critic, editor, fiction writer and union activist, best known as a former restaurant critic for the Village Voice, where he was also on staff from 1981 to 1995. In 1982, he helped negotiate a Voice union contract that extended health insurance and other benefits, which the newspaper already provided to married couples and, as a matter of practice, to unmarried heterosexual couples, to same-sex couples. The agreement was the second union contract in the United States, the first by a private company, and the first to be widely reported on, to offer same-sex couples these protections.
Wisniewski, John, Unveiling the RamleAnthropocene: The Artistic Vision of Daniel Rothbart, Cultured Focus, January 2024. Marks Eglash, Ruth, From New York to Ramle – modern art in an ancient setting puts Israeli city on the map, Jewish Insider, October 2023. De Leonardis, Manuela, Napoli, una teatrale quotidianità tra sguardi e souvenir, Il Manifesto, October 2018. Notte, Riccardo, Seeing Naples: Reports from the Shadow of Vesuvius, Sdefinizioni Art Mag, January 2019. Perreault, John, Daniel Rothbart, The Space @ Media Triangle, Sculpture Magazine, May 2003. Moral, Sukran, Rothbart dalla parte di Moral, Luxflux, July 2003.