Daniel Savio | |
---|---|
Background information | |
Birth name | Daniel Savio |
Born | 6 April 1978 |
Origin | Södermalm, Stockholm, Sweden |
Genres | Electronic, Skweee, IDM |
Occupation(s) | Musician, composer, remixer |
Instrument(s) | Synthesizers, piano, electronics, drum machine, sequencer, sampler, turntables |
Years active | 1999–present |
Labels | House Of Wisdom Flogsta Danshall Flora & Fauna Dødpop Losonofono MYOR Poisonous Gases Disques Mazout Permanent Vacation |
Website | danielsavio.com (archived at Wayback Machine) |
Daniel Savio (born 6 April 1978), [1] is a Swedish electronic musician, composer and DJ. He is recognized as the originator of the genre term skweee, describing the sparse electronic music style initially released on Scandinavian record label Flogsta Danshall. [2] With their release of the single "The Bubble Bump" in 2006, the label also debuted Daniel Savio's solo material.
Born to artist parents, Daniel Savio was encouraged to embrace creativity early in life. The record collections of his uncle's and cousin's made music his starting point. While focusing entirely on DJing, his Stockholm childhood and early teenage years involved brief encounters with breakdancing and graffiti. Savings from a summer job at the age of fourteen gave him access to a sampler. The first music he produced were beats made for himself to rap to. [3]
Following high school, Daniel would go on to form the electro and dub techno group Hundarna Från Söder with friends Aksel Friberg and Tor Löwkrantz. As a member of Hundarna Från Söder, Savio was awarded the Swedish Grammis (Club/Dance) in 2004 for the trio's self-titled debut album. The group was also nominated at the Sveriges Radio P3 Guld awards, as well as the independent Manifest awards. [4] After two albums, and after no real disbanding of the group (in an interview Daniel Savio stated that "it just fizzled out"), Savio continued producing and recording music as a solo artist. [3]
While departing from making music with Hundarna Från Söder, Savio simultaneously started releasing music under his birth name – as well as under the alias "Kool DJ Dust". As Kool DJ Dust he produced the mix and re-edit concept album "The Disco Opera" using samples sourced from obscure European prog- and disco-influenced fusion. The album was released locally on label High Feelings, along with an EP called "The Space Opera". Following the wider re-release of the CD mix album on Service, [5] Pitchfork gave plaudits to the album, comparing "The Disco Opera" to the music of Todd Terje and The Avalanches. [6] Svenska Dagbladet proclaimed Daniel, in the guise of Kool DJ Dust, as "...a Swedish DJ Shadow in terms of the sampling of collages of vinyl, or a one-man Radio Soulwax intertwining the most remarkable combinations of tunes into a suddenly logic entity". [7] In conjunction with the release of "The Disco Opera", Daniel cited influences like Italian composer Dario Argento. He also explained how he endured listening through piles of cheap LPs by saying "it is no worse listening to a bad record from 1972 than it is to listen to the radio on any given day". [8]
A technique employed by Daniel Savio is committing himself to using a single synthesizer in the making of an entire song, or even full collections of songs. Using this method, the drum sounds, melodies, bass rhythms, pads and sequencing of a track may all be done using just one piece of hardware. The original purpose of the synthesizer in use would typically be considered insufficient for the purpose of making detailed and complete songs. [10]
Savio's music has been compared to productions by Timbaland and Neptunes, echoing early 2000s R&B to a greater degree than his skweee counterparts. [11]
While Savio's solo albums have had digital releases, a longtime preferred format for his singles were 7-inch vinyl. Several releases on his own House Of Wisdom imprint have been 12" vinyl and have been geared more towards house music with an electronic disco influence. [12] Other labels which released records by Savio include Flogsta Danshall, Permanent Vacation, Flora & Fauna, Romb, Dødpop, Harmönia and Losonofono. [13]
The twelve-inch single is a type of vinyl gramophone record that has wider groove spacing and shorter playing time with a "single" or a few related sound tracks on each surface, compared to LPs which have several songs on each side. It is named for its 12-inch (300 mm) diameter that was intended for LPs. This technical adaptation allows for louder levels to be cut on the disc by the mastering engineer, which in turn gives a wider dynamic range, and thus better sound quality. This record type, which is claimed to have been accidentally discovered by Tom Moulton, is commonly used in disco and dance music genres, where DJs use them to play in clubs. They are played at either 33+1⁄3 or 45 rpm. The conventional 7-inch single usually holds three or four minutes of music at full volume. The 12-inch LP sacrifices volume for extended playing time.
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