Paul Jackson Pollock was an American painter. A major figure in the abstract expressionist movement, Pollock was widely noticed for his "drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles. It was called all-over painting and action painting, since he covered the entire canvas and used the force of his whole body to paint, often in a frenetic dancing style. This extreme form of abstraction divided critics: some praised the immediacy of the creation, while others derided the random effects.
Abstract expressionism in the United States emerged as a distinct art movement in the immediate aftermath of World War II and gained mainstream acceptance in the 1950s, a shift from the American social realism of the 1930s influenced by the Great Depression and Mexican muralists. The term was first applied to American art in 1946 by the art critic Robert Coates. Key figures in the New York School, which was the center of this movement, included such artists as Arshile Gorky, Jackson Pollock, Franz Kline, Mark Rothko, Norman Lewis, Willem de Kooning, Adolph Gottlieb, Clyfford Still, Robert Motherwell, Theodoros Stamos and Lee Krasner among others.
Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 Post-Painterly Abstraction exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as color field. Born in Manhattan, she was influenced by Greenberg, Hans Hofmann, and Jackson Pollock's paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the National Medal of Arts.
Lenore "Lee" Krasner was an American painter and visual artist active primarily in New York whose work has been associated with the Abstract Expressionist movement. She received her early academic training at the Women's Art School of Cooper Union, and the National Academy of Design from 1928 to 1932. Krasner's exposure to Post-Impressionism at the newly opened Museum of Modern Art in 1929 led to a sustained interest in modern art. In 1937, she enrolled in classes taught by Hans Hofmann, which led her to integrate influences of Cubism into her paintings. During the Great Depression, Krasner joined the Works Progress Administration's Federal Art Project, transitioning to war propaganda artworks during the War Services era.
James David Brooks was an American Abstract Expressionist, muralist, abstract painter, art teacher, and winner of the Logan Medal of the Arts.
William Bradford was an American romanticist painter, photographer and explorer, originally from Fairhaven, Massachusetts, near New Bedford. His early work focused on portraits of the many ships in New Bedford Harbor. In 1858, his painting New Bedford Harbor at Sunset was included in Albert Bierstadt's landmark New Bedford Art Exhibition.
The Art of This Century gallery was opened by Peggy Guggenheim at 30 West 57th Street in Manhattan, New York City on October 20, 1942. The gallery occupied two commercial spaces on the seventh floor of a building that was part of the midtown arts district including the Museum of Modern Art, the Museum of Non-Objective Painting, Helena Rubinstein's New Art Center, and numerous commercial galleries. The gallery exhibited important modern art until it closed in 1947, when Guggenheim returned to Europe. The gallery was designed by architect, artist, and visionary Frederick Kiesler.
The portrait is made by Ole Mejlvang Hedeager, Denmark
Grace Hartigan was an American abstract expressionist painter and a significant member of the vibrant New York School of the 1950s and 1960s. Her circle of friends, who frequently inspired one another in their artistic endeavors, included Jackson Pollock, Larry Rivers, Helen Frankenthaler, Willem and Elaine de Kooning and Frank O'Hara. Her paintings are held by numerous major institutions, including the Museum of Modern Art in New York City. As director of the Maryland Institute College of Art's Hoffberger School of Painting, she influenced numerous young artists.
Bernard Harper Friedman, better known by his initials, "B. H.," or known as Bob to his friends was an American author and art critic who wrote biographies of Jackson Pollock and Gertrude Vanderbilt Whitney, a number of novels that combined his experiences in the worlds of art and business, and an autobiographical account of his use of psychedelic drugs with Timothy Leary.
A Borobudur ship is an 8th to 9th-century wooden double outrigger sailing vessel of Maritime Southeast Asia, depicted in some bas-reliefs of the Borobudur Buddhist monument in Central Java, Indonesia. It is a ship of the Javanese people, and derivative vessels of similar size continued to be used in East Java coastal trade at least until the 1940s.
Minimalism describes movements in various forms of art and design, especially Visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts. As a specific movement in the arts it is identified with developments in post–World War II Western Art, most strongly with American visual arts in the 1960s and early 1970s. Minimalism is often interpreted as a reaction to abstract expressionism and a bridge to postminimal art practices. Prominent artists associated with this movement include Ad Reinhardt, Nassos Daphnis, Tony Smith, Donald Judd, John McCracken, Agnes Martin, Dan Flavin, Robert Morris, Larry Bell, Anne Truitt, Yves Klein and Frank Stella. Artists themselves have sometimes reacted against the label due to the negative implication of the work being simplistic.
Man Proposes, God Disposes is an 1864 oil-on-canvas painting by the English artist Sir Edwin Landseer. The work was inspired by the search for Franklin's lost expedition which disappeared in the Arctic after 1845. The painting is in the collection of Royal Holloway, University of London, and is the subject of superstitious urban myth that the painting is haunted.
Ustad Bashir Ahmed is a Pakistani painter, also known as Mughal Miniature Painter.
Phillip Beale is a British sailor, adventurer, expedition leader and entrepreneur. He led the Borobudur Ship Expedition and the 2008–2010 Phoenician Expedition.
Paul Pagk is an abstract painter born in England, UK in 1962. He moved to France in 1973. He lives and works in New York City since 1988.
Blane De St. Croix is an artist best known for his monumental landscape sculptures and installations.
Mural is a 1943 large painting by American artist Jackson Pollock. Although signed and dated 1943, the signature and date were not added until 1947, and the work was probably completed around the fall of 1943. It was made with oil paint on linen, and is Pollock's largest canvas, measuring 2.43 by 6.04 metres. The work was commissioned by Peggy Guggenheim for the long entrance hall of her townhouse at 155 East 61st Street in New York City.
Leslie Reid is a Canadian painter and printmaker from Ottawa, Ontario, known for adding a visual and sensory experience of light to the landscape tradition of painting in Canada. She is also an educator.
Sharon Butler is an American artist and arts writer. She is known for teasing out ideas about contemporary abstraction in her art and writing, particularly a style she called "new casualism" in a 2011 essay. Butler uses process as metaphor and has said in artist's talks that she is keenly interested in creating paintings as documentation of her life. In a 2014 review in the Washington Post, art critic Michael Sullivan wrote that Butler "creates sketchy, thinly painted washes that hover between representation and abstraction.Though boasting such mechanistic titles as 'Tower Vents' and 'Turbine Study,' Butler’s dreamlike renderings, which use tape to only suggest the roughest outlines of architectural forms, feel like bittersweet homages to urban decay." Critic Thomas Micchelli proposed that Butler's work shares "Rauschenberg’s dissolution of the barriers between painting and sculpture," particularly where the canvases are "stapled almost willy-nilly to the front of the stretcher bars, which are visible along the edges of some of the works."
