François Kevorkian, also known by the stage name François K, is a French DJ, producer, remixer and label owner of Armenian descent and based in the United States of America, who started his career DJing in clubs such as the Paradise Garage and Studio 54. Kevorkian has produced and remixed work by a diverse range of musicians including the Smiths, Adam Ant, Kraftwerk, Pet Shop Boys, Depeche Mode, Diana Ross, Gloria Estefan and U2, and is considered one of the forefathers of house music.
Danielle Gardner, known professionally as Danielle Dax, is an English rock musician, music producer, and artist most active from the late-1970s to the mid-1990s.
The Circus is the second studio album by the English synth-pop duo Erasure, released on 30 March 1987 by Mute Records in Germany and the United Kingdom and on 7 July 1987 by Sire Records in the United States. It was Erasure's second consecutive album to be produced by Flood.
Crackers International is a Christmas EP released by English synth-pop duo Erasure in November 1988, in between the albums The Innocents (1988) and Wild! (1989). The EP reached number-one in Denmark and Argentina, and peaked at number two in the United Kingdom and Ireland.
Deborah Christine "Siedah" Garrett is an American singer and songwriter who has written songs and performed backing vocals for many recording artists in the music industry, such as Michael Jackson, the Pointer Sisters, Brand New Heavies, Quincy Jones, Tevin Campbell, Donna Summer, Madonna, Jennifer Hudson among others. Garrett has been nominated for two Academy Awards for Best Original Song, and won the Grammy Award for Best Song Written for Visual Media at the 50th Annual Grammy Awards for co-writing "Love You I Do" for the 2006 musical film, Dreamgirls. She co-wrote Jackson's hit song "Man in the Mirror", which was nominated for the Grammy Award for Record of the Year.
Jamie Principle is a versatile music artist and producer born in Chicago, Illinois, with a diverse range of genres, including new wave, post-punk, electronica, and R&B. While house music is one facet of his artistic repertoire, it does not encompass the entirety of his work. Jamie's eclectic style reflects a fusion of influences, showcasing his ability to transcend traditional genre boundaries.
"Chains of Love" is a song by English synth-pop duo Erasure, released in May 1988 as their ninth single overall. It was written by Vince Clarke and Andy Bell, and released by Mute Records as the second single from Erasure's third studio album, The Innocents (1988). In the United States, Sire Records released it as the first single. The chorus is memorable for Bell's use of falsetto. The album version was produced by Stephen Hague and was slightly remixed for its single release. The accompanying music video featured Clarke and Bell performing the song while being hoisted through the air by thick, metal chains.
"A Little Respect" is a song written and recorded by British synth-pop duo Erasure, released in September 1988 by Mute. It was written by Vince Clarke and Andy Bell. The lyrics are a plea to a lover to show compassion and respect. The heavily synthesized instrumentation is accentuated by acoustic guitar and Bell's vocal falsetto in the chorus. It was their tenth single and was taken from their third studio album, The Innocents (1988). Known as one of their signature songs, the single reached number four on the UK Singles Chart and was Erasure's second consecutive top-20 hit on the US Billboard Hot 100, where it made number 14, and reached number two on the US Billboard Dance Club Play chart.
Ross is the ninth studio album by American singer Diana Ross, released in September 1978 by Motown Records. The album served as a new album and a compilation, as it was a mixture of old and new songs. Side A consisting of four new tracks recorded in 1978, and Side B of material recorded by Ross between 1971 and 1975, but remixed and/or extended by Motown in-house producer Russ Terrana specifically for the Ross album. Ross peaked at number 49 on the US Pop Albums chart, and number 32 on Black Albums. The album failed to chart in the UK. Its final US sales figures stood at around 150,000 copies. The cover illustration was by Rickey Ricardo Gaskins. A different album also titled Ross was released on the RCA label in 1983.
"Lovin' You" is a song recorded by American singer Minnie Riperton from her second studio album, Perfect Angel (1974). It was written by Riperton and her husband, Richard Rudolph, produced by Rudolph and Stevie Wonder, and released as the album's third single on November 29, 1974. The song peaked at number one on the US Billboard Hot 100 on April 5, 1975. Additionally, it reached number two on the UK Singles chart, and number three on the Billboard R&B chart. In the US, it ranked number 13 on the Billboard Year-End Hot 100 singles of 1975.
"Tell That Girl to Shut Up" is a song written by American singer-songwriter Holly Beth Vincent and originally recorded by her band Holly and the Italians in 1979. A cover version by UK pop rock band Transvision Vamp was released in 1988 as the second single from their debut album Pop Art. In Australia, "Tell That Girl to Shut Up" was released in 1989 as the third single from the album, following the 1988 release of "Revolution Baby".
Diana Extended: The Remixes is a remix album released by American soul singer Diana Ross in 1994. The album includes six tracks that were reworked by some of the biggest names in the industry at the time, covering Ross' career as a solo artist and as a member of The Supremes, with Frankie Knuckles updating "Someday We'll Be Together" from 1969. The album also contains a remix of "Chain Reaction", originally released during Ross' time at RCA. The seventh track is "You're Gonna Love It", a track from the album The Force Behind the Power. The version on Diana Extended: The Remixes is a short remix available previously on a 12" single.
Inky Bloaters is the third solo album by Danielle Dax, an English experimental musician and former member of the Lemon Kittens. It was originally recorded between 1985 & 1987, and released in 1987 on the Awesome Records label. This was the last album by Dax released on the Awesome label before signing with Sire. The album was re-released in 1993 on the Biter of Thorpe label (BOT131-04CD) and distributed through World Serpent Distribution.
Blast the Human Flower is an album by the English experimental musician Danielle Dax. It was her first album recorded while signed to Sire Records.
"Underneath the Radar" is a song by English electronic music group Underworld, released from their debut album, Underneath the Radar (1988). It was featured prominently in the fifth-season premiere of Miami Vice, during the opening aerial shots of Miami and subsequent nightclub shootout. The Morse code in the first 30 seconds of the song reads "Think global, act local". Commercially, the song reached number two in South Africa, number five in Australia, number 14 in New Zealand, number 69 in Canada, and number 74 in the United States.
Life Is a Dance: The Remix Project is a remix album of recordings by American R&B/funk singer Chaka Khan, released by the Warner Bros. Records label in 1989. The compilation takes its title from a track included on Khan's 1978 solo debut album Chaka.
Book of Love is the debut studio album by American synth-pop and electronic band Book of Love, released on April 1, 1986, by Sire Records.
The Chemical Wedding is a compilation album by Danielle Dax released exclusively in Japan in November 1987, containing rare and previously unreleased songs.
"Hangin' on a String (Contemplating)" is the seventh single by British soul band Loose Ends from their second studio album, So Where Are You?, and was released in February 1985 by Virgin Records. In the group's native UK, the single made the top twenty. Outside the UK, the single went to number one on the U.S. Billboard R&B chart for one week. This made Loose Ends the first British band ever to top that chart It also reached number 43 on the Billboard Hot 100.
Just Say Mao was Sire Records' Volume 3 of Just Say Yes and was originally released on July 11, 1989 as a CD sampler. It contained remixes and non-album tracks of artists on the label, most of which were considered new wave or modern rock.
