Darkest Hour | ||||
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Studio album by | ||||
Released | August 5, 2014 | |||
Recorded | 2013 Oceanic Studios | |||
Genre | Melodic metalcore [1] | |||
Length | 49:29 | |||
Label | Sumerian | |||
Producer | Taylor Larson | |||
Darkest Hour chronology | ||||
|
Review scores | |
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Source | Rating |
AllMusic | [2] |
Alternative Press | [3] |
Darkest Hour is the eighth album by American metal band Darkest Hour. It was released on August 5, 2014, through Sumerian Records. It is the first album to feature bassist Aaron Deal and drummer Travis Orbin. [4] [5] The album marks their significant departure from their usual melodic death metal sound, instead having a more mainstream approach with elements of metalcore more prominent, with a more upbeat style and many clean vocals placed throughout. This style has only been utilised on this release to date however, as with the band's next release, Godless Prophets & the Migrant Flora , would see a return to their original style.
No. | Title | Length |
---|---|---|
1. | "Wasteland" | 4:13 |
2. | "Rapture in Exile" | 2:11 |
3. | "The Misery We Make" | 3:06 |
4. | "Infinite Eyes" | 3:40 |
5. | "Futurist" | 3:59 |
6. | "The Great Oppressor" | 3:33 |
7. | "Anti-Axis" | 3:29 |
8. | "By the Starlight" | 4:07 |
9. | "Lost for Life" | 2:52 |
10. | "The Goddess Figure" | 4:14 |
11. | "Beneath The Blackening Sky" | 3:53 |
12. | "Hypatia Rising" | 5:45 |
13. | "Departure" | 4:27 |
No. | Title | Length |
---|---|---|
1. | "Wasteland" | 4:13 |
2. | "Rapture in Exile" | 2:11 |
3. | "The Misery We Make" | 3:06 |
4. | "Infinite Eyes" | 3:40 |
5. | "Futurist" | 3:59 |
6. | "The Great Oppressor" | 3:33 |
7. | "Anti-Axis" | 3:29 |
8. | "By the Starlight" | 4:07 |
9. | "Lost for Life" | 2:52 |
10. | "The Goddess Figure" | 4:14 |
11. | "Lunar Divide" | 3:16 |
12. | "Beneath the Blackening Sky" | 3:53 |
13. | "Surrealist" | 3:06 |
14. | "Hypatia Rising" | 5:45 |
15. | "Departure" | 4:27 |
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Darkest Hour is an American metal band from Washington, D.C., formed in 1995. Though failing to break through early in their tenure, the band has received acclaim for their albums Undoing Ruin, Deliver Us, and The Eternal Return. Deliver Us debuted at number 110 on the Billboard album charts, with sales of 6,600, and their more recent effort The Eternal Return garnered them an even higher position in the Billboard album charts at number 104. Their album Godless Prophets & the Migrant Flora charted at 42 on the Billboard 200, a peak for the band, and it marked a stylistic shift in the band's discography.
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