The Wild One is a 1953 American crime film directed by László Benedek and produced by Stanley Kramer. The picture is most noted for the character of Johnny Strabler, portrayed by Marlon Brando, whose persona became a cultural icon of the 1950s. The Wild One is considered to be the original outlaw biker film, and the first to examine American outlaw motorcycle gang violence. The supporting cast features Lee Marvin as Chino, truculent leader of the motorcycle gang "The Beetles".
Sally is a musical comedy with music by Jerome Kern, lyrics by Clifford Grey and book by Guy Bolton, with additional lyrics by Buddy De Sylva, Anne Caldwell and P. G. Wodehouse. The plot hinges on a mistaken identity: Sally, a waif, is a dishwasher at the Alley Inn in New York City. She poses as a famous foreign ballerina and rises to fame through joining the Ziegfeld Follies. There is a rags to riches story, a ballet as a centrepiece, and a wedding as a finale. "Look for the Silver Lining" continues to be one of Kern's most familiar songs. The song is lampooned by another song, "Look for a Sky of Blue," in Rick Besoyan's satirical 1959 musical Little Mary Sunshine.
Betty Francisco was an American silent-film actress, appearing primarily in supporting roles. Her sisters Evelyn and Margaret were also actresses.
Cosh Boy is a 1953 British film noir based on an original play by Bruce Walker. It was directed by Lewis Gilbert and featured James Kenney and Joan Collins. It was made at Riverside Studios in Hammersmith.
Good-Time Girl is a 1948 British film noir-crime drama film directed by David MacDonald and starring Jean Kent, Dennis Price and Herbert Lom. A homeless girl is asked to explain her bad behaviour in the juvenile court, and says she’s run away from home because she’s unhappy there. They explain in detail what happened to the last girl who thought she could cope on her own, and this becomes the main plot.
Voices of the City is a 1921 American silent crime drama film starring Leatrice Joy and Lon Chaney that was directed by Wallace Worsley, based on the Leroy Scott novel The Night Rose. The film took more than 9 months to be released due to a controversy over the proposed title and the film's abundance of gunplay. The film was retitled Voices of the City and was only released in December 1921, although it had been completed in early March. The film is still listed under The Night Rose in some reference sources.
This Is My Affair is a 1937 American period crime film directed by William A. Seiter and starring Robert Taylor, Barbara Stanwyck, Victor McLaglen and Brian Donlevy. It was produced and released by 20th Century Fox.
Emergency Landing is a 1941 American aviation spy-fi romantic screwball comedy film directed by William Beaudine. The film stars Forrest Tucker in his second film and in his first leading role with co-stars Carol Hughes and Evelyn Brent. Emergency Landing features much-mismatched stock footage of various types of aircraft.
Ghosts on the Loose is a 1943 American comedy horror film and the fourteenth film in the East Side Kids series, directed by William Beaudine. The picture co-stars horror film icon Bela Lugosi as well as Ava Gardner in one of her earliest roles.
Kick In is a 1922 American silent crime drama film produced by Famous Players–Lasky, distributed by Paramount Pictures, and starring Betty Compson and Bert Lytell. The picture was directed by George Fitzmaurice, who previously directed a 1917 film version of the story. Both films are based on Willard Mack's 1913 play that was produced on Broadway in 1914 starring John Barrymore. The supporting cast features Charles Ogle, who had played the first screen Frankenstein's monster in the original 1910 version of Frankenstein.
My Lady's Lips is a 1925 American silent drama film written by John F. Goodrich and directed by James P. Hogan for B.P. Schulberg and his company Preferred Pictures. The film stars Alyce Mills, and represents an early role for actress Clara Bow. It is the tenth ever film for William Powell, and the first of only two films where Powell and Bow worked together.
Parisian Love is a black and white 1925 American silent romantic crime drama film directed by Louis J. Gasnier and starring Clara Bow. The film was produced by B.P. Schulberg Productions. A copy of this film still survives.
Not So Long Ago is a 1925 American silent drama film produced by Jesse Lasky and Adolph Zukor and distributed by Paramount. It was directed by Sidney Olcott with Betty Bronson and Ricardo Cortez in the leading roles.
Billy the Kid is a 1911 American silent Western film directed by Laurence Trimble for Vitagraph Studios. It is very loosely based on the life of Billy the Kid. It is believed to be a lost film.
The Cancelled Debt is a 1927 American silent melodrama film, directed by Phil Rosen. It stars Rex Lease, Charlotte Stevens, and Florence Turner, and was released on September 1, 1927.
Faint Perfume is a 1925 American silent drama film directed by Louis J. Gasnier and starring Seena Owen, William Powell, and Mary Alden.
The Keeper of the Bees is a 1925 American silent drama film written and directed by James Leo Meehan. It is based on the 1925 novel The Keeper of the Bees by Gene Stratton-Porter. The film stars Robert Frazer, Josef Swickard, Martha Mattox, Clara Bow, Alyce Mills, and Gene Stratton. The film was released on September 6, 1925, by Film Booking Offices of America.
School for Wives is a 1925 American silent drama film directed by Victor Halperin and starring Conway Tearle, Sigrid Holmquist, and Peggy Kelly. It provided an early role for the future star Brian Donlevy. Based on Leonard Merrick's 1907 melodramatic novel The House of Lynch, it was not well-received by critics.
Alyce Mills was an American actress. She appeared in silent films including as a lead. She starred in the 1924 film Daughters of the Night. and the 1926 film Say It Again. She also starred in two B. P. Schulberg films with William Powell: My Lady's Lips and Faint Perfume.
With This Ring is a 1925 American silent drama film directed by Fred Windemere and starring Alyce Mills, Forrest Stanley, and Lou Tellegen. In America it was distributed by the independent outfit Preferred Pictures while its British release was originally to be handled by Vitagraph, before that company was acquired by Warner Bros. who distributed it on the British market in 1926.
