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Dame Sonia Dawn Boyce is a British Afro-Caribbean artist and educator, living and working in London. She is a Professor of Black Art and Design at University of the Arts London. Boyce's research interests explore art as a social practice and the critical and contextual debates that arise from this area of study. Boyce has been closely collaborating with other artists since 1990 with a focus on collaborative work, frequently involving improvisation and unplanned performative actions on the part of her collaborators. Boyce's work involves a variety of media, such as drawing, print, photography, video, and sound. Her art explores "the relationship between sound and memory, the dynamics of space, and incorporating the spectator". To date, Boyce has taught Fine Art studio practice for more than 30 years in several art colleges across the UK.
Sir Horace Shango Ové was a Trinidadian-born British filmmaker, photographer, painter and writer based in London, England. One of the leading black independent filmmakers to emerge in Britain in the post-war period, Ové was the first black British filmmaker to direct a feature-length film, Pressure (1976). In its retrospective documentary 100 Years of Cinema, the British Film Institute (BFI) declared: "Horace Ové is undoubtedly a pioneer in Black British history and his work provides a perspective on the Black experience in Britain."
Ingrid Pollard is a British artist and photographer. Her work uses portraiture photography and traditional landscape imagery to explore social constructs such as Britishness or racial difference. Pollard is associated with Autograph, the Association of Black Photographers. She lives and works in London.
Eugene Oliver Palmer is a Jamaican-born British artist. His work uses archival records, photographs, and contemporary media imagery as basis for his paintings. Palmer has had a long association with art curators and exhibitors Eddie Chambers and Keith Piper and is recognised as one of the leading Black artists working in Britain. He currently lives and works in St Leonards-on-Sea, East Sussex.
The BLK Art Group was the name chosen in 1982 by a group of five influential conceptual artists, painters, sculptors and installation artists based in England. Keith Piper, Marlene Smith, Eddie Chambers and Donald Rodney were initially based in the Midlands.
Petrine Archer-Straw was a British artist, art historian, and curator who specialised in the art of the Caribbean people. In the words of Eddie Chambers: "In her work as an artist, academic, art historian, writer and curator, Archer-Straw consistently challenged the prevailing orthodoxies that treat Caribbean artists and cultural practice in geographical, racial and artistic isolation. In essence, her position was that we cannot fully understand or appreciate the practice of Caribbean artists without due consideration of broader factors such as migration, history, identity and, above all diaspora – the scattering of many black people beyond their ancestral homeland of Africa."
Iniva is the Institute of International Visual Art, a visual arts organisation based in London that collaborates with contemporary artists, curators and writers. Iniva runs the Stuart Hall Library, and is based in Pimlico, on the campus of Chelsea College of Arts.
Vanley Burke is a British Jamaican photographer and artist. His photographs capture experiences of his community's arrival in Britain, the different landscapes and cultures he encountered, the different ways of survival and experiences of the wider African-Caribbean community.
Maud Sulter was a Scottish contemporary fine artist, photographer, writer, educator, feminist, cultural historian, and curator of Ghanaian heritage. She began her career as a writer and poet, becoming a visual artist not long afterwards. By the end of 1985 she had shown her artwork in three exhibitions and her first collection of poetry had been published. Sulter was known for her collaborations with other Black feminist scholars and activists, capturing the lives of Black people in Europe. She was a champion of the African-American sculptor Edmonia Lewis, and was fascinated by the Haitian-born French performer Jeanne Duval.
James Barnor Hon. FRPS, OV is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolis. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Axel Lapp is a German curator, art historian and publisher, who is based in Memmingen. He is director of MEWO Kunsthalle as well as of Strigel- and Antoniter-Museum in Memmingen. From 2005 until 2013, he was publisher of The Green Box, an art book publisher in Berlin.
Denzil Forrester is a Grenada-born artist who moved to England as a child in 1967. Previously based in London, where he was a lecturer at Morley College, he moved to Truro, Cornwall, in 2016.
Mark Sealy is a British curator and cultural historian with a special interest in the relationship of photography to social change, identity politics and human rights. In 1991 he became the director of Autograph ABP, the Association of Black Photographers, based since 2007 at Rivington Place, a purpose-built international visual arts centre in Shoreditch, London. He has curated several major international exhibitions and is also a lecturer.
Roshini Kempadoo is a British photographer, media artist, and academic. For more than 20 years she has been a lecturer and researcher in photography, digital media production, and cultural studies in a variety of educational institutions, and is currently a professor in Photography and Visual Culture at the University of Westminster.
Ajamu X is a British artist, curator, archivist and activist. He is best known for his fine art photography which explores same-sex desire, and the Black male body, and his work as an archivist and activist to document the lives and experiences of black LGBTQ people in the United Kingdom (UK).
Joy Gregory is a British artist. Gregory's work explores concerns related to race, gender and cultural differences in contemporary society. Her work has been published and exhibited worldwide and is held in the collections of the Victoria and Albert Museum and Government Art Collection in the UK.
Barbara Walker is a British artist who lives and works in Birmingham. The art historian Eddie Chambers calls her "one of the most talented, productive and committed artists of her generation". She is known for colossal figurative drawings and paintings, often drawn directly onto the walls of the gallery, that frequently explore themes of documentation and recording, and erasure. Walker describes her work as social reflective practice intended to address misunderstandings and stereotypes about the African-Caribbean community in Britain.
The Other Story was an exhibition held from 29 November 1989 to 4 February 1990 at the Hayward Gallery in London. The exhibition brought together the art of "Asian, African and Caribbean artists in post war Britain", as indicated in the original title. It is celebrated as a landmark initiative for reflecting on the colonial legacy of Britain and for establishing the work of overlooked artists of African, Caribbean, and Asian ancestry. Curated by artist, writer, and editor Rasheed Araeen, The Other Story was a response to the "racism, inequality, and ignorance of other cultures" that was pervasive in the late-Thatcher Britain in the late 1980s. The legacy of the exhibition is significant in the museum field, as many of the artists are currently part of Tate's collections. The exhibition received more than 24,000 visitors and a version of the exhibition travelled to Wolverhampton Art Gallery, 10 March to 22 April 1990; and Manchester City Art Gallery and Cornerhouse, 5 May to 10 June 1990.
Paul Goodwin is a British independent curator, urban theorist, academic and researcher, whose projects particularly focus on black and diaspora artists and visual cultures. He is Director at the Research Centre for Transnational Art, Identity and Nation (TrAIN), University of the Arts London.
Maxine Walker is a British-Jamaican photographer and critic. Based in Handsworth and active between 1985 and 1997, Walker has been described by Rianna Jade Parker as "a force within the Black British Art movement". Her photographs emphasise the fictive nature of documentary convention, and "raise questions about the nature of identity, challenging racial stereotypes".
References
- ↑ "David A. Bailey". Iniva. Archived from the original on 7 March 2011. Retrieved 25 May 2011.
- 1 2 3 Eleanor Byrne (2002). "Bailey, David A.". In Alison Donnell (ed.). Companion to Contemporary Black British Culture. Routledge. pp. 33–34. ISBN 978-1-134-70025-7.
- ↑ "Back to Black: Art, Cinema and the Racial Imaginary". diaspora-artists.net. Retrieved 7 December 2016.
- ↑ "Back to Black – Art, Cinema and the Racial Imaginary". Whitechapelgallery.org. 4 May 2012. Archived from the original on 4 May 2012. Retrieved 7 December 2016.
{{cite web}}: CS1 maint: bot: original URL status unknown (link) - ↑ "The Living Memorial". Remembersarowiwa.com. 10 November 2005. Retrieved 25 May 2011.
- ↑ "Press release | Life Between Islands: Caribbean-British Art 1950s-Now". 29 November 2021. Retrieved 4 March 2023.
- ↑ "[ARCHIVED CONTENT] Queen's birthday honours list 2007 : Directgov - Newsroom". Direct.gov.uk. Archived from the original on 4 February 2009. Retrieved 25 May 2011.
- ↑ "HM The Queens 2007 birthday honours list" (PDF). Archived from the original (PDF) on 11 June 2011. Retrieved 25 May 2011.
- ↑ Adams, Tim (17 April 2022). "Interview | Artist Sonia Boyce: 'Paintings are not born on walls'". The Observer .
- ↑ Ruiz, Cristina (Spring–Summer 2022). "Sonia Boyce: The artist bringing everyone to the table". The Gentlewoman. No. 25. Retrieved 4 March 2023.
