David A. Bailey | |
---|---|
Born | 1961 (age 61–62) London, England |
Nationality | British |
Occupation(s) | Curator, photographer, writer and cultural facilitator |
Partner | Sonia Boyce |
Children | 2 |
David A. Bailey MBE (born 1961 in London), is a British Afro-Caribbean curator, photographer, writer and cultural facilitator, living and working in London. Among his main concerns are the notions of diaspora and black representation in art. [1]
Bailey was born in London in 1961. He became active in the Black British arts scene in the 1980s. A member of the D-Max photography group, he designed the catalogue for their 1987 show at the Ikon Gallery in Birmingham. He also collaborated with the Sankofa Film Collective, advising on productions including The Passion of Remembrance (1986) and Looking for Langston (1988). [2]
In 1995, Bailey curated Mirage: Enigmas of Race, Difference, and Desire at the Institute of Contemporary Arts. [2] In 1997 he co-curated Rhapsodies in Black: Art of the Harlem Renaissance with Richard J. Powell at the Hayward Gallery in London and the Corcoran Gallery of Art in Washington, DC. He co-curated the 2005 exhibition Back to Black – Art, Cinema and the Racial Imaginary [3] [4] with Petrine Archer-Straw and Richard J. Powell at Whitechapel Art Gallery in London.
Bailey has extensively written about photography and film. In 1992, he co-edited an issue of Ten.8 with Stuart Hall, "The critical decade: black British photography in the 1980s". [2] From 1996 to 2002, he was Co-Director of the African and Asian Visual Artists Archive (AAVAA) at the University of East London. Until the end of 2009, he was Senior Curator of Autograph ABP, and Curator of the organisation PLATFORM's Remember Saro-Wiwa Living Memorial. [5] He is founder and director of the International Curators Forum (ICF) and currently is Acting Director of the National Art Gallery of The Bahamas in Nassau.
Bailey curated the exhibition Life Between Islands: Caribbean-British Art 1950s-Now, shown at Tate Britain from 1 December 2021 to 3 April 2022. [6]
Bailey was awarded an MBE in the Queen's Birthday Honours List 2007, for services to the visual arts. [7] [8]
Bailey's partner is artist Sonia Boyce and the couple have two daughters. [9] [10]
The Institute of Contemporary Arts (ICA) is an artistic and cultural centre on The Mall in London, just off Trafalgar Square. Located within Nash House, part of Carlton House Terrace, near the Duke of York Steps and Admiralty Arch, the ICA contains galleries, a theatre, two cinemas, a bookshop and a bar.
Sonia Dawn Boyce, is a British Afro-Caribbean artist and educator, living and working in London. She is a Professor of Black Art and Design at University of the Arts London. Boyce's research interests explore art as a social practice and the critical and contextual debates that arise from this area of study. With an emphasis on collaborative work, Boyce has been working closely with other artists since 1990, often involving improvisation and spontaneous performative actions on the part of her collaborators. Boyce's work involves a variety of media, such as drawing, print, photography, video, and sound. Her art explores "the relationship between sound and memory, the dynamics of space, and incorporating the spectator". To date, Boyce has taught Fine Art studio practice for more than 30 years in several art colleges across the UK.
Sir Horace Shango Ové is a Trinidad and Tobago-born British filmmaker, photographer, painter and writer. One of the leading black independent filmmakers to emerge in Britain in the post-war period, Ové holds the Guinness World Record for being the first black British filmmaker to direct a feature-length film, Pressure (1976). In its retrospective documentary, 100 Years of Cinema, the British Film Institute (BFI) declared: "Horace Ové is undoubtedly a pioneer in Black British history and his work provides a perspective on the Black experience in Britain."
Ingrid Pollard is a British artist and photographer. Her work uses portraiture photography and traditional landscape imagery to explore social constructs such as Britishness or racial difference. Pollard is associated with Autograph, the Association of Black Photographers. She lives and works in London.
Eugene Olive Palmer is a Jamaican-born British artist. His work uses archival records, photographs, and contemporary media imagery as basis for his paintings. Palmer has had a long association with art curators and exhibitors Eddie Chambers and Keith Piper and is recognised as one of the leading Black artists working in Britain. He currently lives and works in London.
The BLK Art Group is the name associated with a group of five influential conceptual artists, painters, sculptors and installation artists based in the United Kingdom. Keith Piper, Marlene Smith, Eddie Chambers Claudette Johnson and Donald Rodney were initially based in the English Midlands.
Petrine Archer-Straw was a British artist and influential art historian and curator who specialised in the art of the Caribbean people. In the words of Eddie Chambers: "In her work as an artist, academic, art historian, writer and curator, Archer-Straw consistently challenged the prevailing orthodoxies that treat Caribbean artists and cultural practice in geographical, racial and artistic isolation. In essence, her position was that we cannot fully understand or appreciate the practice of Caribbean artists without due consideration of broader factors such as migration, history, identity and, above all diaspora – the scattering of many black people beyond their ancestral homeland of Africa."
Iniva is the Institute of International Visual Art, a visual arts organisation based in London that collaborates with contemporary artists, curators and writers. Iniva runs the Stuart Hall Library, and is based in Pimlico, on the campus of Chelsea College of Arts.
Vanley Burke is a British Jamaican photographer and artist. His photographs capture experiences of his community's arrival in Britain, the different landscapes and cultures he encountered, the different ways of survival and experiences of the wider African-Caribbean community.
Maud Sulter was a Scottish contemporary fine artist, photographer, writer, educator, feminist, cultural historian, and curator of Ghanaian heritage. She began her career as a writer and poet, becoming a visual artist not long after. By the end of 1985 she had shown her artwork in three exhibitions and her first collection of poetry had been published. Sulter was known for her collaborations with other Black feminist scholars and activists, capturing the lives of Black people in Europe. She was a champion of the African-American sculptor Edmonia Lewis, and she was fascinated by the Haitian-born French performer Jeanne Duval.
James Barnor HonFRPS is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolis. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Axel Lapp is a German curator, art historian and publisher, who is based in Memmingen. He is director of MEWO Kunsthalle as well as of Strigel- and Antoniter-Museum in Memmingen. From 2005 until 2013, he was publisher of The Green Box, an art book publisher in Berlin.
Denzil Forrester is a Grenada-born artist who moved to England as a child in 1967. Previously based in London, where he was a lecturer at Morley College, he moved to Truro, Cornwall, in 2016.
Mark Sealy is a British curator and cultural historian with a special interest in the relationship of photography to social change, identity politics and human rights. In 1991 he became the director of Autograph ABP, the Association of Black Photographers, based since 2007 at Rivington Place, a purpose-built international visual arts centre in Shoreditch, London. He has curated several major international exhibitions and is also a lecturer.
Roshini Kempadoo is a British photographer, media artist, and academic. For more than 20 years she has been a lecturer and researcher in photography, digital media production, and cultural studies in a variety of educational institutions, and is currently a professor in Photography and Visual Culture at the University of Westminster.
Ajamu X is a British artist, curator, archivist and activist. He is best known for his fine art photography which explores same-sex desire, and the Black male body, and his work as an archivist and activist to document the lives and experiences of black LGBTQ people in the United Kingdom (UK).
Joy Gregory is a British artist. Gregory's work explores concerns related to race, gender and cultural differences in contemporary society. Her work has been published and exhibited worldwide and is held in the collections of the Victoria and Albert Museum and Government Art Collection in the UK.
Barbara Walker is a British artist who lives and works in Birmingham. The art historian Eddie Chambers calls her "one of the most talented, productive and committed artists of her generation". She is known for colossal figurative drawings and paintings, often drawn directly onto the walls of the gallery, that frequently explore themes of documentation and recording, and erasure. Walker describes her work as social documentary, intended to address misunderstandings and stereotypes about the African-Caribbean community in Britain.
The Other Story was an exhibition held from 29 November 1989 to 4 February 1990 at the Hayward Gallery in London. The exhibition brought together the art of "Asian, African and Caribbean artists in post war Britain", as indicated in the original title. It is celebrated as a landmark initiative for reflecting on the colonial legacy of Britain and for establishing the work of overlooked artists of African, Caribbean, and Asian ancestry. Curated by artist, writer, and editor Rasheed Araeen, The Other Story was a response to the "racism, inequality, and ignorance of other cultures" that was pervasive in the late-Thatcher Britain in the late 1980s. The legacy of the exhibition is significant in the museum field, as many of the artists are currently part of Tate's collections. The exhibition received more than 24,000 visitors and a version of the exhibition travelled to Wolverhampton Art Gallery, 10 March to 22 April 1990; and Manchester City Art Gallery and Cornerhouse, 5 May to 10 June 1990.
Maxine Walker is a British-Jamaican photographer and critic. Based in Handsworth and active between 1985 and 1997, Walker has been described by Rianna Jade Parker as "a force within the Black British Art movement". Her photographs emphasise the fictive nature of documentary convention, and "raise questions about the nature of identity, challenging racial stereotypes".
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