David Hermann | |
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| Born | 1977 (age 45–46) |
| Education | Hochschule für Musik Hanns Eisler |
| Occupation | Stage director |
David Hermann (born 1977) is a German-French stage director focused on opera. In 2006, Hermann was the youngest stage director at the Salzburg Festival, and he has directed operas at major opera houses in Europe.
Born in Würzburg, [1] Hermann studied stage directing at the Hochschule für Musik Hanns Eisler in Berlin. He worked as an assistant of Hans Neuenfels. In 2000, he was awarded the first prize of the Internationaler Wettbewerb für Regie und Bühnenbild (International competition for direction and stage set) in Graz. [2] He staged a cycle of three Monteverdi operas at Opera Frankfurt. [2]
Hermann made his debut at the Salzburg Festival with a production of Mozart's Ascanio in Alba in 2006, then at age 29 as the youngest director at the festival. [3] He directed Verdi's Rigoletto at the Deutsche Oper am Rhein in 2009, [2] and the same year at the festival Ruhrtriennale the premiere of Sing für mich, Tod! A ritual for Claude Vivier by Albert Ostermaier to music by Claude Vivier. [4] He directed Honegger's Jeanne d'Arc au bûcher at the Theater Basel, and Verdi's Macbeth at the Aalto Theatre in Essen. [2] He staged at the Deutsche Oper Berlin first in 2012 Helmut Lachenmann's Das Mädchen mit den Schwefelhölzern [5] and then Janáček's Věc Makropulos . He directed for the Badisches Staatstheater Karlsruhe Les Troyens by Berlioz, Mussorgsky's Boris Godunov , and in 2016 Wagner's Das Rheingold . He staged Dvořák's Rusalka in Saarbrücken and Verdi's La traviata at the Zürich Opera. [2] In 2017, he staged three short operas by Ernst Krenek, connecting them to Drei Opern (Three operas) in a different order from the 1928 premiere at the Mai-Woche Wiesbaden: he showed after Der Diktator first Schwergewicht, oder Die Ehre der Nation , and then Das geheime Königreich , interpreting the works as parables on power and its abuse. [1] A reviewer noted the followed the music as a mix of tragedy, farce and fairy-tale about politics and culture ("... eine fabelhafte Mischung von Tragödie, Farce und Märchen über Politik und Kultur"). [6]
Hermann also worked in Europe for the Dutch National Opera in Amsterdam, the Vlaamse Opera in Antwerp, the Opéra national de Lorraine in Nancy, and the Teatro Real in Madrid. [2]
Harry Alfred Robert Kupfer was a German opera director and academic. A long-time director at the Komische Oper Berlin, he worked at major opera houses and at festivals internationally. Trained by Walter Felsenstein, he worked in the tradition of realistic directing. At the Bayreuth Festival, he staged Wagner's Der fliegende Holländer in 1978 and Der Ring des Nibelungen in 1988. At the Salzburg Festival, he directed the premiere of Penderecki's Die schwarze Maske in 1986 and Der Rosenkavalier by Richard Strauss in 2014.
Aribert Reimann is a German composer, pianist and accompanist, known especially for his literary operas. His version of Shakespeare's King Lear, the opera Lear, was written at the suggestion of Dietrich Fischer-Dieskau, who sang the title role. His opera Medea after Grillparzer's play premiered in 2010 at the Vienna State Opera. He was a professor of contemporary Lied in Hamburg and Berlin. In 2011, he was awarded the Ernst von Siemens Music Prize for his life's work.
The Oper Frankfurt is a German opera company based in Frankfurt.
Rachel Yakar was a French operatic soprano and academic voice teacher. She was known for Mozart roles such as Elvira in Don Giovanni, Baroque opera and contemporary opera. She was a member of the Deutsche Oper am Rhein from 1964 to 1991, and appeared internationally, in Paris, at the Royal Opera House in London and at festivals including Bayreuth and Glyndebourne. She received international attention as Poppea in the 1977 production of Monteverdi's L'incoronazione di Poppea at the Oper Zürich conducted by Nikolaus Harnoncourt, which was recorded and filmed. She made many more recordings reviving Baroque operas in historically informed performance. Her portrayal of Debussy's Mélisande was described as ideal. After her stage career she taught at the Paris Conservatoire.
The Internationale Maifestspiele Wiesbaden is a theater festival in Wiesbaden, Germany. Established in the late 19th century after the Bayreuth Festival, the festival is one of the most distinguished international theatre and music festivals in the world. It is presented annually in May at the Hessisches Staatstheater Wiesbaden, the State Theatre of Hesse in the capital Wiesbaden. The festival currently features performances of operas, ballets, plays and musicals. Visiting companies, mostly from European theaters, present their recent productions along with performances of the Theater Wiesbaden. Concerts from a wide array of music genres are featured as well as artistic circus acts and modern dance presentations. Lectures, recitals, cabaret performances, art showings and readings are also part of the program.
Philipp Stölzl is a German director. He began to direct music videos in the mid-1990s and directed his first feature film in 2002.
Tanja Ariane Baumgartner is a German operatic mezzo-soprano. A member of the Oper Frankfurt since 2009, she has enjoyed an international career, appearing in major European and American opera houses and the Salzburg Festival.
Das geheime Königreich is an opera in one act with words and music by Ernst Krenek, his Op. 50 and the second of three one-acters which premiered on 6 May 1928 at the Hessisches Staatstheater Wiesbaden as part of the Mai-Festwoche Wiesbaden. It is subtitled Märchenoper in 1 Akt and has been called a satirical fairy-tale opera.
Claudia Barainsky is a German operatic soprano. She has performed internationally, and won awards for her roles in contemporary operas such as Bernd Alois Zimmermann's Die Soldaten and Aribert Reimann's Medea.
Vera Nemirova is a Bulgarian-German opera director who has worked at major opera houses in Europe, staging for example Wagner's Der Ring des Nibelungen at the Oper Frankfurt. She directed for the Munich Biennale and the Salzburg Festival.
Maria Riccarda Wesseling is a Swiss-Dutch operatic mezzo-soprano who has appeared in lead roles at international opera houses and festivals. She created the title role in Henze's last opera, Phaedra, at the Staatsoper Berlin, repeated at La Monnaie in Brussels and in the Barbican Centre.
Christof Loy is a German stage director especially for opera, whose work received several awards. A freelance director, he has staged operas from Baroque to premieres of new works at major European opera houses and festivals. He is known for directing works by Mozart.
Lydia Steier is an American opera director who has made an international career based in Germany. She directed the Swiss premiere of Stockhausen's Donnerstag aus Licht, chosen by critics as "Best Production of the Year" in 2016. In 2018, she became the first woman to stage Mozart's Die Zauberflöte at the Salzburg Festival, for the opening performance in 2018.
Bohumil Herlischka was a Czech opera director. After years at the National Theatre, he worked from 1957 predominantly in German opera houses, introducing a style later known as Regietheater. He directed several productions at the Oper Frankfurt and developed a close connection to the Deutsche Oper am Rhein where he staged operas by Leoš Janáček, presenting a cycle of six operas in the 1977–78 season. He staged Schoenberg's Moses und Aaron at the Hamburg State Opera, including a tour to Israel. He focused on rarely played works such as Meyerbeer's Le prophète at the Deutsche Oper Berlin and on contemporary opera such as Shostakovich's Lady Macbeth of the Mtsensk District and the world premiere of Alexander Goehr's Behold the Sun.
Barbara Zechmeister is a German operatic soprano and voice teacher. A member of the Oper Frankfurt from 1996, she has appeared in major European opera houses and international festivals. She has performed in world premieres, and in recitals and recordings. Zechmeister has been a voice teacher at Dr. Hoch's Konservatorium since 2005.
Thomas Mohr is a German operatic tenor and academic voice teacher. He began his career as a baritone, but moved on to heldentenor and has performed roles in all tenor parts of Wagner's Der Ring des Nibelungen at Der Ring in Minden. He has appeared at major international opera houses and concert halls, and made recordings. Mohr is a professor of voice at the Hochschule für Künste Bremen. He also runs an agricultural estate where he founded a music festival.
Frank Philipp Schlößmann is a German scenic designer focused on operas who has worked at major opera houses and festivals internationally. He staged Janáček's Jenůfa at the Metropolitan Opera, Wagner's Der Ring des Nibelungen at both the Bayreuth Festival and Der Ring in Minden, and the world premiere of Heinz Holliger's Lunea at the Opernhaus Zürich.
Der Mieter is an opera after the novel The Tenant by Roland Topor, with music by Arnulf Herrmann composed in 2012 to 2017. The libretto was written by Händl Klaus. Commissioned by the Oper Frankfurt, the opera was first performed there on 12 November 2017, directed by Johannes Erath and conducted by Kazushi Ōno.
Giedrė Šlekytė is a Lithuanian conductor, who works in Europe with a focus on opera. After she was one of three conductors for the Young Conductor Award of the Salzburg Festival in 2015, she worked at the Stadttheater Klagenfurt for two seasons. She conducted Schreker's Die Gezeichneten at the Opernhaus Zürich, and Poulenc's Dialogues des Carmélites at the Oper Frankfurt in 2021.
Claus Guth is a German theatre director, focused on opera. He has directed operas at major houses and festivals, including world premieres such as works of the Munich Biennale, and Berio's Cronaca del luogo at the Salzburg Festival in 1999. Guth is particularly known for his opera productions of the works of Richard Wagner and Richard Strauss. He has received two Faust awards, for Daphne by Richard Strauss in 2010, and for Debussy's Pelléas et Mélisande, both at the Oper Frankfurt.
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