David Klotz | |
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| Background information | |
| Born | Pittsburgh, Pennsylvania, U.S. |
| Genres | Film score, Synth-Pop, Indie pop |
| Occupation(s) | Composer, music editor |
| Instrument(s) | Guitar, keyboards |
| Years active | 1995–present |
David Klotz is an American composer and music editor. [1] He won eight Primetime Emmy Awards. [2]
David graduated from Emerson College in 1994. [3] He formed a band Fonda , along with Aaron Ryder and Emily Cook. In 2001, he wrote and performed the title song to Robert Rodriguez's film Spy Kids . [4] In 2016, he formed a synth-based band DREAM SYSTEM 8, along with singer Erica Elektra.[ citation needed ]
In 2020, David co-composed the score for the Netflix film The Prom , along with Matthew Sklar. Most recently he teamed up Morgan Kibby to compose the score for the Netflix series The Watcher . [5]
As Composer
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As Music editor
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| Year | Result | Award | Category | Work | Ref. |
|---|---|---|---|---|---|
| 2022 | Won | Primetime Emmy Awards | Outstanding Sound Editing for a Comedy or Drama Series (One-Hour) | Stranger Things | [2] |
| 2020 | Won | American Horror Story | |||
| Won | Motion Picture Sound Editors | Outstanding Achievement in Sound Editing - Music Score and Musical for Episodic Long Form Broadcast Media | Game of Thrones | [6] | |
| 2019 | Won | Outstanding Achievement in Sound Editing - Music Score and Musical for Episodic Short Form Broadcast Media | The End (American Horror Story) | ||
| Won | Primetime Emmy Awards | Outstanding Sound Editing for a Comedy or Drama Series (One-Hour) | Game of Thrones | [2] | |
| 2018 | Won | Stranger Things | |||
| Won | Motion Picture Sound Editors | Outstanding Achievement in Sound Editing - Music Score and Musical for Episodic Short Form Broadcast Media | [7] | ||
| 2017 | Won | Best Sound Editing - Short Form Music in Television | [8] | ||
| Won | Primetime Emmy Awards | Outstanding Sound Editing for a Series | [2] | ||
| 2015 | Won | Game of Thrones | |||
| 2014 | Won | Motion Picture Sound Editors | Outstanding Sound Editing for a Series | [9] | |
| 2013 | Won | Primetime Emmy Awards | Outstanding Sound Editing for a Miniseries, Movie or a Special | American Horror Story | [10] |
| 2012 | Won | Outstanding Sound Editing for a Series | Game of Thrones | [11] | |
| 2011 | Won | Motion Picture Sound Editors | Best Sound Editing - Short Form Musical in Television | Glee | |
| 2010 | Won | Best Sound Editing - Short Form Music in Television | [12] | ||
Motion Picture Sound Editors (M.P.S.E.) is an American honorary society of motion picture sound editors founded in 1953. The society's goals are to educate others about and increase the recognition of the sound editors, show the artistic merit of the soundtracks, and improve the professional relationship of its members. The society is not to be confused with an industry union, such as the I.A.T.S.E. The current president is Mark Lanza. The names of active members of the MPSE will generally appear in film credits with the post-nominal letters "MPSE".
Michael Price is an Emmy Award winning English composer and pianist. Prior to establishing himself as a composer, he held a number of roles within the TV & film music field such as producer, arranger and music editor, much of which whilst working alongside acclaimed film score composer Michael Kamen.
Paul N. J. Ottosson is a Swedish sound designer. The recipient of numerous accolades, including three Academy Awards, a BAFTA Award, and a Primetime Emmy Award, he has worked on more than 130 films since 1995.
Frank Morrone is an independent re-recording mixer who has worked extensively in both film and television. His award winning work includes Emmy Awards for the ABC hit LOST and the mini-series The Kennedys as well as a best sound Satellite Award for Tim Burton's Sleepy Hollow.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Musical for Feature Film is an annual award given by the Motion Picture Sound Editors. It honors music editors whose work has warranted merit in the field of cinema; in this case, their work in musical feature films. It was first awarded in 1999, for films released the previous year, under the title Best Sound Editing – Music – Musical Feature . In 2002, the award dropped "Foreign & Domestic" from its title, going by Best Sound Editing – Music – Musical Feature Film. From this point, until 2017, that title would remain, or some simple variation of it. The award has been given with its current title since 2018. The category was not presented in 2021.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Dialogue and ADR for Animated Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of animated film.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Feature Film Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of non-theatrical film; i.e. films that go direct-to-video or direct-to-streaming. It was first awarded in 1999, for films released the previous year, under the title Best Sound Editing – Direct to Video – Sound. From 1999 until 2011, the award honored both animated and live-action films. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Animated Long Form Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of non-theatrical film; i.e. films that go direct-to-video or direct-to-streaming. It was first awarded in 1999, for films released the previous year, under the title Best Sound Editing – Direct to Video – Sound. From 1999 until 2011, the award honored both animated and live-action films. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Series 1 Hour – Effects / Foley is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of sound effects and foley work in long form broadcast media. It was first awarded in 2002, for episodes premiering the previous year, under the title Best Sound Editing in Television - Effects & Foley, Long Form. The term "long form" was added to the category in 2002, as long form television had been award under the category titled Best Sound Editing - Television Movie of the Week - Effects & Foley, or some moniker of it, since 1998. The award has been given with its current title since 2022. Also in 2022, limited and anthology series were separated from other hour-long programs and given their own category, Outstanding Achievement in Sound Editing – Limited Series or Anthology, though the category was not presented the following year.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects and Foley for Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of sound effects and foley. It was first awarded in 1954, for films released the previous year, under the title Best Sound Editing - Feature Film. In 1964 the award was split in two, this to honor sound effects editing, while the other honored adr. It wasn't until 1974 that the title specified that it was being awarded to sound effects, under the title Best Sound Editing - Sound Effects. The "foley" of the title wasn't recognized until 1997. Between then and 2018, the category's title fluctuated between similar variations. The award has been given under its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing - Sound Effects, Foley, Dialogue and ADR for Foreign Language Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of non-English language film. It was first awarded in 1983, for films released the previous year, but was separated into two categories: Best Sound Editing - Foreign Feature - Dialogue and Best Sound Editing - Foreign Feature - Sound Effects This was amended in 1985, when ADR and sound effects were combined for the category Best Sound Editing - Foreign Feature. It was not until 2018, when this award was first given under its current title, that this category awarded, exclusively, non-English language films. Previously, the award was given to either foreign language films and/or English language films produced outside of the United States.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Feature Underscore is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of film; in this case, their work in the field of music editing in theatrically released motion pictures. The awards title has gone through many incarnations since its inception, but its focus has been on honoring exemplary work of music editors. Until 2005, animated films had their own category; since then, they have been eligible for this award. In 2022, a category was presented exclusively for documentary features.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Music Score and Musical for Episodic Long Form Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of music editing in television. The awards title has gone through many incarnations since its inception, but its focus has been on honoring exemplary work of music editors. The term "long form" was added to the category in 2002, as long form television had been awarded under both the category titled Best Sound Editing – Television Movies of the Week – Music, and Best Sound Editing – Television Episodic – Music, or some moniker of them, since 1997. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Music Score and Musical for Episodic Short Form Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of music editing in television. The awards title has gone through many incarnations since its inception, but its focus has been on honoring exemplary work of music editors. The term "short form" was added to the category in 2002, as long form television has its own separate category. The award has been given with its current title since 2018.
Rachael Tate is a British sound editor in the film industry. She was nominated for an Academy Award and won a BAFTA Award for Best Sound for her work on the 2019 film 1917.
John Roesch is an American Foley artist. Roesch is the head Foley artist at Lucasfilm's Skywalker Ranch.
The Golden Reel Award for Outstanding Achievement in Sound Editing - Sound Effects, Foley, Dialogue and ADR for Feature Documentary is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of documentary films. It was first awarded in 2010.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects and Foley for Non-Theatrical Documentary Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of sound effects and foley work in non-theatrical documentary broadcast media.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Short Form Animation Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of sound effects and foley work in short form animated broadcast media.
Luke Gibleon is an American sound editor and re-recording mixer. He has won four Motion Picture Sound Editors Awards.
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