David Klotz | |
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| Background information | |
| Born | Pittsburgh, Pennsylvania, U.S. |
| Genres | Film score, Synth-Pop, Indie pop |
| Occupation(s) | Composer, music editor |
| Instrument(s) | Guitar, keyboards |
| Years active | 1995–present |
David Klotz is an American composer and music editor. [1] He won eight Primetime Emmy Awards. [2]
David graduated from Emerson College in 1994. [3] He formed a band Fonda , along with Aaron Ryder and Emily Cook. In 2001, he wrote and performed the title song to Robert Rodriguez's film Spy Kids . [4] In 2016, he formed a synth-based band DREAM SYSTEM 8, along with singer Erica Elektra.[ citation needed ]
In 2020, David co-composed the score for the Netflix film The Prom , along with Matthew Sklar. Most recently he teamed up with Morgan Kibby to compose the score for the Netflix series The Watcher . [5]
As Composer
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As Music editor
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| Year | Result | Award | Category | Work | Ref. |
|---|---|---|---|---|---|
| 2024 | Nominated | Primetime Emmy Awards | Outstanding Sound Editing for a Comedy or Drama Series (One-Hour) | 3 Body Problem: Judgment Day | [2] |
| 2023 | Nominated | Outstanding Sound Editing for a Comedy or Drama Series (One-Hour) | Stranger Things: Chapter Nine: The Piggyback | ||
| Nominated | Outstanding Sound Editing for a Limited or Anthology Series, Movie or Special | Dahmer - Monster: The Jeffrey Dahmer Story: God Of Forgiveness, God Of Vengeance | |||
| 2022 | Won | Outstanding Sound Editing for a Comedy or Drama Series (One-Hour) | Stranger Things: Chapter Seven: The Massacre at Hawkins Lab | ||
| Won | Motion Picture Sound Editors | Outstanding Achievement in Sound Editing – Music Score and Musical for Episodic Long Form Broadcast Media | Stranger Things: Chapter Nine: The Piggyback | ||
| 2020 | Nominated | Primetime Emmy Awards | Outstanding Sound Editing for a Limited Series, Movie or Special | American Horror Story: Camp Redwood | [2] |
| Won | Motion Picture Sound Editors | Outstanding Achievement in Sound Editing - Music Score and Musical for Episodic Long Form Broadcast Media | Game of Thrones | [6] | |
| 2019 | Won | Outstanding Achievement in Sound Editing - Music Score and Musical for Episodic Short Form Broadcast Media | American Horror Story: The End | ||
| Won | Primetime Emmy Awards | Outstanding Sound Editing for a Comedy or Drama Series (One-Hour) | Game of Thrones | [2] | |
| 2018 | Won | Stranger Things | |||
| Won | Motion Picture Sound Editors | Outstanding Achievement in Sound Editing - Music Score and Musical for Episodic Short Form Broadcast Media | [7] | ||
| 2017 | Won | Best Sound Editing - Short Form Music in Television | [8] | ||
| Won | Primetime Emmy Awards | Outstanding Sound Editing for a Series | [2] | ||
| 2015 | Won | Game of Thrones | |||
| 2014 | Won | Motion Picture Sound Editors | Outstanding Sound Editing for a Series | [9] | |
| 2013 | Won | Primetime Emmy Awards | Outstanding Sound Editing for a Miniseries, Movie or a Special | American Horror Story | [10] |
| 2012 | Won | Outstanding Sound Editing for a Series | Game of Thrones | [11] | |
| 2011 | Won | Motion Picture Sound Editors | Best Sound Editing - Short Form Musical in Television | Glee | |
| 2010 | Won | Best Sound Editing - Short Form Music in Television | [12] |
Motion Picture Sound Editors (MPSE) is an American professional society of motion picture sound editors founded in 1953. The society's goals are to educate others about and increase the recognition of the sound and music editors, show the artistic merit of the soundtracks, and improve the professional relationship of its members. The society is not to be confused with an industry union, such as the I.A.T.S.E. The current president is David Barber. The names of active members of the MPSE will generally appear in film credits with the post-nominal letters "MPSE".
Michael Price is an English composer and pianist. Prior to establishing himself as a composer, he held a number of roles within the TV & film music field such as producer, arranger and music editor, much of which whilst working alongside acclaimed film score composer Michael Kamen.
Paul N. J. Ottosson is a Swedish sound designer. The recipient of numerous accolades, including three Academy Awards, a BAFTA Award, and a Primetime Emmy Award, he has worked on more than 130 films since 1995.
Frank Morrone is an independent re-recording mixer who has worked extensively in both film and television. His award winning work includes Emmy Awards for the ABC hit LOST and the mini-series The Kennedys as well as a best sound Satellite Award for Tim Burton's Sleepy Hollow.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Musical for Feature Film is an annual award given by the Motion Picture Sound Editors. It honors music editors whose work has warranted merit in the field of cinema; in this case, their work in musical feature films. It was first awarded in 1999, for films released the previous year, under the title Best Sound Editing – Music – Musical Feature . In 2002, the award dropped "Foreign & Domestic" from its title, going by Best Sound Editing – Music – Musical Feature Film. From this point, until 2017, that title would remain, or some simple variation of it. The award has been given with its current title since 2018. The category was not presented in 2021.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Dialogue and ADR for Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of theater; in this case, their work in the field of automated dialogue replacement, or ADR. It was first awarded in 1964, for films released the previous year, under the title Best Sound Editing – Loop Lines. The following year, the award was re-titled Best Sound Editing – Dialogue, and would remain this until 1984, before being changed to Best Sound Editing – ADR. In 1991, the "dialogue" and "ADR" aspects of the process were divided into separate categories and would, intermittently, be awarded for the next seven years, before combining again in 1998, under the title Best Sound Editing – Dialogue & ADR. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Dialogue and ADR for Animated Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of animated film.
The Prom is a 2020 American musical comedy film directed by Ryan Murphy from a screenplay by Chad Beguelin and Bob Martin, based on the 2018 Broadway musical of the same name by Martin, Beguelin, and Matthew Sklar. The film stars Meryl Streep, James Corden, Nicole Kidman, Keegan-Michael Key, Andrew Rannells, Ariana DeBose, Tracey Ullman, Kevin Chamberlin, Mary Kay Place, and Kerry Washington, and introduces Jo Ellen Pellman in her film debut as Emma Nolan. Logan Riley Hassel, Sofia Deler, Nico Greetham, and Nathaniel J. Potvin also appear in supporting roles.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Feature Film Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of non-theatrical film; i.e. films that go direct-to-video or direct-to-streaming. It was first awarded in 1999, for films released the previous year, under the title Best Sound Editing – Direct to Video – Sound. From 1999 until 2011, the award honored both animated and live-action films. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Animated Long Form Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of non-theatrical film; i.e. films that go direct-to-video or direct-to-streaming. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Series 1 Hour – Effects / Foley is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of sound effects and Foley work in long form broadcast media. It was first awarded in 2002, for episodes premiering the previous year, under the title Best Sound Editing in Television - Effects & Foley, Long Form. The term "long form" was added to the category in 2002, as long form television had been award under the category titled Best Sound Editing - Television Movie of the Week - Effects & Foley, or some moniker of it, since 1998. The award has been given with its current title since 2022. Also in 2022, limited and anthology series were separated from other hour-long programs and given their own category, Outstanding Achievement in Sound Editing – Limited Series or Anthology, though the category was not presented the following year.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Feature Underscore is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of film; in this case, their work in the field of music editing in theatrically released motion pictures. The awards title has gone through many incarnations since its inception, but its focus has been on honoring exemplary work of music editors. Until 2005, animated films had their own category; since then, they have been eligible for this award. In 2022, a category was presented exclusively for documentary features.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Music Score and Musical for Episodic Long Form Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of music editing in television. The awards title has gone through many incarnations since its inception, but its focus has been on honoring exemplary work of music editors. The term "long form" was added to the category in 2002, as long form television had been awarded under both the category titled Best Sound Editing – Television Movies of the Week – Music, and Best Sound Editing – Television Episodic – Music, or some moniker of them, since 1997. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Music Score and Musical for Episodic Short Form Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of music editing in television. The awards title has gone through many incarnations since its inception, but its focus has been on honoring exemplary work of music editors. The term "short form" was added to the category in 2002, as long form television has its own separate category. The award has been given with its current title since 2018.
Rachael Tate is a British sound editor in the film industry. She was nominated for an Academy Award and won a BAFTA Award for Best Sound for her work on the 2019 film 1917.
John Roesch is an American Foley artist. Roesch is the head Foley artist at Lucasfilm's Skywalker Ranch.
The Golden Reel Award for Outstanding Achievement in Sound Editing - Sound Effects, Foley, Dialogue and ADR for Feature Documentary is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of documentary films. It was first awarded in 2010.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects and Foley for Non-Theatrical Documentary Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of sound effects and foley work in non-theatrical documentary broadcast media.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Short Form Animation Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of sound effects and Foley work in short form animated broadcast media.
Luke Gibleon is an American sound editor and re-recording mixer. He has won four Motion Picture Sound Editors Awards.
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