Wilhelm Heinrich Immanuel Bleek was a German linguist. His work included A Comparative Grammar of South African Languages and his great project jointly executed with Lucy Lloyd: The Bleek and Lloyd Archive of ǀxam and !kun texts. A short form of this eventually reached press with Specimens of Bushman Folklore, which Laurens van der Post drew on heavily.
In archaeology, cave paintings are a type of parietal art, found on the wall or ceilings of caves. The term usually implies prehistoric origin. These paintings were often created by Homo sapiens, but also Denisovans and Neanderthals; other species in the same Homo genus. Discussion around prehistoric art is important in understanding the history of the Homo sapiens species and how Homo sapiens have come to have unique abstract thoughts. Some point to these prehistoric paintings as possible examples of creativity, spirituality, and sentimental thinking in prehistoric humans.
The San peoples, or Bushmen, are the members of the indigenous hunter-gatherer cultures of southern Africa, and the oldest surviving cultures of the region. Their ancestral territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa. They speak, or their ancestors spoke, languages of the Khoe, Tuu and Kxʼa language families, and are seen by outsiders as a people only in contrast to neighboring pastoralists such as the Khoekhoe and descendants of more recent waves of immigration such as the Bantu, Europeans and Asians.
The Chauvet-Pont-d'Arc Cave in the Ardèche department of southeastern France is a cave that contains some of the best-preserved figurative cave paintings in the world, as well as other evidence of Upper Paleolithic life. It is located near the commune of Vallon-Pont-d'Arc on a limestone cliff above the former bed of the river Ardèche, in the Gorges de l'Ardèche.
The Sorcerer is one name for an enigmatic cave painting found in the cavern known as 'The Sanctuary' at the Cave of the Trois-Frères, Ariège, France, made around 13,000 BCE. The figure's significance is unknown, but it is usually interpreted as some kind of great spirit or master of animals. The unusual nature of The Sanctuary's decoration may also reflect the practice of magical ceremonies in the chamber. In his sketches of the cave art, Henri Breuil drew a horned humanoid torso and the publication of this drawing in the 1920s influenced many subsequent theories about the figure. However, Breuil's sketch has also come under criticism in recent years. A single prominent human figure is unusual in the cave paintings of the Upper Paleolithic, where the great majority of representations are of animals.
In archaeology, the term entoptic phenomena relates to visual experiences derived from within the eye or brain. In this respect they differ slightly from the medical definition, which defines entoptic phenomena as only applying to sources within the eye, not the brain. To avoid this confusion, the term subjective visual phenomena is sometimes used. Entoptic was chosen by author David Lewis-Williams due to its origin from Greek meaning "coming from within".
Paleolithic religions are a set of spiritual beliefs and practices that are theorized to have appeared during the Paleolithic time period. Paleoanthropologists Andre Leroi-Gourhan and Annette Michelson believe unmistakably religious behavior emerged by the Upper Paleolithic, before 30,000 years ago at the latest, but behavioral patterns such as burial rites that one might characterize as religious — or as ancestral to religious behavior — reach back into the Middle Paleolithic, as early as 300,000 years ago, coinciding with the first appearance of Homo neanderthalensis and possibly Homo naledi.
Jean Clottes is a prominent French prehistorian. He was born in the French Pyrenees in 1933 and began to study archaeology in 1959, while teaching high school. He initially focused on Neolithic dolmens, which were the topic of his 1975 Ph.D. thesis at the University of Toulouse. After being appointed director of prehistoric antiquities for the Midi-Pyrénées in 1971, he began to study prehistoric cave art in order to fulfill the responsibilities of that position. In the following years he led a series of excavations of prehistoric sites in the region. In 1992, he was named General Inspector for Archaeology at the French Ministry of Culture; in 1993 he was appointed Scientific Advisor for prehistoric rock art at the French Ministry of Culture. He formally retired in 1999, but remains an active contributor to the field.
ǀKaggen pronounced IPA:[ǀ͡Kaggen] is a demiurge and folk hero of the San people of southern Africa. He is a trickster god who can shape shift, usually taking the form of a praying mantis but also a bull eland, a louse, a snake, and a caterpillar.
The ǀXam and ǂKhomani heartland World Heritage Site consists of regions located to the South and North of Upington, respectively, in the Northern Cape Province of South Africa. The ǀXam and ǂKhomani people were linguistically related groups of San (Bushman) people, their respective languages being part of the ǃKwi language group. Descendants of both the ǀXam and Nǁnǂe include Afrikaans-speaking ‘Coloured’ people on farms or in towns in the region amongst whom the precolonial languages are either entirely extinct or can be spoken by but a very few people.
Driekops Eiland is a rock engraving or petroglyph site in the bed of the Riet River close to the town of Plooysburg, near Kimberley, Northern Cape, South Africa.
Wildebeest Kuil Rock Art Centre is a rock engraving site with visitor centre on land owned by the !Xun and Khwe San situated about 16 km from Kimberley, Northern Cape, South Africa. It is a declared Provincial Heritage Site managed by the Northern Cape Rock Art Trust in association with the McGregor Museum. The engravings exemplify one of the forms often referred to as ‘Bushman rock art' – or Khoe-San rock art – with the rock paintings of the Drakensberg, Cederberg and other regions of South Africa being generally better known occurrences. Differing in technique, the engravings have many features in common with rock paintings. A greater emphasis on large mammals such as elephant, rhino and hippo, in addition to eland, and an often reduced concern with depicting the human form set the engravings apart from the paintings of the sub-continent.
The Mind in the Cave: Consciousness and the Origins of Art is a 2002 study of Upper Palaeolithic European rock art written by the archaeologist David Lewis-Williams, then a professor at the University of the Witwatersrand in Johannesburg, South Africa.
The San, or Bushmen, are indigenous people in Southern Africa particularly in what is now South Africa and Botswana. Their ancient rock paintings and carvings are found in caves and on rock shelters. The artwork depicts non-human beings, hunters, and half-human half-animal hybrids. The half-human hybrids are believed to be medicine men or healers involved in a healing dance. Gall writes, "The Laurens van der Post panel at Tsodilo is one of the most famous rock paintings." High on this rock face in Botswana is the image of a "magnificent red eland bull" painted, according to Van der Post, "only as a Bushman who had a deep identification with the eland could have painted him." Also on this rock face is a female giraffe that is motionless, as if alarmed by a predator. Several other images of animals are depicted there, along with the flesh blood-red handprints that are the signature of the unknown artist. The Drakensberg and Lesotho are particularly well known for their San rock art. Tsodilo was recognised as a UNESCO World Heritage Site in 2001; not all the art covered by this is by San people or their ancestors.
Inside the Neolithic Mind: Consciousness, Cosmos and the Realm of the Gods is a cognitive archaeological study of Neolithic religious beliefs in Europe co-written by the archaeologists David Lewis-Williams and David Pearce, both of the University of the Witwatersrand in Johannesburg, South Africa. It was first published by Thames and Hudson in 2005. Following on from Lewis-Williams' earlier work, The Mind in the Cave (2002), the book discusses the role of human cognition in the development of religion and Neolithic art.
This bibliography of anthropology lists some notable publications in the field of anthropology, including its various subfields. It is not comprehensive and continues to be developed. It also includes a number of works that are not by anthropologists but are relevant to the field, such as literary theory, sociology, psychology, and philosophical anthropology.
The San religion is the traditional religion and mythology of the San people. It is poorly attested due to their interactions with Christianity.
In the Neolithic and Bronze Age British Isles, rock art was produced across various parts of the islands. Petroglyphic in nature, the majority of such carvings are abstract in design, usually cup and ring marks, although examples of spirals or figurative depictions of weaponry are also known. Only one form of rock art in Europe, this late prehistoric tradition had connections with others along Atlantic Europe, particularly in Galicia.
Patricia Joan Vinnicombe was a South African archaeologist and artist, known for identifying and copying San rock paintings in the valleys and foothills of the Drakensberg. Her work transformed the study of rock art into a science. She was also active in the preservation of Aboriginal art in Western Australia.
Prehistoric religion is the religious practice of prehistoric cultures. Prehistory, the period before written records, makes up the bulk of human experience; over 99% of human experience occurred during the Paleolithic period alone. Prehistoric cultures spanned the globe and existed for over two and a half million years; their religious practices were many and varied, and the study of them is difficult due to the lack of written records describing the details of their faiths.
