The David Plates (or Cyprus Plates) are a set of nine silver plates, in three sizes, stamped between 613 and 630. The plates were created in Constantinople, each depicting a scene from the life of the Hebrew king David, and associated with the reign of Emperor Heraclius (610-641). [1] Following their discovery in Karavas (northern Cyprus) in 1902, the David Plates have been considered key additions to early Byzantine secular art.
Casual laborers from the village of Karavas found the David Plates with other silver as they were quarrying the ruins for construction stones. [2] The whole hoard is sometimes known as the "Second Cyprus Treasure", the "First Cyprus Treasure" being what is now usually called the Lambousa Treasure (mostly religious plate, now in the British Museum). [3] The finders, however, failed to report what they had discovered to the Cypriot authorities. When authorities learned of their taking they confiscated three of the David Plates alongside a pair of cross-monogram plates, and other jewelry held today in the Museum of Antiquities in Nicosia. The rest of the discovery was smuggled from Cyprus and traded to a dealer located in Paris. Most of this hoard was bought by J. Pierpont Morgan and was later given to the Metropolitan Museum of Art in New York City by his heirs in 1917, where they currently remain.
The David Plates are of extremely high quality, pointing the source of production to the palace workshops in Constantinople that was known for the manufacture of specific luxury commodities. The plates have control stamps by the Byzantine emperor Heraclius to assure the quality of silver used to make them. [4] The nine silver plates were made in three sizes; one large plate, four medium plates and another four small plates. [5] Regarding the form, the plates are similar, with rolled rims, concave surfaces, and a high foot ring.
The stamps offer an intriguing aspect of relating the David Plates to Heraclius’ rule. It is often thought that the set could have been commissioned to celebrate the defeat of the Sasanian Empire (628-629) by Heraclius. He managed to end a long war with Persia and retook control over Egypt, Syria, and other Byzantine regions. Specifically, Heraclius regained the Byzantine territories that included Jerusalem (founded by King David) and the Sasanian city of Ctesiphon. The Sasanian War echoed David's victory over Goliath as he also beheaded his enemy, giving him the acclaim of being the new David. The emperor's image as the new David par excellence might have been praised to celebrate past achievement as well as promote confidence in the present and future. The last years on the control stamps, therefore, are seen as the most likely for the development of David Plates. It is thought that Heraclius ordered the commission of the David Plates for their intrinsic value. More aspects are still being studied to point out their true reality in Byzantine art history.
Heraclius was Byzantine emperor from 610 to 641. His rise to power began in 608, when he and his father, Heraclius the Elder, the Exarch of Africa, led a revolt against the unpopular emperor Phocas.
The 610s decade ran from January 1, 610, to December 31, 619.
Year 619 (DCXIX) was a common year starting on Monday of the Julian calendar. The denomination 619 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.
Phocas was Byzantine emperor from 602 to 610. Initially a middle-ranking officer in the Eastern Roman army, Phocas rose to prominence as a spokesman for dissatisfied soldiers in their disputes with the court of the Emperor Maurice. When the army revolted in 602, Phocas emerged as the natural leader of the mutiny. The revolt proved to be successful and led to the capture of Constantinople and the overthrow of Maurice on 23 November 602 with Phocas declaring himself emperor on the same day.
Shahrbaraz, was shah (king) of the Sasanian Empire from 27 April 630 to 9 June 630. He usurped the throne from Ardashir III, and was killed by Iranian nobles after forty days. Before usurping the Sasanian throne he was a spahbed (general) under Khosrow II (590–628). He is furthermore noted for his important role during the climactic Byzantine–Sasanian War of 602–628, and the events that followed afterwards.
Byzantine art comprises the body of artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward.
Niello is a black mixture, usually of sulphur, copper, silver, and lead, used as an inlay on engraved or etched metal, especially silver. It is added as a powder or paste, then fired until it melts or at least softens, and flows or is pushed into the engraved lines in the metal. It hardens and blackens when cool, and the niello on the flat surface is polished off to show the filled lines in black, contrasting with the polished metal around it. It may also be used with other metalworking techniques to cover larger areas, as seen in the sky in the diptych illustrated here. The metal where niello is to be placed is often roughened to provide a key. In many cases, especially in objects that have been buried underground, where the niello is now lost, the roughened surface indicates that it was once there.
Karavas is a town in the north of the Cyprus island. It is under the de facto control of Northern Cyprus. As of 2011, the town has a population of 6,597.
The Paris Psalter is a Byzantine illuminated manuscript, 38 x 26.5 cm in size, containing 449 folios and 14 full-page miniatures. The Paris Psalter is considered a key monument of the so-called Macedonian Renaissance, a 10th-century renewal of interest in classical art closely identified with the emperor Constantine VII Porphyrogenitus (909-959) and his immediate successors.
The Sasanian conquest of Jerusalem or Sasanian conquest of Palestine was a significant event in the Byzantine–Sasanian War of 602–628, having taken place in early 614. Amidst the conflict, Sasanian king Khosrow II had appointed Shahrbaraz, his spahbod, to lead an offensive into the Diocese of the East of the Byzantine Empire. Under Shahrbaraz, the Sasanian army had secured victories at Antioch as well as at Caesarea Maritima, the administrative capital of Palaestina Prima. By this time, the grand inner harbour had silted up and was useless, but the city continued to be an important maritime hub after Byzantine emperor Anastasius I Dicorus ordered the reconstruction of the outer harbour. Successfully capturing the city and the harbour had given the Sasanian Empire strategic access to the Mediterranean Sea. The Sasanians' advance was accompanied by the outbreak of a Jewish revolt against Heraclius; the Sasanian army was joined by Nehemiah ben Hushiel and Benjamin of Tiberias, who enlisted and armed Jews from across Galilee, including the cities of Tiberias and Nazareth. In total, between 20,000 and 26,000 Jewish rebels took part in the Sasanian assault on Jerusalem. By mid-614, the Jews and the Sasanians had captured the city, but sources vary on whether this occurred without resistance or after a siege and breaching of the wall with artillery.
The Byzantine–Sasanian War of 602–628 was the final and most devastating of the series of wars fought between the Byzantine Empire and the Persian Sasanian Empire. The previous war between the two powers had ended in 591 after Emperor Maurice helped the Sasanian king Khosrow II regain his throne. In 602 Maurice was murdered by his political rival Phocas. Khosrow declared war, ostensibly to avenge the death of the deposed emperor Maurice. This became a decades-long conflict, the longest war in the series, and was fought throughout the Middle East: in Egypt, the Levant, Mesopotamia, the Caucasus, Anatolia, Armenia, the Aegean Sea and before the walls of Constantinople itself.
The Acheiropoietos Monastery in Lambousa near the village of Karavas in the Kyrenia District, was a medieval Byzantine Orthodox Monastery. The monastery is currently under the conservation of the International Center for Heritage Studies of Girne American University.
The Esquiline Treasure is an ancient Roman silver treasure that was found in 1793 on the Esquiline Hill in Rome. The hoard is considered an important example of late antique silver work from the 4th century AD, probably about 380 for the major pieces. Since 1866, 57 objects, representing the great majority of the treasure, have been in the British Museum.
The First Cyprus Treasure or Lamboussa Treasure is the name of a major early Byzantine silver hoard found near Kyrenia, Cyprus. Currently in the British Museum's collection, the treasure is largely composed of liturgical objects that may have belonged to an ancient church or monastery. It is called the First Cyprus Treasure to distinguish it from the so-called Second Cyprus Treasure, which is now split between the Metropolitan Museum of Art and the Cyprus Museum.
The Lampsacus Treasure or Lapseki Treasure is the name of an important early Byzantine silver hoard found near the town of Lapseki in modern-day Turkey. Most of the hoard is now in the British Museum's collection, although a few items can be found in museums in Paris and Istanbul too.
The Asyut Treasure is the name of an important Byzantine hoard of jewellery found near the city of Asyut, central Egypt. Discovered in mysterious circumstances in the early twentieth century, the treasure is now divided between the Kunstgewerbemuseum in Berlin, the British Museum in London and the Metropolitan Museum in New York City.
Silver was important in Byzantine art and society more broadly as it was the most precious metal right after gold. Byzantine silver was prized in official, religious, and domestic realms. Aristocratic homes had silver dining ware, and in churches silver was used for crosses, liturgical vessels such as the patens and chalices required for every Eucharist. The imperial offices periodically issued silver coinage and regulated the use of silver through control stamps. About 1,500 silver plates and crosses survive from the Byzantine era.
David was one of three co-emperors of Byzantium for a few months in late 641, and had the regnal name Tiberius. David was the son of Emperor Heraclius and his wife and niece Empress Martina. He was born after the emperor and empress had visited Jerusalem and his given name reflects a deliberate attempt to link the imperial family with the Biblical David. The David Plates, which depict the life of King David, may likewise have been created for the young prince or to commemorate his birth. David was given the senior court title caesar in 638, in a ceremony during which he received the kamelaukion cap previously worn by his older brother Heraclonas.
The Klimova Treasure is a hoard of Early Byzantine and Sasanian silver objects that was discovered in 1907 near the village of Klimova in the Perm Governorate of the Russian Empire. It is one of several hoards of Byzantine and Sasanian silverware uncovered in that region, which are collectively referred to as the Perm Treasures.