David Hersh Solkin, FBA (born Montreal, 16 March 1951) [1] is the Walter H. Annenberg Professor of the History of Art at the Courtauld Institute, which he joined in 1986. [2] In 2007, Solkin became the institute's first dean and deputy director. Solkin is an expert in the art of J. M. W. Turner.
He was educated at Harvard College (AB), The Courtauld Institute of Art (MA) and Yale University (PhD, 1978). [3]
In 2002, Solkin was awarded the William M. B. Berger Prize for the exhibition and catalogue Art on The Line: The Royal Academy Exhibitions at Somerset House 1780–1836 (The Courtauld Gallery, London, 2001–2). [4]
Joseph Mallord William Turner, known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting.
Walter Richard Sickert was a German-born British painter and printmaker who was a member of the Camden Town Group of Post-Impressionist artists in early 20th-century London. He was an important influence on distinctively British styles of avant-garde art in the mid and late 20th century.
Frank Helmut Auerbach is a German-British painter. Born in Germany, he has been a naturalised British subject since 1947. He is considered one of the leading names in the School of London, with fellow artists Francis Bacon and Lucian Freud.
Roger Eliot Fry was an English painter and critic, and a member of the Bloomsbury Group. Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism. He was the first figure to raise public awareness of modern art in Britain, and emphasised the formal properties of paintings over the "associated ideas" conjured in the viewer by their representational content. He was described by the art historian Kenneth Clark as "incomparably the greatest influence on taste since Ruskin ... In so far as taste can be changed by one man, it was changed by Roger Fry". The taste Fry influenced was primarily that of the Anglophone world, and his success lay largely in alerting an educated public to a compelling version of recent artistic developments of the Parisian avant-garde.
Sir Alan Bowness CBE was a British art historian, art critic, and museum director. He was the director of the Tate Gallery between 1980 and 1988.
Richard Cork is a British art historian, editor, critic, broadcaster and exhibition curator. He has been an art critic for the Evening Standard, The Listener, The Times and the New Statesman. Cork was also editor for Studio International. He is a past Turner Prize judge.
Martin Postle is a British art historian who is deputy director for collections and publications at the Paul Mellon Centre for Studies in British Art, London, and a leading expert on the art of Sir Joshua Reynolds. He is a former curator at the Tate Gallery.
DavidMichael Geoffrey Hirst, FBA, commonly known as Michael Hirst, was an art historian and an expert on Italian Renaissance art. He was Professor of the History of Art at the Courtauld Institute of Art from 1991 to 1997.
Charles Townsend Harrison, BA Hons (Cantab), MA (Cantab), PhD (London) was a UK art historian who taught Art History for many years and was Emeritus Professor of History and Theory of Art at the Open University. Although he denied being an artist himself, he was a full participant and catalyst in the Art and Language group.
Robin Sinclair Cormack, FSA is a British classicist and art historian, specialising in Byzantine art. He was Professor in the History of Art, Courtauld Institute of Art, University of London, 1991–2004.
Mark Louis Hallett is an English art historian specialising in the history of British art. He is the Märit Rausing Director of the Courtauld Institute of Art.
Deborah Anne Swallow is a British educator, museum curator and academic. From 2004 to 2023, she was Märit Rausing Director of The Courtauld Institute of Art and its Gallery; she was its first female Director. She previously worked at the University of Cambridge and the Victoria and Albert Museum. Alongside education and curation, she is a proponent of the broadest possible appreciation of art and its histories, and a specialist in Indian art and anthropology.
David William ParkFSA is a professor at the Courtauld Institute of Art, University of London, where he is Director of the Conservation of Wall Painting Department. Park is a graduate of Manchester University and Corpus Christi College, Cambridge University and has been a Fellow of the Society of Antiquaries of London since 1986.
Claus Michael Kauffmann, FBA was an English art historian who was Director of the Courtauld Institute, London, from 1985–95. He was succeeded by Eric Fernie. Kauffmann was a Fellow of the British Academy.
Anne Middleton Wagner, often known as Anne Wagner, is an art historian. Class of 1936 Professor Emerita at the University of California, Berkeley, she is now based in London, where in 2013–14 she was Visiting Professor at the Courtauld Institute of Art.
Martin Richard Fletcher Butlin, CBE, FBA is a British art historian. His main field of study is British art history and his published works reflect, in particular, a study of art of the 18th and 19th centuries. He is an authority on J.M.W. Turner (1775–1851) and William Blake (1757–1827).
Michael J. Rosenthal is emeritus professor of the history of art at the University of Warwick. He is a specialist both in British art and culture of the eighteenth and early nineteenth centuries, and the arts of early colonial Australia.
Josephine Dawn Adès,, also known as Dawn Adès, is a British art historian and academic. She is professor emeritus of art history and theory at the University of Essex.
Deborah Janet Howard, is a British art historian and academic. Her principal research interests are the art and architecture of Venice and the Veneto; the relationship between Italy and the Eastern Mediterranean, and music and architecture in the Renaissance. She is Professor Emerita of Architectural History in the Faculty of Architecture and History of Art, University of Cambridge and a Fellow of St John's College, Cambridge.
Christopher Kenneth Green, is a British art historian, who was professor of the History of Art at the Courtauld Institute of Art between 1991 and 2008.