Davy | |
---|---|
Directed by | Michael Relph |
Written by | William Rose |
Produced by | Basil Dearden |
Starring | |
Cinematography | Douglas Slocombe |
Edited by | Peter Tanner |
Production company | |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 83 minutes |
Country | United Kingdom |
Language | English |
Budget | $458,000 [1] |
Box office | $305,000 [1] |
Davy is a 1958 British comedy-drama film directed by Michael Relph and starring Harry Secombe, Alexander Knox and Ron Randell. [2] [3] It was written by WIlliam Rose. It was the last comedy to be made by Ealing Studios and was the first British film in Technirama. [4] Davy was intended to launch the solo career of Harry Secombe, who was already a popular British radio personality on The Goon Show , but it was only moderately successful. [5]
Secombe said it "was to be my big chance to score a success in films, something I had longed to do ever since I started in the business. My previous attempts at becoming a film star were pretty poor to put it mildly." [6]
A young entertainer is conflicted over the chance of a big break. He has to decide whether to remain with his family's music hall act or to go solo.
Peter Frampton, who plays young Tim, was the son of Harry Frampton, makeup artist for many years at Ealing including in this film. Peter would eventually follow in his father's footsteps and worked as his assistant on several films, including Hitchcock's Frenzy (1972). In 1995, Peter Frampton won the Oscar for Best Makeup for Braveheart . He remembered his filming on Davy fondly, as "it meant time off school and (getting the) star treatment." [8]
The film was one of six made by Ealing Studios under an agreement they had with MGM. The National Film Finance Corporation provided £29,849 of the budget of £198,997. [9] The film was directed by Michael Relph who normally worked as a producer. Relph later said Davy "wasn't very good" and the script by William Rose "wasn’t one of his best." [10] According to Kenneth Tynan who worked for Ealing around this time the movie was the "brainchild" of Rose. [11] Tynan criticised Michael Balcon, head of MGM, for his choice of material on the MGM films. He wrote, "at that stage in your career and at that nadir in the international repute of British films, it might have been worth while to gamble. More worth while, anyway, than making Davy." [12]
According to MGM records, the film earned only $40,000 in the US and Canada and $265,000 elsewhere, resulting (after deduction of distribution costs as well) in a loss to the studio of $279,000. It lost more money than any of the six MGM-Ealing films made in the late 1950s. [1]
Secombe later wrote "part of the reason why Davy failed to impress was the fact that it was billed as a ‘zany’ type movie, overemphasizing the comedy content, whereas it was mostly a dramatic story. Anyway it was not the stepping stone to stardom that I had hoped it would be." [13]
The Monthly Film Bulletin wrote: "An uneasy combination of broad farce and crude backstage melodrama, this rather sad production further suffers from a most clumsy and disjointed script. In the circumstances even a cast compacted of hard workers and well-tried character-players can make little impression, The good-natured Harry Secombe, though over-strident as both singer (Puccini's Nessun Dorma ) and comic, does manage to impart a superficial vitality to the proceedings." [14]
Variety called it "an amiable though not sensational pic debut." [15]
Leslie Halliwell wrote: "Curiously unsuccessful vehicle for a popular singing comic; the script and continuity are simply poor, and swamped by the wide screen." [16]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "mediocre", writing: "All pretty corny." [17]
The Radio Times Guide to Films gave the film 2/5 stars, writing: "It's a shamelessly sentimental affair that gave Harry Secombe an opportunity to prove there was life outside The Goon Show, as he has to decide whether to stick with the family's struggling music-hall act or seize his chance by auditioning for opera supremo Alexander Knox at Covent Garden. Secombe's spirited rendition of Puccini's Nessun Dorma demonstrates what a fine singer he was, but he seems less comfortable with the more melodramatic aspects of the picture." [18]
TV Guide called the film a "pleasant if unimpressive drama." [19]
Britmovie wrote, "stylistically the film is an awkward combination of broad farce, Secombe having made his name as one of the denizens of the celebrated Goon Show, and awkward, turgid scenes of moral conflict." [20]
Allmovie noted, "a stellar supporting cast enables Davy to overcome its occasional banalities and cliches." [21]
Sir Harry Donald Secombe was a Welsh actor, comedian, singer and television presenter. Secombe was a member of the British radio comedy programme The Goon Show (1951–1960), playing many characters, most notably Neddie Seagoon. An accomplished tenor, he also appeared in musicals and films – notably as Mr Bumble in Oliver! (1968) – and, in his later years, was a presenter of television shows incorporating hymns and other devotional songs.
The Goon Show is a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series, broadcast from 28 May to 20 September 1951, was titled Crazy People; subsequent series had the title The Goon Show.
The Ealing comedies is an informal name for a series of comedy films produced by the London-based Ealing Studios during a ten-year period from 1947 to 1957. Often considered to reflect Britain's post-war spirit, the most celebrated films in the sequence include Kind Hearts and Coronets (1949), Whisky Galore! (1949), The Lavender Hill Mob (1951), The Man in the White Suit (1951) and The Ladykillers (1955). Hue and Cry (1947) is generally considered to be the earliest of the cycle, and Barnacle Bill (1957) the last, although some sources list Davy (1958) as the final Ealing comedy. Many of the Ealing comedies are ranked among the greatest British films, and they also received international acclaim.
Basil Dearden was an English film director.
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The Magnificent Seven Deadly Sins is a 1971 British sketch comedy film directed and produced by Graham Stark. Its title is a conflation of The Magnificent Seven and the seven deadly sins. It comprises a sequence of seven sketches, each representing a sin and written by an array of British comedy-writing talent, including Graham Chapman, Spike Milligan, Barry Cryer and Galton and Simpson. The sketches are linked by animation sequences overseen by Bob Godfrey's animation studio. The music score is by British jazz musician Roy Budd, cinematography by Harvey Harrison and editing by Rod Nelson-Keys and Roy Piper. It was produced by Tigon Pictures and distributed in the U.K. by Tigon Film Distributors Ltd.
Barnacle Bill is a 1957 Ealing Studios comedy film directed by Charles Frend and starring Alec Guinness. It was written by T. E. B. Clarke. Guinness plays an unsuccessful Royal Navy officer and six of his maritime ancestors.
Down Among the Z Men is a 1952 black-and-white British comedy film directed by Maclean Rogers and starring the Goons: Spike Milligan, Peter Sellers, Michael Bentine and Harry Secombe.
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Burke & Hare is a 1972 horror film directed by Vernon Sewell and starring Derren Nesbitt, Harry Andrews, and Glynn Edwards. It is based on the true story of the Burke and Hare murders, and was the last film to be directed by Sewell.
Treasure Hunt is a 1952 British comedy film directed by John Paddy Carstairs and starring Martita Hunt, Jimmy Edwards, Naunton Wayne and Athene Seyler. It is based on the 1949 play Treasure Hunt by Molly Keane and John Perry.
I Believe in You is a 1952 British drama film directed by Michael Relph and Basil Dearden, starring Celia Johnson and Cecil Parker and is based on the book Court Circular by Sewell Stokes. Inspired by the recently successful The Blue Lamp (1950), Relph and Dearden used a semi-documentary approach in telling the story of the lives of probation officers and their charges.
Postman's Knock is a 1962 British comedy film directed by Robert Lynn starring Spike Milligan, Barbara Shelley, John Wood and Warren Mitchell. The screenplay, by John Briley and Jack Trevor Story, concerns a country postman who is transferred to London, where he manages to foil a major robbery.
Come On George! is a 1939 British comedy film directed by Anthony Kimmins which stars George Formby, with Pat Kirkwood and Joss Ambler in support. It was made by Associated Talking Pictures. It concerns the world of horse racing, and Formby, who had once been a stable apprentice, did his own riding in the film. Songs featured are "I'm Making Headway Now", "I Couldn't Let The Stable Down", "Pardon Me", and "Goodnight Little Fellow, Goodnight".
Forces' Sweetheart is a 1953 British comedy film directed by Maclean Rogers and starring Hy Hazell, Harry Secombe and Michael Bentine. It was written by Rogers and Bentine. Two gormless soldiers become infatuated with a female entertainer.
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