"Days of Wine and Roses" | |
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Playhouse 90 episode | |
Episode no. | Season 3 Episode 2 |
Directed by | John Frankenheimer |
Written by | JP Miller |
Featured music | Alex North |
Production code | 081 |
Original air date | October 2, 1958 |
Guest appearances | |
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"Days of Wine and Roses" was a 1958 American teleplay by JP Miller which dramatized the problems of alcoholism. John Frankenheimer directed the cast headed by Cliff Robertson, Piper Laurie and Charles Bickford. [1]
The 90-minute telecast was presented live with tape inserts on October 2, 1958 and was the second episode of the third season of the anthology series Playhouse 90 on CBS. Costume changes were made possible because Frankenheimer taped the Alcoholics Anonymous scenes on the day prior to the live telecast. During a rehearsal, according to Miller, the producer Fred Coe dropped by and watched as Robertson and Laurie "played some of the most realistic drunk scenes ever seen anywhere. Frankenheimer was ecstatic but was quickly grounded by Coe's drawled comment, 'John, you've got the Wine. Now let's see if you can get the Roses.'" [2]
The drama depicts the slow deterioration of a marriage due to alcoholism as ambitious ad man Joe Clay (Robertson) gets his wife Kirsten (Laurie) to join him in drinking bouts that soon begin to destroy their lives. John J. O'Connor reviewed the 1983 video cassette release in The New York Times:
Mr. Miller reveals that the idea for the play came to him one sleepless night when "I got to thinking about an uncle of mine who was a drunk." He settled on two young people who like to drink and then "fall in love with the bottle more than each other."... As Mr. Robertson observes with admirable detachment, it is raw and imperfect but "it was emotionally honest." Using the framework of an Alcoholics Anonymous meeting, Joe gets up to address the gathering and his story is told in flashbacks that begin 10 years earlier. He meets Kirsten (Miss Laurie) at a business cocktail party. He is a young advertising executive. She is a bright secretary whose self-improvement activities have reached the point of her reading the poetry of Edna St. Vincent Millay. The drinking gets serious early on, and gradually their lives dissolve in puddles of cheap liquor. Her father (Mr. Bickford) tries to help, but the process has gone too far for mere sympathy to help... Several of the scenes remain searing. [3]
JP Miller found his title in the 1896 poem "Vitae Summa Brevis Spem Nos Vetet Incohare Longam" by the English writer Ernest Dowson (1867–1900): [4]
They are not long, the weeping and the laughter,
Love and desire and hate;
I think they have no portion in us after
We pass the gate.
They are not long, the days of wine and roses:
Out of a misty dream
Our path emerges for a while, then closes
Within a dream.
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The episode received favorable reviews from television critics. Jack Gould, in The New York Times , praised the writing, director and cast:
It was a brilliant and compelling work... Mr. Miller's dialogue was especially fine, natural, vivid and understated. Miss Laurie's performance was enough to make the flesh crawl, yet it also always elicited deep sympathy. Her interpretation of the young wife just a shade this side of delirium tremens--the flighty dancing around the room, her weakness of character and moments of anxiety and her charm when she was sober--was a superlative accomplishment. Miss Laurie is moving into the forefront of our most gifted young actresses. Mr. Robertson achieved first-rate contrast between the sober man fighting to hold on and the hopeless drunk whose only courage came from the bottle. His scene in the greenhouse, where he tried to find the bottle that he had hidden in the flower pot, was particularly good... John Frankenheimer's direction was magnificent. His every touch implemented the emotional suspense but he never let the proceedings get out of hand or merely become sensational. [5]
A film adaptation of the teleplay was produced in 1962 by Martin Manulis [6] with Blake Edwards directing Jack Lemmon, Lee Remick, Charles Bickford and Jack Klugman. Bickford was the only member of the TV cast to repeat his role in the movie. When Frankenheimer was not chosen to direct the movie, he was told by his agent, "John, they say you're not a comedy director." [7] (Lemmon and Edwards, prior to 1962, were mainly associated with comedies.) [8] The film featured a song of the same name by Henry Mancini and Johnny Mercer.
Some critics observed that the movie lacked the impact of the original television production. For DVD Journal , D. K. Holm described the numerous changes that altered the original considerably when the material was filmed:
Newer does not necessarily mean better. When the opportunity arose to make a film version of JP Miller's powerful TV drama Days of Wine and Roses, actor Jack Lemmon suggested that the studio hire Blake Edwards (according to Edwards, that is) rather than the Playhouse 90 production's original director, John Frankenheimer. On the big screen, Roses began as a Fox project, but ended up at Warner Bros. when the Fox studio started going down the Nile with Cleopatra. With the advent of Lemmon's participation, little remained of the founding teleplay... Lemmon, too, had been in a long string of comedies, and it's easy to assume that both filmmakers were using the opportunity to "stretch." Unfortunately, Edwards, who is kind of a combination of George Stevens (comedy director turned prestige filmmaker) and Vincente Minnelli (excitable content with no distinctive visual style), tilted the original material towards schmaltz, from the comically lush theme-song by Henry Mancini to the exaggerated binge scenes. According to one Lemmon biography, the actor felt a little bad about the fact that his friend Cliff Robertson, who had appeared in the TV production, wasn't invited to be in the movie, but the studio insisted on a certified star for the film... What's missing is the calm plausibility of the original TV broadcast, revived briefly on cable TV in the 1990s. [8]
A musical adaptation based on the teleplay and subsequent film was produced by the Atlantic Theater Company in 2023, starring Kelli O'Hara as Kirsten and Brian d'Arcy James as Joe. [9] The musical has a book by Craig Lucas and music and lyrics by Adam Guettel, the same writing team behind The Light in the Piazza, and is directed by Michael Greif. It opened May 5, 2023 and is scheduled to close July 5 of the same year.
In 2003, Rachel Wood directed the New York stage premiere of Days of Wine and Roses, an off-Broadway production by the Boomerang Theatre Company. In 2005, the Northern Irish writer Owen McCafferty relocated Days of Wine and Roses to London in the 1960s, reworking it to focus on a young couple just arrived from Belfast. That stage version had a West End premiere at the Donmar Warehouse directed by Peter Gill, who had previously staged McCafferty's National Theatre hit, Scenes from the Big Picture. [10]
The Criterion Collection included the teleplay as part of a special edition three-disc box set entitled The Golden Age of Television , which was part of a PBS anthology series. In addition to the teleplay, is an introduction featuring interviews with the cast and crew about the production.
A teleplay is a screenplay or script used in the production of a scripted television program or series. In general usage, the term is most commonly seen in reference to a standalone production, such as a television film, a television play, or an episode of an anthology series. In internal industry usage, however, all television scripts are teleplays, although a "teleplay by" credit may be classified into a "written by" credit depending on the circumstances of its creation.
Days of Wine and Roses is a 1962 American romantic drama film directed by Blake Edwards with a screenplay by JP Miller adapted from his own 1958 Playhouse 90 teleplay of the same name. The film was produced by Martin Manulis, with music by Henry Mancini, and features Jack Lemmon, Lee Remick, Charles Bickford and Jack Klugman. The film depicts the downward spiral of two average Americans who succumb to alcohol use disorder and attempt to deal with their problems.
Playhouse 90 is an American television anthology drama series that aired on CBS from 1956 to 1960 for a total of 133 episodes. The show was produced at CBS Television City in Los Angeles, California. Since live anthology drama series of the mid-1950s usually were hour-long shows, the title highlighted the network's intention to present something unusual: a weekly series of hour-and-a-half-long dramas rather than 60-minute plays.
Days of Wine and Roses may refer to:
JamesPinckney Miller was an American writer whose pen name was "JP Miller". He was a leading playwright during the Golden Age of Television, receiving three Emmy nominations. A novelist and screenwriter, he was best known for Days of Wine and Roses, directed by John Frankenheimer for Playhouse 90 (1958) and later the 1962 film of the same name directed by Blake Edwards.
Martin Ellyot Manulis was an American television, film, and theatre producer. Manulis was best known for his work in the 1950s producing the CBS Television programs Suspense, Studio One Summer Theatre, Climax!, The Best of Broadway and Playhouse 90. He was the sole producer of the award-winning drama series, Playhouse 90, during its first two seasons from 1956 to 1958.
"Bomber's Moon" was an American television play broadcast live on May 22, 1958, as part of the CBS television series, Playhouse 90. It was the 35th episode of the second season of Playhouse 9o.
"Sincerely, Willis Wayde" was an American television play broadcast on December 13, 1956, as part of the CBS television series, Playhouse 90. It was the 11th episode of the first season of Playhouse 90.
"The Big Slide" was an American television play broadcast on November 8, 1956, as part of the CBS television series, Playhouse 90. It was the sixth episode of the first season of Playhouse 90. Red Skelton and Shirley Jones starred in the play about a silent movie star. Skelton was nominated for a Primetime Emmy Award for best performance by an actor. Martin Manulis was the producer, and Ralph Nelson was the director.
"Forbidden Area" was an American television play broadcast live on October 4, 1956, as part of the CBS television series, Playhouse 90. It was the premiere episode of the series. The play concerns efforts to thwart a massive, Christmastime nuclear attack from a fleet of Russian submarines located off the coast of the United States. Rod Serling wrote the screenplay, and John Frankenheimer directed. Charlton Heston, Tab Hunter, Diana Lynn, and Charles Bickford starred.
"A Town Has Turned to Dust" is an American television play broadcast live on June 19, 1958, as part of the second season of the CBS television series Playhouse 90. Rod Serling wrote the teleplay, and John Frankenheimer directed. Rod Steiger and William Shatner starred.
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"A Sound of Different Drummers" was an American television play broadcast live on October 3, 1957, as part of the CBS television series, Playhouse 90. It was the fourth episode of the second season. John Frankenheimer directed, and Sterling Hayden starred.
"Face of a Hero" is an American television play broadcast on January 1, 1959 as part of the CBS television series, Playhouse 90. John Frankenheimer was the director and John Houseman the producer. The cast included Jack Lemmon and Rip Torn.
"The Troublemakers" was an American television play broadcast on November 21, 1957, as part of the second season of the CBS television series Playhouse 90. John Frankenheimer directed. Ben Gazzara, Barbara Rush, and Keenan Wynn starred.
"The Mystery of Thirteen" was an American television play broadcast in 1957 as part of the CBS television series Playhouse 90. Jack Lemmon starred as the notorious English physician, William Palmer, who was suspected of 13 murders and was hanged in 1856 for poisoning a close friend. Margaret O'Brien co-starred, David Shaw wrote the teleplay, and Robert Mulligan directed.
Days of Wine and Roses is a 2023 stage musical with music and lyrics by Adam Guettel and a book by Craig Lucas, adapted from the 1962 film and 1958 teleplay of the same name.