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House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. It was created by DJs and music producers from Chicago's Black gay underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, House became mainstream and supplanted the typical 80s music beat.
A rave is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including drum and bass, dubstep, trap, break, happy hardcore, trance, techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines.
Intelligent dance music (IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints. It emerged from the culture and sound palette of electronic styles such as ambient techno, acid house, Detroit techno and breakbeat; it has been regarded as better suited to home listening than dancing. Prominent artists associated with it include Aphex Twin, Autechre, Squarepusher, Boards of Canada, Amon Tobin, Higher Intelligence Agency, Telefon Tel Aviv, μ-Ziq, The Black Dog, The Future Sound of London, Mouse on Mars, Biosphere, Orbital and Luke Vibert.
Detroit techno is a type of techno music that generally includes the first techno productions by Detroit-based artists during the 1980s and early 1990s. Prominent Detroit techno artists include Juan Atkins, Eddie Fowlkes, Derrick May, Jeff Mills, Kevin Saunderson, Blake Baxter, Drexciya, Mike Banks, James Pennington and Robert Hood. Artists like Terrence Parker and his lead vocalist, Nicole Gregory, set the tone for Detroit's piano techno house sound.
Chicago house refers to house music produced during the mid to late 1980s within Chicago. The term is generally used to refer to the original house music DJs and producers from the area, such as Ron Hardy and Phuture.
Ambient techno is a subgenre of techno that incorporates the atmospheric textures of ambient music with the rhythmic elements and production of techno. It was pioneered by 1990s electronic artists such as Aphex Twin, Carl Craig, The Orb, The Future Sound of London, the Black Dog, Pete Namlook and Biosphere.
Glitch is a genre of electronic music that emerged in the 1990s which is distinguished by the deliberate use of glitch-based audio media and other sonic artifacts.
Tech house is a subgenre of house music that combines stylistic features of techno with house. The term tech house developed as a shorthand record store name for a category of electronic dance music that combined musical aspects of techno, such as "rugged basslines" and "steely beats", with the harmonies and grooves of progressive house. The music originally had a clean and minimal production style that was associated with techno from Detroit and the UK.
Electro is a genre of electronic music and early hip hop directly influenced by the use of the Roland TR-808 drum machines and funk. Records in the genre typically feature heavy electronic sounds, usually without vocals; if vocals are present, they are delivered in a deadpan manner, often through electronic distortion such as vocoding and talkboxing. It palpably deviates from its predecessor boogie by being less vocal-oriented and more focused on electronic beats produced by drum machines.
Bouncy techno is a hardcore dance music rave style that developed in the early 1990s from Scotland and Northern England. Described as an accessible gabber-like form, it was popularised by Scottish DJ and music producer Scott Brown under numerous aliases.
Afrofuturism is a cultural aesthetic, philosophy of science, and history that explores the intersection of the African diaspora culture with science and technology. It addresses themes and concerns of the African diaspora through technoculture and speculative fiction, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afro-diasporic experiences. While Afrofuturism is most commonly associated with science fiction, it can also encompass other speculative genres such as fantasy, alternate history and magic realism. The term was coined by American cultural critic Mark Dery in 1993 and explored in the late 1990s through conversations led by Alondra Nelson.
Drexciya was an American electronic music duo from Detroit, Michigan, consisting of James Stinson (1969–2002) and Gerald Donald.
Electronic dance music (EDM), also referred to as club music, is a broad range of percussive electronic music genres originally made for nightclubs, raves, and festivals. It is generally produced for playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. Since its inception EDM has expanded to include a wide range of subgenres.
Gerald Donald is a Detroit techno producer and artist. With James Stinson he formed the afrofuturist techno duo Drexciya, and he is the main member of Dopplereffekt.
Techno is a genre of electronic dance music which is generally produced for use in a continuous DJ set, with tempos being in the range of 120 to 150 beats per minute (BPM). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular.
Gabber is a style of electronic dance music and a subgenre of hardcore techno, as well as the surrounding subculture. The music is more commonly referred to as hardcore, which is characterised by fast beats, distorted and heavy kickdrums, with dark themes and samples. This style was developed in Rotterdam and Amsterdam in the 1990s by producers like Marc Acardipane, Paul Elstak, DJ Rob, and The Prophet, forming record labels such as Rotterdam Records, Mokum Records, Pengo Records and Industrial Strength Records.
A rock band or pop band is a small musical ensemble that performs rock music, pop music, or a related genre. A four-piece band is the most common configuration in rock and pop music. In the early years, the configuration was typically two guitarists, a bassist, and a drummer. Another common formation is a vocalist who does not play an instrument, electric guitarist, bass guitarist, and a drummer. Sometimes, in addition to electric guitars, electric bass, and drums, also a keyboardist plays.
The Nathan Bedford Forrest Statue is a 25 feet (7.6 m) equestrian statue of Confederate Lt. General Nathan Bedford Forrest. Now removed, the statue was formerly located on a narrow strip of private land in front of multiple Confederate and Southern state flags near Nashville, Tennessee, the capital city of Tennessee, and was visible from Interstate 65 at 701D Hogan Road. The work, by attorney and amateur sculptor Jack Kershaw, was unveiled in 1998. Widely mocked by national media, it drew decades of controversy and vandalism, and was removed on December 7, 2021. Critics said the work's distorted facial features bore little resemblance to Forrest himself. Forrest was depicted with a sword held high in his right hand, while mounted on a rearing horse flanked by Confederate battle flags.
PTP, also known as Purple Tape Pedigree, is an American artist collective and independent record label based in New York City. PTP has been called "New York’s experimental incubator", and the collective has released recordings named among the best in new experimental, hip hop, metal, avant-garde, and electronic music. Pitchfork noted that "PTP's mission seems to be to annihilate genre boundaries and revel in the brilliant debris", and VICE has called PTP "home to some of the most boundary pushing music being made".
Cyrus Kabiru is a Kenyan visual artist, who is self taught. He is known for his sculptural eyewear made of found objects, and is part of the Afrofuturism cultural movement.
References
- 1 2 3 Dorris, Jesse (August 15, 2020). "How DeForrest Brown, Jr., Centers the Black Body in Techno Music". The New Yorker. Retrieved January 5, 2021.
- ↑ Sherburne, Philip (July 8, 2020). "Speaker Music: Black Nationalist Sonic Weaponry". Pitchfork . Retrieved July 15, 2020.
- 1 2 Dorris, Jesse (August 15, 2020). "How DeForrest Brown, Jr., Centers the Black Body in Techno Music". The New Yorker. ISSN 0028-792X . Retrieved July 10, 2024.
- ↑ "Assembling a Black Counter Culture". Primary Information. Retrieved January 5, 2021.
- ↑ "this simulation sux — Domain". d-o-m-a-i-n.org. Retrieved July 10, 2024.
- ↑ "Absent Personae, by Kepla & DeForrest Brown Jr". PTP. Retrieved July 10, 2024.
- ↑ "Assembling a Black Counter Culture | Primary Information". primaryinformation.org. Retrieved July 10, 2024.
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