William Franklin Holden was an American actor and one of the biggest box-office draws of the 1950s. Holden won the Academy Award for Best Actor for the film Stalag 17 (1953) and the Primetime Emmy Award for Outstanding Lead Actor in a Limited or Anthology Series or Movie for the television miniseries The Blue Knight (1973).
George Seaton was an American screenwriter, playwright, film director and producer, and theater director. Seaton led several industry organizations, serving as a three-time president of the Motion Picture Academy of Arts and Sciences, president of the Writers Guild of America West and the Screen Directors Guild, and vice president of Motion Picture Relief Fund. He won two Academy Awards for his screenplays.
Capucine was a French fashion model and actress known for her comedic roles in The Pink Panther (1963) and What's New Pussycat? (1965). She appeared in 36 films and 17 television productions between 1948 and 1990.
Alan Walbridge Ladd was an American actor and film producer. Ladd found success in film in the 1940s and early 1950s, particularly in films noir and Westerns. He was often paired with Veronica Lake in films noir, such as This Gun for Hire (1942), The Glass Key (1942), and The Blue Dahlia (1946). Whispering Smith (1948) was his first Western and color film, and Shane (1953) was noted for its contributions to the genre. Ladd also appeared in ten films with William Bendix.
John Dall was an American actor. Primarily a stage actor, he is best remembered today for portraying the cool-minded intellectual killer in Alfred Hitchcock's Rope (1948), and the companion of trigger-happy femme fatale Peggy Cummins in the 1950 film noir Gun Crazy. He also had a substantial role in Stanley Kubrick's Spartacus (1960). He first came to fame as the young Welsh mining prodigy who comes alive under the tutelage of Bette Davis in The Corn Is Green (1945), for which he was nominated for the Academy Award for Best Supporting Actor.
Richard Maibaum was an American film producer, playwright and screenwriter best known for his screenplay adaptations of Ian Fleming's James Bond novels.
This Gun for Hire is a 1942 American film noir crime film directed by Frank Tuttle and starring Veronica Lake, Robert Preston, Laird Cregar, and Alan Ladd. It is based on the 1936 novel A Gun for Sale by Graham Greene.
Monica Elizabeth "Mona" Freeman was an American actress and painter.
Beatrice Joan Caulfield was an American actress and model. After being discovered by Broadway producers, she began a stage career in 1943 that eventually led to signing as an actress with Paramount Pictures.
George E. Marshall was an American actor, screenwriter, producer, film and television director, active through the first six decades of film history.
Union Station is a 1950 crime drama film noir directed by Rudolph Maté and starring William Holden, Nancy Olson and Barry Fitzgerald.
Norman Krasna was an American screenwriter, playwright, producer, and film director who penned screwball comedies centered on a case of mistaken identity. Krasna directed three films during a forty-year career in Hollywood. He garnered four Academy Award screenwriting nominations, winning once for 1943's Princess O'Rourke, which he also directed. Krasna wrote a number of successful Broadway plays, including Dear Ruth and John Loves Mary.
No Man of Her Own is a 1950 American film noir drama directed by Mitchell Leisen and featuring Barbara Stanwyck, John Lund, Phyllis Thaxter, Jane Cowl and Lyle Bettger. Made and distributed by Paramount Pictures, the production is the second film Stanwyck made with director Mitchell Leisen. Its screenplay was adapted from Cornell Woolrich's 1948 novel I Married a Dead Man. Woolrich is cited in the film's opening credits by one of his commonly used pseudonyms, "William Irish".
The Great Gatsby is a 1949 American historical romance drama film directed by Elliott Nugent, and produced by Richard Maibaum, from a screenplay by Richard Maibaum and Cyril Hume. The film stars Alan Ladd, Betty Field, Macdonald Carey, Ruth Hussey, and Barry Sullivan, and features Shelley Winters and Howard Da Silva, the latter of whom later returned in the 1974 version. It is based on the 1925 novel The Great Gatsby by F. Scott Fitzgerald. Set during the raucous Jazz Age on Long Island near New York City, the plot follows the exploits of enigmatic millionaire and bootlegger Jay Gatsby who attempts to win back the affections of his former lover Daisy Buchanan with the aid of her second cousin Nick Carraway.
O.S.S. is a 1946 American war spy film directed by Irving Pichel and starring Alan Ladd, Geraldine Fitzgerald and Patric Knowles. Produced and distributed by Paramount Pictures, it portrays the activities of the Office of Strategic Services during World War II. The screenplay was written by Richard Maibaum, a World War II veteran who would later write twelve of the first fifteen James Bond films. Maibaum, a former Broadway actor, also narrates the film.
The Red Beret is a 1953 British-American war film directed by Terence Young and starring Alan Ladd, Leo Genn and Susan Stephen.
The Story of Temple Drake is a 1933 American pre-Code drama film directed by Stephen Roberts and starring Miriam Hopkins and Jack La Rue. It tells the story of Temple Drake, a reckless woman in the American South who falls into the hands of a brutal gangster and rapist. It was adapted from the highly controversial 1931 novel Sanctuary by William Faulkner. Though some of the more salacious elements of the source novel were not included, the film was still considered so indecent that it helped give rise to the strict enforcement of the Hays Code.
A Gentleman After Dark is a 1942 crime/drama film starring Brian Donlevy and Miriam Hopkins.
Dear Brat is a 1951 American comedy film directed by William A. Seiter and starring Mona Freeman and Billy De Wolfe. It is the third in a series following Dear Ruth (1947) and Dear Wife (1949).
Dear Ruth is a 1947 American romantic comedy film starring Joan Caulfield, William Holden, Mona Freeman, Billy De Wolfe and Edward Arnold. It was based on the 1944 Broadway play of the same name by Norman Krasna.
