Delfini (Zagreb band)

Last updated

Delfini
Delfini (Zagreb).jpg
Delfini in 1967
Background information
Also known asThe Delfinis
Origin Zagreb, SR Croatia, SFR Yugoslavia
Genres
Years active1963–1967
Labels Jugoton, Benelux International
Past membersZdenko Juran
Rajmond Ruić
Mladen Šurina
Branimir Baković
Velimir Neidhard
Nikola Sarapa
Petko Katrandžijev
Ivica Grčić
Vlado Kušec
Srećko Antonioli

Delfini (trans. The Dolphins) were a Yugoslav rock band formed in Zagreb in 1963. They are notable as one of the pioneers of the Yugoslav rock scene.

Contents

History

1963–1967

Delfini were formed in Zagreb in April of 1963 [1] by Zdenko Juran (vocals), Rajmond Ruić (bass guitar), Mladen Šurina (guitar), Branimir Baković (rhythm guitar), Velimir Neidhard (drums) and Vladimir Stošić (keyboards). [2] The band had their debut performance on December 26 of the same year in Gavella Drama Theatre, performing alongside Roboti and Mladi, [1] and soon started to perform regularly on dances. [2]

In July 1964 in the competition of bands held in Zagreb's Šalata, Delfini won the second place, Crveni Koralji winning the first. [1] After this success, the band recorded several songs for Radio Zagreb, the song "Šejk" ("Shake") becoming a minor hit. [1] The band was praised in the press, especially for Juran's on-stage performances inspired by the ones of Cliff Richard. [1] The band performed mostly at the Zagreb Faculty of Graphic Arts, but they also performed at other venues in Zagreb. [3] In 1965 the band appeared in TV Zagreb show Nešto novo – Nešto staro (Something New – Something Old). [3] In November 1965 Delfini played on the Zagreb Beat Music Festival, performing alongside Mladi, Ptice, Uragani, Zlatni Akordi, Stalaktiti, Crveni Koralji, Šigele and the Italian band The Five Fans. [3] During the same year they recorded nine songs for Radio Zagreb, with the songs "Sumrak" ("Twilight") and "Noćas kad si otišla" ("This Evening after You Left"), both composed by Ruić and Baković, having the most success with the listeners. [4] With some of the recordings Delfini partially turned towards rhythm and blues. [4] In 1966 the band appeared at the Zagreb Music Festival, becoming the third rock band (after Bijele Strijele and Crveni Koralji) to appear at this festival of popular music. [2] On the festival they played as the backing band for the singer Zvonko Špišić, and the song "Lukrecija" ("Lucretia") they performed appeared on the festival official EP. [4] In October 1966, the band performed on the festival entitled The First Championship of the Vocal-Instrumental Ensembles of Yugoslavia. The competition was held in Students' Center in Zagreb on October 23 and 30. Delfini won second place, and the band Kameleoni won first place. [4]

In the autumn of 1966 Šurina and Stošić were replaced by guitarist Nikola Sarapa (formerly of Zlatni Akordi) and keyboardist Petko Katrandžijev (formerly of Bezimeni). [2] The new lineup of the band recorded their debut record, the EP Gloria, released in 1967 through Jugoton. [2] The title track was a cover of Them song "Gloria". [2] The EP also featured the ballad "Noćas kad si otišla", a cover of James Brown song "I'll Go Crazy" and a cover of Macedonian traditional song "Kaleš bre Anđo". [2] The latter song featured traditional instrument def, played by Pero Gotovac. [5] After the EP release the band had successful appearances at Zagreb and Opatija music festivals. [2] Their second EP, released during the same year, featured the song "Ne pitaj me ništa" ("Ask Me Nothing"), performed on the Zagreb Music Festival, as the title track. The song was composed by Ruić and featured lyrics by the poet Maja Perfiljeva. [2] The EP also featured the songs "Najljepši dan" ("The Most Beautiful Day"), written by Ivica Krajač and Nikica Kalogjera, "Bebel", written by Krajač and dedicated to Jean-Paul Belmondo, and "Najljepša kuća na prodaju" ("The Most Beautiful House for Sale"), a cover of The Kinks' "Most Exclusive Residence for Sale". [2] Both EPs were praised by the press. [6] During the same year, under the name The Delfinis, the band released a split 7" single with Crveni Koralji for the Belgian record label Benelux International. The single featured Crevni Koralji's song "Napoli Guitar" and Delfini's cover of "Gloria". [2]

Despite the successes, Baković, Sarapa and Katrandžijev left the band due to disagreements with Juran and Ruić. The last lineup of the band was short-lived, featuring Zdenko Juran (vocals), Rajmond Ruić (bass guitar), Ivica Grčić (guitar), Vlado Kušec (rhythm guitar) and Srećko Antonioli (drums), all three new members formerly playing in the band Lordovi (The Lords). [7] The group disbanded in 1967, as the band members decided to dedicate themselves to other activities. [2]

Post breakup

After Delifini's disbandment, Juran started working as a music manager. [2] Ruić moved to the band Roboti, later started a career of a successful pop composer, and eventually moved to Australia. [2] Neidhart became a professor on the Zagreb Faculty of Architecture. [2] Baković became an art photographer. [2] Katrandžijev worked as a composer, sound engineer and producer. [2] Sarapa played in clubs, and in 1978 formed the band Stop. [2]

In 2005 Delfini songs "Gloria", "Najlepša kuća na prodaju" and "Kaleš bre Anđo" were released on the box set Kad je rock bio mlad - Priče sa istočne strane (1956-1970) (When Rock Was Young - East Side Stories (1956-1970)), released by Croatia Records and featuring songs by the pioneering Yugoslav rock acts. [8]

Discography

EPs

Singles

Related Research Articles

<span class="mw-page-title-main">Siluete</span>

Siluete were a Serbian and Yugoslav rock band formed in Belgrade in 1961. They were one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Samonikli</span>

Samonikli were a Yugoslav rock band formed in Belgrade in 1964. Despite having no official releases, the band made a number of recordings for Yugoslav radio and television and are notable as one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Iskre</span> Yugoslav rock band

Iskre were a Yugoslav rock band formed in Belgrade in 1961. Iskre were one of Yugoslavia's earliest rock bands and are notable for being one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Elipse</span>

Elipse were a Yugoslav rock band formed in Belgrade in 1962. The band were one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Tomi Sovilj i Njegove Siluete</span> Yugoslav music group

Tomi Sovilj i Njegove Siluete were a Yugoslav beat group formed in Belgrade in 1964. They were one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Sanjalice</span>

Sanjalice were a Yugoslav rock band formed in Belgrade in 1964. Sanjalice are notable for being one of the pioneers of the Yugoslav rock scene, as well as one of the first Yugoslav all-female bands.

<span class="mw-page-title-main">Zlatni Dečaci</span>

Zlatni Dečaci were a Yugoslav rock band formed in Belgrade in 1962. The band were one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Gitarijada (Belgrade)</span>

Gitarijada was a musical festival held in Belgrade, Serbia, at the time part of Socialist Federal Republic of Yugoslavia. The first edition of the festival was held in 1966, and second and the last in 1967. The festival was one of the first rock festivals in Yugoslavia and considered one of the most notable events in the early days of Yugoslav rock music.

<span class="mw-page-title-main">Bele Vrane</span> Yugoslav rock band

Bele Vrane were a Yugoslav rock band formed in Ljubljana in 1966.

Parada ritma, also known as Vatromet ritma, was a series of concerts held in SFR Yugoslavia during 1964 and 1965. The first concert in the series is notable as the first rock festival in Yugoslavia and arguably the first rock festival in a communist country.

<span class="mw-page-title-main">Plamenih 5</span> Yugoslav rock band

Plamenih 5 were a Yugoslav rock band formed in Belgrade in 1964. Despite having no official releases, the band are notable as one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Atomi</span>

Atomi were a Yugoslav rock band formed in Zagreb in 1961. They were one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Bezimeni</span>

Bezimeni were a Croatian and Yugoslav rock band formed in Zagreb in 1961. They are notable as one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Bijele Strijele</span>

Bijele Strijele were a Yugoslav rock band formed in Zagreb in 1961. They were one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Biseri</span>

Biseri were a Yugoslav rock band formed in Zagreb in 1965.

<span class="mw-page-title-main">Crveni Koralji</span>

Crveni Koralji were a Croatian and Yugoslav rock band formed in Zagreb in 1962. They were one of the pioneers of the Yugoslav rock scene.

Delfini were a Yugoslav band formed in Split in 1963. They were one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Dinamiti</span>

Dinamiti were a Yugoslav rock band formed in Osijek in 1963. They were one of the pioneers of the Yugoslav rock scene.

Elektroni were a Yugoslav rock band formed in Karlovac in 1961. The band is notable as one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Žeteoci</span> Croatian band

Žeteoci were a Yugoslav rock band formed in Zagreb in 1966. Founded by four students of the Zagreb Catholic Faculty of Theology, Žeteoci performed beat music with religious lyrics, being the first Christian rock band in Yugoslavia, arguably the first Christian rock band in a communist country and one of the first Christian rock bands in general. Although they were not among the earliest Yugoslav rock bands, Žeteoci, as other 1960s rock bands from Yugoslavia, played a pioneering roll on the Yugoslav rock scene. Their first and only album, To nije tajna, released in 1969, was the second full-length album in the history of Yugoslav rock music.

References

  1. 1 2 3 4 5 Fajfrić, Željko; Nenad, Milan (2009). Istorija YU rock muzike od početaka do 1970. Sremska Mitrovica: Tabernakl. p. 159.
  2. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 Janjatović, Petar (2007). EX YU ROCK enciklopedija 1960–2006. Belgrade: self-released. p. 60.
  3. 1 2 3 Fajfrić, Željko; Nenad, Milan (2009). Istorija YU rock muzike od početaka do 1970. Sremska Mitrovica: Tabernakl. p. 160.
  4. 1 2 3 4 Fajfrić, Željko; Nenad, Milan (2009). Istorija YU rock muzike od početaka do 1970. Sremska Mitrovica: Tabernakl. p. 161.
  5. Fajfrić, Željko; Nenad, Milan (2009). Istorija YU rock muzike od početaka do 1970. Sremska Mitrovica: Tabernakl. p. 162.
  6. Fajfrić, Željko; Nenad, Milan (2009). Istorija YU rock muzike od početaka do 1970. Sremska Mitrovica: Tabernakl. p. 162-163.
  7. Fajfrić, Željko; Nenad, Milan (2009). Istorija YU rock muzike od početaka do 1970. Sremska Mitrovica: Tabernakl. p. 163.
  8. Kad je rock bio mlad - Priče sa istočne strane (1956-1970) on Discogs