Delita Martin | |
---|---|
Born | 1972 (age 51–52) |
Nationality | American |
Alma mater | Texas Southern University (BFA) Purdue University (MFA) |
Known for | Printmaking, mixed media |
Website | blackboxpressstudio |
Delita Martin (born 1972) is an American multimedia artist based in Huffman, Texas. [1]
Delita Martin was born in 1972 in Conroe, Texas. She attended Texas Southern University in Houston, receiving a BFA in drawing in 2002. [1] She then earned her MFA in printmaking from Purdue University in 2009. [2] She taught at University of Arkansas at Little Rock. [3]
Martin has stated that she knew she wanted to be an artist since she was five years old as she was exposed to art through her father's work as a carpenter and painter. [4]
As a multidisciplinary artist, Martin works across various techniques including printmaking, painting and stitching which incorporates indigenous and modern art-making. [5] Martin uses storytelling to provide a platform for Black women who have often been marginalized. [6] She frequently uses symbolism such as moons to represent women and birds to represent the human spirit. [7] Many of her works contain West African masks which highlight the connection between the mortal and spiritual world. [7] Martin's influences include Elizabeth Catlett, whose work she was introduced to as an undergraduate student. [8] Delita is also inspired by the African aesthetics she has learned exists throughout Black culture. [9]
Martin had her first show at the Community Artists' Collective and was an education coordinator for the nonprofit. [10] [11] She later founded her own studio, Black Box Press, in 2008. She was a lecturer at the University of Arkansas at Little Rock in the Fine Arts department from 2008 to 2012. [2] Her work has been shown in the Havana Biennial and in Art Basel Miami. [5] She is a founding member of Black Women of Print, a printmaking collective for Black women which was founded in 2018. [5] [12] She is also a member of the ROUX artist collective alongside Ann Johnson, Rabéa Ballin, and Lovie Olivia. [13] [14] Delita has been featured as a black woman artist to have on your radar by Marie Claire. [15] She was a juror for “The Contemporary Print: 5×5,” at PrintAustin. [16]
Permanent collections of Delita Martin's works are held by National Museum of Women in the Arts, [17] Salamander Resort, [18] Minneapolis Institute of Art, [19] Bradbury Art Museum, [20] C.N. Gorman Museum, [21] Crystal Bridges Museum of American Art, [22] David C. Driskell Center, [23] Petrucci Family Foundation Collection of African American-Art, [24] Studio Museum in Harlem, [25] Thrivent Financial, [26] William J. Clinton Presidential Library and Museum, [26] US Embassy (Mauritania), [27] Muscarelle Museum of Art, and the Georgetown University Art Collection [28] and more.
Alice Louise Walton is an American heiress to the fortune of Walmart as daughter of founder Sam Walton. In September 2016, she owned over $11 billion in Walmart shares. As of November 2023, Walton has a net worth of $71 billion, making her the 17th richest person and the second-richest woman in the world according to Bloomberg Billionaires Index, after Françoise Bettencourt Meyers.
Anni Albers was a German-Jewish visual artist and printmaker. A leading textile artist of the 20th century, she is credited with blurring the lines between traditional craft and art. Born in Berlin in 1899, Fleischmann initially studied under impressionist painter Martin Brandenburg from 1916 to 1919 and briefly attended the Kunstgewerbeschule in Hamburg in 1919. She later enrolled at the Bauhaus, an avant-garde art and architecture school founded by Walter Gropius in Weimar in 1922, where she began exploring weaving after facing restrictions in other disciplines due to gender biases at the institution.
Alison Saar is a Los Angeles-based sculptor, mixed-media, and installation artist. Her artwork focuses on the African diaspora and black female identity and is influenced by African, Caribbean, and Latin American folk art and spirituality. Saar is well known for "transforming found objects to reflect themes of cultural and social identity, history, and religion." Saar credits her parents, collagist and assemblage artist Betye Saar and painter and art conservator Richard Saar, for her early exposure to are and to these metaphysical and spiritual practices. Saar followed in her parents footsteps along with her sisters, Lezley Saar and Tracye Saar-Cavanaugh who are also artists. Saar has been a practicing artist for many years, exhibiting in galleries around the world as well as installing public art works in New York City. She has received achievement awards from institutions including the New York City Art Commission as well as the Institute of Contemporary Art in Boston.
Knox Martin was an American painter, sculptor, and muralist.
Inuit art, also known as Eskimo art, refers to artwork produced by Inuit, that is, the people of the Arctic previously known as Eskimos, a term that is now often considered offensive. Historically, their preferred medium was walrus ivory, but since the establishment of southern markets for Inuit art in 1945, prints and figurative works carved in relatively soft stone such as soapstone, serpentinite, or argillite have also become popular.
Zarina Hashmi, known professionally as Zarina, was an Indian American artist and printmaker based in New York City. Her work spans drawing, printmaking, and sculpture. Associated with the minimalist movement, her work utilized abstract and geometric forms in order to evoke a spiritual reaction from the viewer.
Melissa Miller is an American painter who is best known for what Art in America called "raucous allegorical paintings" of animals that balance storytelling, psychological insight and behavioral observation with technical virtuosity and formal rigor. She rose to prominence during a rebirth in figurative painting and narrative content in the early 1980s championed by curators such as Marcia Tucker and Barbara Rose, who both selected Miller for prominent surveys. Rose identified Miller among a group of iconoclastic "rule breakers," describing her work as "a wild kingdom … gone slightly berserk" in the struggle for survival, whose intensity recalled Delacroix. In a later Artforum review, Donald Kuspit called Miller's paintings "apocalyptic allegories" executed with meticulous old-master methods that articulated psychic states, existential problems and ecological concerns. Miller has exhibited at museums throughout the United States, including the Whitney Museum, New Museum, San Francisco Museum of Modern Art (SFMOMA), Museum of Fine Arts, Houston, and Hirshhorn Museum. Her work belongs to the public art collections of the Museum of Modern Art, National Museum of Women in the Arts, Albright-Knox Gallery and Museum of Fine Arts, Houston, among others, and she has received the Anonymous Was A Woman Award and Texas Artist of the Year Award. Miller lives and works in Austin, Texas.
Mary Lee Bendolph is an American quilt maker of the Gee's Bend Collective from Gee's Bend (Boykin), Alabama. Her work has been influential on subsequent quilters and artists and her quilts have been exhibited in museums and galleries around the country. Bendolph uses fabric from used clothing for quilting in appreciation of the "love and spirit" with old cloth. Bendolph has spent her life in Gee's Bend and has had work featured in the Philadelphia Museum of Art as well as the Minneapolis Institute of Art in Minnesota.
John Edward Dowell Jr. is an American printmaker, etcher, lithographer, painter, and professor of printmaking at the Tyler School of Art at Temple University.
Paula Wilson is an African American "mixed media" artist creating works examining women's identities through a lens of cultural history. She uses sculpture, collage, painting, installation, and printmaking methods such as silkscreen, lithography, and woodblock. In 2007 Wilson moved from Brooklyn, New York, to Carrizozo, New Mexico, where she currently lives and works with her woodworking partner Mike Lagg.
Lovie Olivia is an American multidisciplinary visual artist. She uses the media of printmaking, painting, and installations to explore themes of gender, sexuality, race, class and power.
Mary Lovelace O'Neal is an American artist and arts educator. Her work is focused on abstracted mixed-media and minimalism. She is a Professor Emeritus, University of California, Berkeley and retired from teaching in 2006. O'Neal's art has been exhibited widely throughout North America and internationally, with group and solo shows in Italy, France, Chile, Senegal and Nigeria. She lives and works in Oakland, California, and maintains a studio in Chile.
Terrell James is an American artist who makes abstract paintings, prints and sculptures. She is best known for large scale work with paint on stretched fabric, and for parallel small scale explorations such as the Field Studies series, ongoing since 1997. She lives and works in Houston, Texas.
Tomashi Jackson is an American multimedia artist working across painting, video, textiles and sculpture. Jackson was born in Houston, Texas, raised in Los Angeles, and currently lives and works in New York, NY and Cambridge, MA. Jackson was named a 2019 Whitney Biennial participating artist. Jackson also serves on the faculty for sculpture at Rhode Island School of Design. Her work is included in the collection of MOCA Los Angeles. In 2004, a 20-foot-high by 80-foot-long mural by Jackson entitled Evolution of a Community was unveiled in the Los Angeles neighborhood of West Adams.
LaToya M. Hobbs is an American painter and printmaker best known for her large-scale portraits of Black women. She was born and raised in Little Rock, Arkansas. She earned her BA from the University of Arkansas at Little Rock and her MFA from Purdue University. Hobbs moved to Baltimore, Maryland later in her life, where she works as a professor at the Maryland Institute College of Art. She gained recognition for her portraiture and figurative imagery in the 2010s, receiving several travel grants and awards.
Lothar Osterburg is a German-born, New York-based artist and master printer in intaglio, who works in sculpture, photography, printmaking and video. He is best known for photogravures featuring rough small-scale models of rustic structures, water and air vessels, and imaginary cities, staged in evocative settings and photographed to appear life-size to disorienting, mysterious or whimsical effect. New York Times critic Grace Glueck writes that Osterburg's rich-toned, retro prints "conjur[e] up monumental phenomena by minimal means"; Judy Pfaff describes his work as thick with film noir–like atmosphere, warmth, reverie, drama and timelessness.
Sheouak Parr Petaulassie was an Inuk printmaker. She was also known as Sheouak, Sheowa Sheouak, Sheowak Sheouak, and Sheoak Sheouak.
Robin Holder is a contemporary American visual artist and activist Holder is known for her mixed-media printmaking and paintings which focus on themes of spiritual and racial identity, class, social justice, and personal experience. Robin Holder was commissioned to create several site-specific public art installations throughout the Northeastern United States, including New York City and New Jersey. A number of her two-dimensional works can be found in several collections, including the Library of Congress, the Washington State Arts Commission, and the Schomburg Center for Research in Black Culture. Robin has been involved in arts education for over thirty years.
Mary Teichman is an American artist and printmaker known for her color aquatint etchings.
Evita Tezeno is an American artist currently based in Dallas, Texas. She works in collage art, employing patterned hand-painted papers and found objects. Tezeno's work is influenced by modernists including Romare Bearden, and is characterized by depictions of scenes from her life, family, and childhood memories in South Texas. Her work aims to present a cohesive portrayal of Black America, drawing inspiration from artists such as Elizabeth Catlett and William H. Johnson. In 2012, she was awarded the Elizabeth Catlett Printmaking Award.