This article relies largely or entirely on a single source .(December 2009) |
Derek and Clive Ad Nauseam | ||||
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Studio album by | ||||
Released | 1978 | |||
Genre | Comedy | |||
Length | 60:12 (LP); 78:37 (CD) | |||
Label | Virgin Records | |||
Producer | Peter Cook and Dudley Moore | |||
Derek and Clive chronology | ||||
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Derek and Clive Ad Nauseam is the third and final recording made by Peter Cook and Dudley Moore featuring their characters Derek and Clive. It also charts the breakup of Cook and Moore's partnership.
As a marketing ploy the record was initially released with its own aeroplane sickbag. Moore walked out before the end of this recording as he found his relationship with Cook untenable, particularly because of the level of vitriol directed at him throughout the sessions[ citation needed ]. The two never worked on a major project again[ citation needed ].
Cook filmed some of the proceedings and these were released on the documentary Derek and Clive Get the Horn .
All tracks by Peter Cook & Dudley Moore
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [1] | Silver | 60,000^ |
^ Shipments figures based on certification alone. |
Peter Edward Cook was an English comedian, actor, satirist, playwright and screenwriter. He was the leading figure of the British satire boom of the 1960s, and he was associated with the anti-establishment comedic movement that emerged in the United Kingdom in the late 1950s.
Dudley Stuart John Moore CBE was an English actor, comedian, musician and composer. Moore first came to prominence in the UK as a leading figure in the British satire boom of the 1960s. He was one of the four writer-performers in the comedy revue Beyond the Fringe from 1960 that created a boom in satiric comedy. With a member of that team, Peter Cook, Moore collaborated on the BBC television series Not Only... But Also. As a popular double act, Moore's buffoonery contrasted with Cook's deadpan monologues. They jointly received the 1966 British Academy Television Award for Best Entertainment Performance and worked together on other projects until the mid-1970s, by which time Moore had settled in Los Angeles to concentrate on his film acting.
Beyond the Fringe was a British comedy stage revue written and performed by Alan Bennett, Peter Cook, Jonathan Miller, and Dudley Moore. It debuted at the 1960 Edinburgh Festival and went on to play in London's West End and then in America, both on tour and on New York's Broadway in the early 1960s. Hugely successful, it is widely regarded as seminal to the "satire boom", the rise of satirical comedy in 1960s Britain.
Pete and Dud were characters played by the comedians and entertainers Peter Cook and Dudley Moore.
Trevor Charles Horn is an English record producer and musician. His influence on pop and electronic music in the 1980s was such that he has been called "the man who invented the eighties".
Art of Noise were a British avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with keyboardist/arranger Anne Dudley, producer Trevor Horn, and music journalist Paul Morley. The group had international Top 20 hits with its interpretations of "Kiss", featuring Tom Jones, and the instrumental "Peter Gunn", which won a 1986 Grammy Award.
Not Only... But Also is a BBC British sketch comedy show starring Peter Cook and Dudley Moore that aired in three series between 1964 and 1970.
"Voodoo Ray" is the debut single by British electronic musician Gerald Simpson, recording under the name A Guy Called Gerald. The single was released in the UK in 1988 on the 7" and 12" vinyl formats, on the Rham! label. A version of the track appeared on A Guy Called Gerald's 1988 album Hot Lemonade, and the original single was later released in the United States in 1989 by Warlock Records.
Derek and Clive was a double act of comedic characters created by Dudley Moore (Derek) and Peter Cook (Clive) in the 1970s. The performances were captured on the records Derek and Clive (Live) (1976), Derek and Clive Come Again (1977), and Derek and Clive Ad Nauseam (1978), as well as in a film documentary, Derek and Clive Get the Horn (1979). Upon release, more than 100,000 copies of Derek and Clive (Live) were sold in the United Kingdom.
Derek and Clive (Live) is the debut comedy record recorded by Derek and Clive, drunken alter-egos created by comedy duo Peter Cook and Dudley Moore. The double act began as a private joke between the two of them at the Electric Lady Studios, as a way of easing the tension of their 1973 Broadway show Good Evening. Originally, the record was never intended for release, but when bootleg copies of the recordings proved popular, Cook decided there was money to be made and, padding the record out with live material recorded at the Bottom Line in New York City, the album was released in 1976. The record was very nearly called Derek and Clive (Dead).
Derek and Clive Come Again, subtitled on the CD reissue as "Further Ejaculations From......" is the second record released by Derek and Clive, a pair of characters created by comedy duo Peter Cook and Dudley Moore. Although the first album, Derek and Clive (Live), was reasonably good-natured in its blasphemous subversiveness, Come Again was released at the height of the punk rock phenomenon and Cook, in particular, seems keen to elevate the excess to new heights of jaw-dropping offensiveness. To that end, he improvises routines about raping the victims of road traffic accidents and cross-dressing members of the aristocracy masturbating rent boys in taxi cabs, not to mention several extended routines on cancer in all its variations. Moore, on the other hand, improvises a smutty rhyme about his mother sucking his penis, oral sex performed in lavatory cubicles and how he masturbates with the aid of a greased toilet roll connected to his electric train-set.
Give My Regards to Broad Street is the fifth solo studio album by Paul McCartney and the soundtrack to the film of the same name. The album reached number 1 on the UK chart. The lead single, "No More Lonely Nights", was BAFTA and Golden Globe Award nominated. It was also to be his final album to be released under Columbia Records, which had been his US label for over five years.
Derek and Clive Get the Horn is a 1979 British documentary comedy film that chronicles the recording of Peter Cook and Dudley Moore's 1978 comedy album Derek and Clive Ad Nauseam, their third and final outing featuring their controversial alter-egos Derek and Clive, two foul-mouthed lavatory attendants who banter at length about their surreal day-to-day existences. The footage was shot in early September 1978. The film was the feature film directorial debut of Russell Mulcahy, who would go on to direct Highlander.
Babylon A.D. is an American hard rock band formed in 1987. Babylon A.D. hail from the San Francisco Bay Area, California, United States. In 1989, Babylon A.D. caught the attention of Arista Records president and industry music mogul Clive Davis, who signed them at a live showcase in Los Angeles. The band's first lineup was Derek Davis on vocals, guitarists Danny De La Rosa and Ron Freschi, drummer Jamey Pacheco and bassist Robb Reid.
Jonathan Charles Poole is a British musician and songwriter. A multi-instrumentalist, singer and producer, he is best known for his work as guitarist for Cardiacs and as bass player for the Wildhearts and Lifesigns.
The 1971 British League season was the 37th season of the top tier of speedway in the United Kingdom and the seventh season known as the British League.
Judy Huxtable is a British actress.
Rude & Rare: The Best of Derek and Clive is a greatest hits album starring Peter Cook and Dudley Moore as their characters Derek and Clive. The collection contains two discs: the first featuring selected tracks from two of the previous three Derek and Clive albums. The second disc contains previously unreleased material.
The Troggs Tapes is a bootleg recording of the English rock band the Troggs. It was originally recorded in 1970, and consists of band members arguing over the recording of a song, with frequent profanity. It has become one of the best-known spoken-word bootleg recordings, and influenced work such as the film This is Spinal Tap.
Ad nauseam is a Latin term for argument or other discussion that has continued 'to [the point of] nausea'.