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Descend into the Absurd | ||||
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Studio album by | ||||
Released | 23 November 1992 | |||
Recorded | June 1992 at Montezuma Studio, Stockholm, Sweden | |||
Genre | Death metal, doom metal | |||
Length | 54:37 | |||
Language | English | |||
Label | Black Mark | |||
Producer | Fleshcrawl | |||
Fleshcrawl chronology | ||||
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Descend into the Absurd is the first studio album by the German death metal band Fleshcrawl. It was the only Fleshcrawl album on which guitarist Giro Schmidt appeared. [3]
Unlike later albums, Descend into the Absurd has minor black metal and doom metal elements to it, particularly in the guitar work, which is often less rhythmic and melodic than their later, Swedish-style death metal. The guitar melodies and tones often alternate somewhat abruptly between low, intense rhythms and high-beat, rapid progressions and the solowork has a very slight bluesy feel to it. The drumwork is typical of early Fleshcrawl, consisting of rapid double-bass drum rolls, heavy blast beats, and a somewhat "tinny" sound that, combined with their both searing mid-range and guttural low-range vocals makes their early sound unique.
All tracks by Fleshcrawl.
Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking; deep growling vocals; aggressive, powerful drumming, featuring double kick and blast beat techniques; minor keys or atonality; abrupt tempo, key, and time signature changes; and chromatic chord progressions. The lyrical themes of death metal may include slasher film-style violence, political conflict, religion, nature, philosophy, true crime and science fiction.
Power metal is a subgenre of heavy metal combining characteristics of traditional heavy metal with speed metal, often within a symphonic context. Generally, power metal is characterized by a faster, lighter, and more uplifting sound, in contrast with the heaviness and dissonance prevalent in, for example, extreme metal. Power metal bands usually have anthem-like songs with fantasy-based subject matter and strong choruses, thus creating a theatrical, dramatic and emotionally "powerful" sound.
Bassline is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, or classical music for the low-pitched instrumental part or line played by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard.
A number of heavy metal genres have developed since the emergence of heavy metal during the late 1960s and early 1970s. At times, heavy metal genres may overlap or are difficult to distinguish, but they can be identified by a number of traits. They may differ in terms of instrumentation, tempo, song structure, vocal style, lyrics, guitar playing style, drumming style, and so on.
Melodic death metal is a subgenre of death metal that employs highly melodic guitar riffs, often borrowing from traditional heavy metal. The genre features the heaviness of death metal but with highly melodic or harmonized guitar riffs and solos, and often features high-pitched shrieked vocals alongside the low-pitched growls commonly featured in traditional death metal. Pioneered by the English heavy metal band Carcass with their 1993 album Heartwork, melodic death metal developed further in Sweden in the mid-1990s. The Swedish death metal scene did much to popularise the style, soon centering in the "Gothenburg metal" scene. At the Gates' Slaughter of the Soul, Dark Tranquility's The Gallery, and In Flames' The Jester Race, all released in the mid-1990s, were highly influential albums in melodic death metal, with At the Gates and In Flames being the two most common influences on North American 2000s heavy metal bands. Many American heavy metal bands emulated At the Gates' sound, resulting in the usage of the phrase "At the Gates worship".
Fleshcrawl is a German death metal band formed in Illertissen, Bavaria, in 1987. Their most recent album, Into the Catacombs of Flesh, was released in 2019 under Apostasy Records.
Discharge are an English hardcore punk band formed in 1977 in Stoke-on-Trent, England. The band is known for influencing several sub-genres of extreme music and their songs have been covered by some of the biggest names in heavy metal and other genres. The musical sub-genre of D-beat is named after Discharge and the band's distinctive drumbeat.
Omnium Gatherum is a six-piece melodic death metal band from Finland, founded in the autumn of 1996. Although the band mainly follows the path of the melodic death metal genre, much of their work shows strong influences from progressive metal, especially their later albums.
Ratos de Porão is a Brazilian crossover thrash band from São Paulo. They were formed in 1981, toured South America, North America, Asia and Europe, and still continue to play today. Their core lineup of João Gordo on vocals and Jão on drums and later guitars has remained since virtually the band's beginning.
Repulsion is an American grindcore band from Flint, Michigan, founded in 1984.
Neue Deutsche Härte, sometimes abbreviated as NDH, is a subgenre of rock music that developed in Germany and Austria during the early-to-mid 1990s and during the early 2000s. Alluding to the style of Neue Deutsche Welle, the term was coined by the music press after the 1995 release of the German rock and metal band Rammstein's first studio album Herzeleid.
Holy Moses is a German thrash metal band active from 1980 to 1994 and again since 2000. They are well noted for being fronted by Sabina Classen, who is the only constant member of Holy Moses, and for being one of the first German thrash metal bands. Holy Moses have released 12 studio albums to date.
Van Canto is a German a cappella metal band, founded in 2006 and composed of six singers and a drummer. Although the group is often classified as an a cappella ensemble, they use real drums in their music, instead of vocal percussion or beatboxing.
As Blood Rains from the Sky... We Walk the Path of Endless Fire is the fifth studio album by the German death metal band Fleshcrawl.
Made of Flesh is the seventh studio album by the German death metal band Fleshcrawl. It is considered the sequel to Soulskinner and is the first of their albums to feature their current guitarist Oliver Grbavac, who joined the band to replace founding member Stefan Hanus and the last to feature bass guitarist Tobias Schick.
Bloodred Massacre is the fourth studio album by the German death metal band Fleshcrawl. It is their first release to feature vocalist Sven Gross, who performed with the band until his death in 2021.
Bloodsoul is the third studio album by the German death metal band Fleshcrawl. It was the last Fleshcrawl album to feature vocalist Alex Pretzer. In addition, it was the first of their albums to be recorded at The Abyss studio.
Impurity is the second studio album by the German death metal band Fleshcrawl. It was their first album to feature guitarist Mike Hanus, brother of founding member Stefan Hanus and last to feature founding bass guitarist Markus Amann, and it is the only Fleshcrawl album thus far that does not bear the "carved-in-flesh" Fleshcrawl logo.
Structures of Death is the eighth studio album by the German death metal band Fleshcrawl. It was released on 21 September 2007 in Germany, Austria, Italy, and the Czech Republic, then released in the rest of Europe on 24 September 2007. It is the band's only album to feature bassist Nico Scheffler and was their first album not recorded in Sweden.
Defeated Sanity is a German technical death metal band from Dachsbach, Bavaria that was conceived in 1993 by guitarist Wolfgang Teske and his son, drummer Lille Gruber. The group's lineup currently consists of Gruber (drums), Josh Welshman (vocals), and Jacob Schmidt. The band is known for their very brutal, abrasive and intricate style of death metal, while at the same time maintaining almost jazz fusion style influences. Defeated Sanity's genre has also sometimes been categorized as progressive death metal.