This article may require copy editing for grammar, style, cohesion, tone, or spelling.(January 2024) |
Established | 2008 |
---|---|
Location | Barcelona |
Director | José Luis de Vicente [1] |
Website | dissenyhub |
The Museu del Disseny de Barcelona (Catalan) 'Design Museum of Barcelona' is a center for Barcelona's Institute of Culture, which works to promote better understanding and good use of the design world, acting as a museum and laboratory. It focuses on 4 branches of design disciplines: space design, product design, information design and fashion.
The Museum is the result of the merging of several previous existing museums, such as the Museu de les Arts Decoratives, the Museu Tèxtil i d'Indumentària and the Gabinet de les Arts Gràfiques collection. The opening of the new headquarters, located on Plaça de les Glòries, next to Torre Agbar, was set gradually during 2014. [2]
Barcelona is a city historically linked to design, with old institutions such as the Foment de les Arts Decoratives . That is why the city of Barcelona was raised earlier in the decade of 2000 to create a single center, an integral space to allow the public to understand design in a broader consideration. [3] It was decided to build a single unified space in Barcelona to house all collections and endowments related to the world of design. Oriol Bohigas commissioned the construction of a building in the Plaça de les Glòries for this purpose. It was originally going to be named Barcelona Design Museum, then from 2008 to 2013 it was named Design Hub Barcelona, but finally it was renamed again as Museu del Disseny de Barcelona (Design Museum of Barcelona). [4] [5]
The Barcelona Design Museum is located at the DHUB building in the Plaça de les Glòries. It was designed by MBM architecture firm, formed by Oriol Martorell, Oriol Bohigas and David Mackay. [6] [7] [ citation needed ] The building construction started in July 2009, when the counselor of Culture Joan Manuel Tresserras and the mayor Jordi Hereu, laid the first stone. [8] Construction ended in 2013, and the Design Museum of Barcelona opened its doors in 2014.
The building consists of two parts: one underground (using the level change caused by the urbanization of the Glories square) and another emerging 14.5 metres (48 ft) above ground. The latter is a parallelepiped bias cut with the same width as the Avila Street, acting as an indicator of the relationship between the Eixample streets and the Glòries square, without affecting the view of the large central park. The cover of the subway is a public space linked to the future project of the Plaça de les Glòries park. The green carpet is one of the important components and it is made with natural or artificial elements to ensure sustainability and easy maintenance. It includes a bar and restaurant.
Includes two floors and a mezzanine, denser activities, such as main exhibition hall, reservations, research and teaching, well-attended services, etc. Natural lighting and the relationship with the outside, despite being a basement, is achieved through the pit produced by the difference of levels, reinforced sheet water reflecting a kind of large forecourt. This lighting is reinforced with six skylights that emerge in the public and may be used as showcases for the contents and activities of the centre.
According to planning, it uses the minimum floor area in order not to reduce the space for public use. Cantilever extends into the square, allowing the planned building area. The set of the two bodies that make up the center enters through a single hall with double access: +7 m level., From Avila Street, and at +14.5 m., From the square. This hall is a kind of street or public place, public or semi-almost a must to relate the square of the Glories, the Poblenou and metro and the exchanger. From this square a set of stairs, escalators, and elevators reach all the services located in the basement and all the upper floors of various dimensions and characteristics, up to the conference room. The exterior of the building uses only two materials: metal plates (zinc or aluminum) and glass, so that, together, have an industrial look with metallic reflections.
The entire project involves a high degree of environmental quality, sustainability and energy sufficiency. It may indicate the most important chapters: passive sustainability (material and structure of massive facades and finestram, storage and processing, pre-engineered systems, shading and insulation, etc., Within the criteria of Distinctive Guarantee environmental quality of the Generalitat and the EU Ecolabel), sanitation (separative network to reuse rainwater), plumbing (minimum consumption control and regulation of flows, solar collectors for hot water production for a minimum of 70%), air conditioning (water chillers for air condensed high performance, low noise and acoustic protection, heat recovery chiller plants, natural gas boilers, free cooling when outdoor conditions permit, latent heat recovery in the extraction of air), electricity (low power, presence detectors, testers timed, photovoltaic panels for direct use of solar power), centralized management of all facilities. [9]
The Barcelona Design Museum is the result of merging several previously existing local museums:
The Museu de les Arts Decoratives was a museum created in 1932. This historic museum contains a rich and diverse collection of European decorative arts, from the Middle Ages to the Industrial Revolution. In 1995, the museum extended its boundaries with the incorporation of design, thus converting it into the first and only statewide museum concerned with the preservation and exhibition of Spanish industrial design. The collections of the Museu de les Arts Decoratives were created from an important resource of industrial design and decorative art objects, that included salvers, carriages, furniture, wallpaper, clocks, tapestries and glasswork. [10] [11]
The Museu Tèxtil i d'Indumentària possesses countless objects and pieces of major artistic and historical value that make up their collections of garments, fabrics and jewellery. Regarding their collection of clothes, the museum allows you to take a journey through the history of textiles, from the 16th century right up to the modern day. The museum's collections include Coptic, Hispano-Arab, Gothic and Renaissance fabrics, as well as embroidery, a section on lacework and a collection of prints. Also worth mentioning is the jewelry collection, comprising approximately five hundred pieces that were made and produced in Spain. [12] [13] [14]
The Gabinet de les Arts Gràfiques, a Cabinet of Graphic Arts, was a museum dedicated to visual communication design. The collections of the museum bring together significant samples of typography such as punches, matrices and tracing plates, as well as, prints that include samples of binding, packaging, labels and posters.
Important printers such as; Elzeviriana, Bobes, Seix Barral and Tobella, Naips Comas (the makers of playing cards), Tallers Roca (the industrial bookbinders) and the Neufville type foundry, have contributed to the museum's expanding resources. In addition, certain artists and their families, have also donated graphic works and engraving moulds – as is the case of Miquel Plana and the families of Josep Obiols and Miquel Llovet. The collection is presented during exhibitions and study galleries programmed by Disseny Hub Barcelona. [15] The concept that initiated the Study Galleries was to create an area that combines the ideas of a temporary exhibition, a documentation centre and a museum repository but that has its own identity. Various objects are assembled according to their typologies and presented in a way that allows visitors to study, contemplate and reflect upon the museums collections.
The Room 1/11 of the Casa Bloc (1932–1939) (in Catalan, Block house) is an apartment-museum run by the Design Museum of Barcelona. Inside you can visit the structure and the original look of the floor of this architectural complex, a reference architecture worker housing at the time of the Second Spanish Republic. The opening of this museum floor space as a tribute to the work of Josep Lluís Sert Josep Torres Clavé and Joan Baptista Subirana and innovation that its approach assumed the 1930s. The Casa Bloc is open to everyone, with a regime of guided tours by reservation, from March 2012. Room 1/11 is a duplex measuring 60 square meters. It is located in Block 2, Level 1, Gate 11. The internal layout is very simple and clearly differentiates the day and the night. [16]
The Museum also hosts a library dedicated to the greater areas in the world of design: product, fashion, information and interior design. The initial bibliographic reserves contains over 9,000 published documents dating from the 16th century to the present day, as well as 1,600 of those dating from before 1950. The reserve originated in the old libraries of the Museus Tèxtil i d'Indumentària de Barcelona and the Museu d'Arts Decoratives de Barcelona, the Gabinet de les Arts Gràfiques de Barcelona and the BCD (Barcelona Centre de Disseny). These sources have received numerous donations over the years by professionals, individuals, institutions and businesses. Particularly noteworthy for their uniqueness and excellent state of preservation, the bibliographic reserves of the Museu Tèxtil i d'Indumentària are made up largely of two very large donations: the bequest of the Comtesa de Vilardaga and the donation by Sr. Manuel Rocamora. The majority of the bibliographic reserves can be found in the reading room and are accessible to the public. It has developed its own classification system: IMAG.
The most valuable documents, the oldest and those that are referred to the least, can be found in a deposit in the DHUB building. The Documentation center uses RFID technology (Radio Frequency Identification) to keep track of the number of consults each document receives. With this information, the documents that are the most in demand are always located in the reading room for ease of access.
The historic reserves of magazines and journals are still being catalogued. The centre keeps over 100 subscriptions to specialist magazines and journals.
The archives of the documentation center currently include:
It offers its users some of the best specialized databases available. Requests and consultations should be carried out at the centre's facilities.
Lluís Domènech i Montaner was a Catalan architect who was very much involved in and influential for the Catalan Modernisme català, the Art Nouveau/Jugendstil movement. He was also a Catalan politician.
The Museu Nacional d'Art de Catalunya, abbreviated as MNAC, is a museum of Catalan visual art located in Barcelona, Catalonia, Spain. Situated on Montjuïc hill at the end of Avinguda de la Reina Maria Cristina, near Pl Espanya, the museum is especially notable for its outstanding collection of romanesque church paintings, and for Catalan art and design from the late 19th and early 20th centuries, including modernisme and noucentisme. The museum is housed in the Palau Nacional, a huge, Italian-style building dating to 1929. The Palau Nacional, which has housed the Museu d'Art de Catalunya since 1934, was declared a national museum in 1990 under the Museums Law passed by the Catalan Government. That same year, a thorough renovation process was launched to refurbish the site, based on plans drawn up by the architects Gae Aulenti and Enric Steegmann, who were later joined in the undertaking by Josep Benedito. The Oval Hall was reopened for the 1992 Summer Olympic Games, and the various collections were installed and opened over the period from 1995 to 2004. The museum was officially inaugurated on 16 December 2004. It is one of the largest museums in Spain.
The Barcelona Museum of Contemporary Art is a contemporary art museum situated in the Plaça dels Àngels, in El Raval neighborhood, Ciutat Vella district, in Barcelona, Catalonia, Spain. The museum opened to the public on 28 November 1995.
Avinguda Diagonal is the name of one of Barcelona's broadest and most important avenues. It cuts the city in two, diagonally with respect to the grid pattern of the surrounding streets, hence the name.
Plaça de les Glòries Catalanes, most often shortened to Glòries, is a large square in Barcelona, first designed by Ildefons Cerdà to serve as the city centre in his original urban plan, but nowadays relegated to quite a secondary position. It is located in the Sant Martí district, bordering Eixample, at the junction of three of the city's most important thoroughfares: Avinguda Diagonal, Avinguda Meridiana and Gran Via de les Corts Catalanes.
Albert Ràfols-Casamada was a Spanish painter, poet and art teacher involved in the vanguard movements of his time. He is considered one of the most important, multifaceted Catalan artists of his time. His artwork began in the post-expressionist, figurative sphere but soon developed into his own abstract style grounded in a poetic rendering of everyday reality.
The Royal Palace of Pedralbes is a building placed in the middle of an ample garden in the district of Les Corts, in Barcelona. From 1919 until 1931 and since 1975 it has been the official residence for the Spanish royal family when they visit the city, although they currently prefer the Palace of Albéniz. It also houses the Ceramic Museum, the Textile and Clothing Museum and the Decorative Arts Museum, both part of the Disseny Hub Barcelona and is the permanent seat of the Union for the Mediterranean (UfM).
The Textile Museum and Documentation Centre is a museum institution located in Terrassa, a city with an important textile tradition. Managed by a consortium consisting of Terrassa Town Council and Diputació de Barcelona, it presents a panoramic view of the different styles and techniques used all over the world in fabric making throughout history. It is part of the Barcelona Provincial Council Local Museum Network.
Casa Bloc is a residential building built between 1932 and 1936 located at 101 Passeig de Torras i Bages, in the Sant Andreu district of the city of Barcelona. Its architects were Josep Lluís Sert (1902–1983), Josep Torres Clavé (1906–1939) and Joan Baptista Subirana (1904–1978), all members of GATCPAC (Catalan Group of Architects and Technicians for the Progress of Contemporary Architecture). Catalan architects of the Second Republic, brought together by the GATCPAC, proposed a new way of living that was just, accommodated co-existence and defended the collective identity. The creation of Casa Bloc was one of the first steps towards dignifying workers' living conditions. As a result of the Spanish Civil War, the project was cut short. In 2012, after a careful restoration by the Institut Català del Sòl and Institut de Cultura of Barcelona through the Disseny Hub Barcelona, the doors to apartment number 1/11 are open and furnished just as its creators had originally wanted.
The Museu de les Arts Decoratives, in English Decorative Arts Museum, is a museum opened in 1932 and located in the Palau Reial de Pedralbes in Barcelona. Created in 1932, this historic museum contains a rich and diverse collection of European decorative arts, from the Middle Ages to the Industrial Revolution. In 1995, the museum extended its boundaries with the incorporation of design, thus converting it into the first and only statewide museum concerned with the preservation and exhibition of Spanish industrial design. The collections of the Museu de les Arts Decoratives were created from an important resource of industrial design and decorative art objects, that included salvers, carriages, furniture, wallpaper, clocks, tapestries and glasswork.
The Museu Tèxtil i d'Indumentària, in English Textile and Clothing Museum, is a museum opened on 1982 and located in the Palau Reial de Pedralbes in Barcelona. The museum possesses countless objects and pieces of major artistic and historical value that make up their collections of garments, fabrics and jewellery. Regarding their collection of clothes, the museum allows you to take a journey through the history of textiles, from the 16th century right up to the modern day. The museum's collections include Coptic, Hispano-Arab, Gothic and Renaissance fabrics, as well as embroidery, a section on lacework and a collection of prints. Also worth mentioning is the jewelry collection, comprising approximately five hundred pieces that were made and produced in Spain.
The Gabinet de les Arts Gràfiques, in English Graphic Arts Cabinet, is a museum opened in 1942 and located in the Palau Reial de Pedralbes in Barcelona. Together with Museu de les Arts Decoratives and the Museu Tèxtil i d'Indumentària is part of the Disseny Hub Barcelona.
Salon Pedal is a color lithograph on paper designed in 1897 by the Catalan artist Alexandre de Riquer. The print's design evokes the decorative style seen in Modernisme art. The artwork is in the collection of Museu Nacional d'Art de Catalunya, in Barcelona.
The Castle of the Three Dragons, is the popular name given to the modernisme building built between 1887 and 1888 as a Café-Restaurant for the 1888 Universal Exposition of Barcelona by Lluís Domènech i Montaner. This name was probably adopted from the 1865 play by Serafí Pitarra.
The Centre de Documentació i Museu de les Arts Escèniques, also known as MAE, is a centre for information and research on the performing arts in Catalonia, Spain. The centre has an extensive library, an archive and collections from the Institut del Teatre, which specializes in theatre, dance, opera, zarzuela, music hall, magic and circus performances. Its major collections encompass Catalonia and the Spanish Golden Age. The centre also has posters, programmes, photographs, pictures, puppet theatres, set designs and costumes which are exhibited in temporary exhibitions and online, since it has no permanent exhibition space. The museum is a member of SIBMAS and ENICPA, and is part of the ECLAP European Project. In Catalonia, it is involved with the Consortium of Academic Libraries of Catalonia.
The following outline is provided as an overview of and topical guide to Barcelona:
Pau Rigalt i Fargas was a Catalan painter and scenographer. He was one of the pioneers of Neoclassicism in Catalonia.
Carme Llorens i Gilabert was a Spanish Catalan enameler and jeweller.
Pilar Vélez Vicente, is an art historian and cultural manager. From 2012 until her retirement in 2022, she was the director of the Design Museum of Barcelona, the product of the integration of the collections of the Decorative Arts Museum, the Ceramics Museum, the Museum Textile and Clothing and the city's Graphic Arts Office. Pilar Vélez replaced Marta Montmany in the position, when she retired during the spring of 2012.