In computing, the desktop metaphor is an interface metaphor which is a set of unifying concepts used by graphical user interfaces to help users interact more easily with the computer.[1] The desktop metaphor treats the computer monitor as if it is the top of the user's desk, upon which objects such as documents and folders of documents can be placed. A document can be opened into a window, which represents a paper copy of the document placed on the desktop. Small applications called desk accessories are also available, such as a desk calculator or notepad, etc.
The desktop metaphor itself has been extended and stretched with various implementations of desktop environments, since access to features and usability of the computer are usually more important than maintaining the 'purity' of the metaphor. Hence one can find trash cans on the desktop, as well as disks and network volumes (which can be thought of as filing cabinets—not something normally found on a desktop). Other features such as menu bars or taskbars have no direct counterpart on a real-world desktop, though this may vary by environment and the function provided; for instance, a familiar wall calendar can sometimes be displayed or otherwise accessed via a taskbar or menu bar belonging to the desktop.
History
The desktop metaphor was first introduced by Alan Kay at Xerox PARC in 1970 and elaborated in a series of innovative software applications developed by PARC scientists throughout the ensuing decade. The first computer to use an early version of the desktop metaphor was the experimental Xerox Alto,[2][3] and the first commercial computer that adopted this kind of interface was the Xerox Star. The use of window controls to contain related information predates the desktop metaphor, with a primitive version appearing in Douglas Engelbart's "Mother of All Demos",[4] though it was incorporated by PARC in the environment of the Smalltalk language.[5]
One of the first desktop-like interfaces on the market was a program called Magic Desk I. Built as a cartridge for the Commodore 64home computer in 1983, a very primitive GUI presented a low resolution sketch of a desktop, complete with telephone, drawers, calculator, etc. The user made their choices by moving a sprite depicting a hand pointing by using the same joystick the user may have used for video gaming. Onscreen options were chosen by pushing the fire button on the joystick. The Magic Desk I program featured a typewriter graphically emulated complete with audio effects. Other applications included a calculator, rolodex organiser, and a terminal emulator. Files could be archived into the drawers of the desktop. A trashcan was also present.
The first computer to popularise the desktop metaphor, using it as a standard feature over the earlier command-line interface was the Apple Macintosh in 1984. The desktop metaphor is ubiquitous in modern-day personal computing; it is found in most desktop environments of modern operating systems: Windows as well as macOS, Linux, and other Unix-like systems.
BeOS observed the desktop metaphor more strictly than many other systems. For example, external hard drives appeared on the 'desktop', while internal ones were accessed clicking on an icon representing the computer itself. By comparison, the Mac OS places all drives on the desktop itself by default, while in Windows the user can access the drives through an icon labelled "Computer".
Amiga terminology for its desktop metaphor was taken directly from workshop jargon. The desktop was called Workbench, programs were called tools, small applications (applets) were utilities, directories were drawers, etc. Icons of objects were animated and the directories are shown as drawers which were represented as either open or closed. As in the classic Mac OS and macOS desktop, an icon for a floppy disk or CD-ROM would appear on the desktop when the disk was inserted into the drive, as it was a virtual counterpart of a physical floppy disk or CD-ROM on the surface of a workbench.
The paper paradigm refers to the paradigm used by most modern computers and operating systems. The paper paradigm consists of, usually, black text on a white background, files within folders, and a "desktop". The paper paradigm was created by many individuals and organisations, such as Douglas Engelbart, Xerox PARC, and Apple Computer, and was an attempt to make computers more user-friendly by making them resemble the common workplace of the time (with papers, folders, and a desktop).[6] It was first presented to the public by Engelbart in 1968, in what is now referred to as "The Mother of All Demos".
Back in 1984, explanations of the original Mac interface to users who had never seen a GUI before inevitably included an explanation of icons that went something like this: "This icon represents your file on disk." But to the surprise of many, users very quickly discarded any semblance of indirection. This icon is my file. My file is this icon. One is not a "representation of" or an "interface to" the other. Such relationships were foreign to most people, and constituted unnecessary mental baggage when there was a much more simple and direct connection to what they knew of reality.
Since then, many aspects of computers have wandered away from the paper paradigm by implementing features such as "shortcuts" to files, hypertext, and non-spatial file browsing. A shortcut (a link to a file that acts as a redirecting proxy, not the actual file) and hypertext have no real-world equivalent. Non-spatial file browsing, as well, may confuse novice users, as they can often have more than one window representing the same folder open at the same time, something that is impossible in reality. These and other departures from real-world equivalents are violations of the pure paper paradigm.
The graphical user interface, or GUI, is a form of user interface that allows users to interact with electronic devices through graphical icons and audio indicators such as primary notation, instead of text-based UIs, typed command labels or text navigation. GUIs were introduced in reaction to the perceived steep learning curve of command-line interfaces (CLIs), which require commands to be typed on a computer keyboard.
The history of the graphical user interface, understood as the use of graphic icons and a pointing device to control a computer, covers a five-decade span of incremental refinements, built on some constant core principles. Several vendors have created their own windowing systems based on independent code, but with basic elements in common that define the WIMP "window, icon, menu and pointing device" paradigm.
PARC is a research and development company in Palo Alto, California. Founded in 1969 by Jacob E. "Jack" Goldman, chief scientist of Xerox Corporation, the company was originally a division of Xerox, tasked with creating computer technology-related products and hardware systems.
In computing, a desktop environment (DE) is an implementation of the desktop metaphor made of a bundle of programs running on top of a computer operating system that share a common graphical user interface (GUI), sometimes described as a graphical shell. The desktop environment was seen mostly on personal computers until the rise of mobile computing. Desktop GUIs help the user to easily access and edit files, while they usually do not provide access to all of the features found in the underlying operating system. Instead, the traditional command-line interface (CLI) is still used when full control over the operating system is required.
The Xerox Alto is a computer that was designed from its inception to support an operating system based on a graphical user interface (GUI), later using the desktop metaphor. The first machines were introduced on 1 March 1973, a decade before mass-market GUI machines became available.
The Finder is the default file manager and graphical user interface shell used on all Macintosh operating systems. Described in its "About" window as "The Macintosh Desktop Experience", it is responsible for the launching of other applications, and for the overall user management of files, disks, and network volumes. It was introduced with the first Macintosh computer, and also exists as part of GS/OS on the Apple IIGS. It was rewritten completely with the release of Mac OS X in 2001.
In computing, a window is a graphical control element. It consists of a visual area containing some of the graphical user interface of the program it belongs to and is framed by a window decoration. It usually has a rectangular shape that can overlap with the area of other windows. It displays the output of and may allow input to one or more processes.
Apple Computer, Inc. v. Microsoft Corporation, 35 F.3d 1435, was a copyright infringement lawsuit in which Apple Computer, Inc. sought to prevent Microsoft and Hewlett-Packard from using visual graphical user interface (GUI) elements that were similar to those in Apple's Lisa and Macintosh operating systems. The court ruled that, "Apple cannot get patent-like protection for the idea of a graphical user interface, or the idea of a desktop metaphor [under copyright law]...". In the midst of the Apple v. Microsoft lawsuit, Xerox also sued Apple alleging that Mac's GUI was heavily based on Xerox's. The district court dismissed Xerox's claims without addressing whether Apple's GUI infringed Xerox's. Apple lost all claims in the Microsoft suit except for the ruling that the trash can icon and folder icons from Hewlett-Packard's NewWave windows application were infringing. The lawsuit was filed in 1988 and lasted four years; the decision was affirmed on appeal in 1994, and Apple's appeal to the U.S. Supreme Court was denied.
In computing, an icon is a pictogram or ideogram displayed on a computer screen in order to help the user navigate a computer system. The icon itself is a quickly comprehensible symbol of a software tool, function, or a data file, accessible on the system and is more like a traffic sign than a detailed illustration of the actual entity it represents. It can serve as an electronic hyperlink or file shortcut to access the program or data. The user can activate an icon using a mouse, pointer, finger, or voice commands. Their placement on the screen, also in relation to other icons, may provide further information to the user about their usage. In activating an icon, the user can move directly into and out of the identified function without knowing anything further about the location or requirements of the file or code.
The Taskbar is a graphical user interface element that has been part of Microsoft Windows since Windows 95, displaying and facilitating switching between running programs. The Taskbar and the associated Start Menu were created and named in 1993 by Daniel Oran, a program manager at Microsoft who had previously collaborated on Great ape language research with the behavioral psychologist B.F. Skinner at Harvard.
A window manager is system software that controls the placement and appearance of windows within a windowing system in a graphical user interface. Most window managers are designed to help provide a desktop environment. They work in conjunction with the underlying graphical system that provides required functionality—support for graphics hardware, pointing devices, and a keyboard—and are often written and created using a widget toolkit.
In computing, a file shortcut is a handle in a user interface that allows the user to find a file or resource located in a different directory or folder from the place where the shortcut is located. Similarly, an Internet shortcut allows the user to open a page, file or resource located at a remote Internet location or Web site.
In computing, a shell is a computer program that exposes an operating system's services to a human user or other programs. In general, operating system shells use either a command-line interface (CLI) or graphical user interface (GUI), depending on a computer's role and particular operation. It is named a shell because it is the outermost layer around the operating system.
In user interface design, an interface metaphor is a set of user interface visuals, actions and procedures that exploit specific knowledge that users already have of other domains. The purpose of the interface metaphor is to give the user instantaneous knowledge about how to interact with the user interface. They are designed to be similar to physical entities but also have their own properties. They can be based on an activity, an object (skeuomorph), or a combination of both and work with users' familiar knowledge to help them understand 'the unfamiliar', and placed in the terms so the user may better understand.
In computing, a directory is a file system cataloging structure which contains references to other computer files, and possibly other directories. On many computers, directories are known as folders, or drawers, analogous to a workbench or the traditional office filing cabinet. The name derives from books like a telephone directory that lists the phone numbers of all the people living in a certain area.
Workbench is the desktop environment and graphical file manager of AmigaOS developed by Commodore International for their Amiga line of computers. Workbench provides the user with a graphical interface to work with file systems and launch applications. It uses a workbench metaphor for representing file system organisation.
In computing, the trash is a graphical user interface desktop metaphor for temporary storage for files set aside by the user for deletion, but not yet permanently erased. The concept and name is part of Mac operating systems, a similar implementation is called the Recycle Bin in Microsoft Windows, and other operating systems use other names.
The Macintosh "System 1" is the first version of Apple Macintosh operating system and the beginning of the classic Mac OS series. It was developed for the Motorola 68000 microprocessor. System 1 was released on January 24, 1984, along with the Macintosh 128K, the first in the Macintosh family of personal computers. It received one update, "System 1.1" on December 29, 1984, before being succeeded by System 2.
Mac OS is the series of operating systems developed for the Macintosh family of personal computers by Apple Computer from 1984 to 2001, starting with System 1 and ending with Mac OS 9. The Macintosh operating system is credited with having popularized the graphical user interface concept. It was included with every Macintosh that was sold during the era in which it was developed, and many updates to the system software were done in conjunction with the introduction of new Macintosh systems.
Magic Desk was a planned series of productivity software by Commodore Business Machines for the Commodore 64. Only the first entry, Type and File, was ever released. It was introduced at the summer edition of the 1983 Consumer Electronics Show in June, slated for an August 31 release. Commodore developed the Magic Desk suite both in response to a perceived lack of productivity software for the Commodore 64 and to the graphical user interface of the Apple Lisa.
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