Destra Garcia | |
---|---|
Born | Laventille, Trinidad and Tobago | November 10, 1978
Other names | Queen of Bachanal, Lucy |
Occupation(s) | Singer, songwriter |
Years active | 1998–present |
Spouse | Brian Morris |
Children | 1 |
Parent(s) | Lloyd Garcia and Debra Garcia |
Musical career | |
Genres | |
Labels | Bamboo Entertainment |
Destra Garcia (born 10 November 1978) is a Trinidadian musician, singer and songwriter of soca music. She is also known by the mononym Destra. She is one of the most popular female soca artists in the world.
Destra Garcia was born in Laventille to Lloyd Augustin Garcia and Debra Garcia. Her paternal great-grandfather was from Venezuela. Her maternal great-grandfather was from France while her maternal great-grandmother was from Spain. Her musical roots stem from her late grandfather Frankie Garcia, a local jazz musician and her father Lloyd Garcia, an accomplished guitarist. The eldest of four siblings, Destra was raised in the community of Desperlie Crescent, Laventille directly east of Port of Spain. She later attended Woodbrook Government Secondary school and St James Secondary School where she discovered her passion for singing and music. She went on to win her school's Calypso Monarch title for five consecutive years. [1]
She joined a quartet called Psyke which disbanded after only one year. Following the demise of the group, Destra attended the School of Business and Management earning a diploma in Sales Management.
In 1999 Roy Cape All-Stars took notice of her single titled Ah Have A Man Already with Third Bass and invited her to join the Roy Cape All-Stars band as one of the lead vocalists. She pursued a solo career briefly, but eventually joined the band Atlantik in late 2002. She then forged a successful songwriting partnership with Kernal Roberts up until 2005, churning out hits such as "Whe Yuh Want", "Negative Vibes" and "Bonnie & Clyde".
In 2003 Destra released her first album Red, White, Black which included her hit duet "It's Carnival" with fellow Soca artist Machel Montano. The song became the virtual anthem of Trinidad and Tobago carnival that year and is widely known throughout the Caribbean and by extension, the world .
Destra won the Carnival Road March title in 2003 at Brooklyn's Labour Day Carnival. [2] Her 2004 hit single "Bonnie and Clyde" also became the theme song of a Malibu Rum TV advertisement. [3]
Georgia Popplewell of Caribbean Beat magazine in 2006 described Destra's music as "the kind of sound that a young person, living at the crossroads of cultures and technologies that is Trinidad and Tobago today, is likely to produce, and the breeziness of her music may well act as an antidote to the hard edge that often characterises life not only in Trinidad and Tobago, but in many other corners of the globe. [3]
What's more, mobile telecommunications group Digicel appointed Destra, in 2006, as their first ever female spokeswoman in Trinidad and Tobago. [4]
She's yet to win either Trinidad's Carnival Road March or Soca Monarch titles, although coming close on occasion. Despite this, she's become an icon of soca, renowned for her pop-oriented tunes incorporating both world and fusion music. [5] During both 2014 and 2015 Destra won Best International Act at the Black Canadian Awards. [6] As well Destra has collaborated with renowned artistes such as Nicki Minaj, Mr. Vegas, Karlie Redd, Tanya Stephens and Spice. [7] [8] [9] [10]
With Caribbean roots going back to Trinidad and Tobago, Destra Garcia values the tradition of her culture. Destra started by experimenting with Calypso as well as R&B and gospel. [11] Only until Destra became fond of Soca that she would find her passion and place. Soca originated in the Caribbean with Trinidadian roots. Originally dubbed "Soul Calypso", the genre was created by Lord Shorty as essentially calypso with sexualized vocals and at a faster pace. Within one of her most popular songs, "It's Carnival", she states, "Carnival in T&T is so special to all ah we". Destra is there expressing her own cognizance about carnival's significance from a national and regional standpoint. [12] The content of her songs typically pertains to her Caribbean roots, with this as one example. [13] [14]
As Destra became more popular, she encountered a bit of a puzzle. She wanted to grow her fan base but also stay true to both her roots and Caribbean culture. With this that she began to confront orthodox norms to work with outside artists for elevated artistic progress. She also embarked upon prolific tours to allow for more exposure, promote the sounds of soca and attract larger audiences. [15] She also makes mention that the biggest setback she faces is the pressure she feels from Trinidad to stay within traditional confines of the Soca style. As an artiste Garcia seeks to proceed to new horizons, responding to modernity in order to keep expanding her fan base. Where she is aims to explore her artistic boundaries while thoroughly incorporating her culture with a constantly loyal fan base. [11]
Destra Garcia is known as the Queen of Bacchanal, QoB for short, because of the excitement listeners hear in the inflection of her voice on radio talk-shows and because of her own Carnival-inspired event "Festival of Bacchanal". [16] She also is known for having an alter ego named Lucy who is supposed to personify the more sexual aspect of Destra. In her song released in 2017, "Destra vs. Lucy", one of the lines sang is, "[Cause] I [will] sing like Destra, but still [work] it like Lucy" which tells listeners that Lucy is the sexual ego and Destra is the singing one. [17] More detail on Destra's personalities can be heard on a comedic interview with the ego "Lucy" herself on a radio show called "Breakfast Party". In the interview Lucy reveals that Destra is "holding [Lucy] back,... [she’s] too safe" and Destra always watches what she says. [18]
Destra Garcia's sexual ego "Lucy" is speculated to come from Carnival in Trinidad. In her song "Lucy", she sings about growing up a good girl and good student but one day when she is exposed to Carnival she and her dancing starts to become very sexual. [19] Today Carnival consists of woman masquerading and "showing off" their bodies through dance and revealing clothing which creates a lot of sexual tension and is what Destra probably seen on TV. [20] The cause for Carnival in Trinidad to be so sexual is because of dominance of women who attend and their preference of highly sexualized dancing. [21]
Destra is famous for her style. Due to her radical clothing choices consisting primarily of revealing clothing such as tight, short pants, and low-cut bra tops, she has captivated audiences during her performances. On stage, Destra is wild and explosive in her movements and vocals, sometimes seemingly performing in her own world due to her passion. Destra has expressed her music and fashion choices as a merger between American punk rock and Soca. This mix is evident in the instruments used in Destra's music, as she frequently utilizes rock guitar acoustics with underlying Soca rhythms. Her 2006 look "soca fabulous" has been created by local designers such as Meiling and Peter Elias. From a new "glam" hairstyle, to her bold, risqué wardrobe, Destra's new look has been described as one which "is going to rock the town and will be a fashion force to reckon with." [22]
Destra is one of the leading ladies of soca music. The Queen of Bacchanal expresses that "At Carnival you are studying so much more: the audiences what people are saying about you what you are doing what you are wearing". [23] Not only do blogs about Destra revere her musical talent, they also express admiration for her physique, in particular her fit abs. Her defined abdominals have also become part of Destra's celebrity persona that fans think of when they think Destra Garcia. One blogger exclaims 'I will admit I am extremely jealous of dem abs, I wish mines was like dat but I guess I hadda wuk rel hard'. [24] The tumblr page named 'Triniwoodentertainment' provides images of the star's activity with captions utilizing the same admiring tone such as 'Check out the soca songstress and Queen of Bacchanal, Destra Garcia showing off her abs and curves figure on a scorching hot Sunday. Fit to be a Queen, indeed.' [25] This caption is for a picture of a bikini-clad Destra Garcia enjoying the sun. The blog's post includes a link to the image which is originally from Destra's official Instagram. [26]
Garcia is very active on the social media scene, with a Twitter, [27] Instagram, and Facebook account. [28] She states, "Everybody is experimenting to see if we could take soca to another level. I think soca is already good, I’ve decided to see if I can make it more marketable." [23] Her activity on social media has certainly allowed her to not only connect more with her fanbase but also cultivate a community around her music. In an interview with Huffingtonpost, we learn that "while many popular figures have social media managers, Destra sees things differently. Therefore, to build a level of authenticity, she believes that it is imperative that she does it herself." [29]
The Queen of Bacchanal believes that when it comes to artists, "At Carnival you are studying so much more: the music, audiences, what people are saying about what you are doing, what you are wearing". [23] Destra is famous for her music and fashion style which she describes as 'a merger between American punk rock and Soca'. [24] It is a style that transcends the traditional and modernity. Similarly, Malian West African and Blues singer and songwriter Kar Kar's personal style was also influenced by the American Rock n' Roll era. The YouTube clip titled 'Destra Garcia Live at Soca on De Hill 2015' is a live performance that exhibits her wardrobe style and the explosive, engaging energy she emits on stage. [30] Destra wears a black leather jacket with fringes along the sleeves and pink Doctor Marten boots. These pieces can be described as American punk rock. She is also wearing revealing, extremely short spandex shorts that allow her to maneuver and dance effortlessly with a potential partner to the soca music. Destra captivates the crowd by trying to instruct a male fan from the audience on how to dance with her on stage. She places his hands on the side of her hips and demands 'Now you have to listen to me'. Destra is authoritative and fiery in her dance directions and quickly loses patience with this first potential male dance partner. The failing dancing attempt lightens the mood with its comical aspect. When he fails to follow the rest of her instructions, she exclaims 'I can't teach you nothing' and 'you have to listen to what I say'. Nonetheless, she dismisses him with a hug then gestures 'Off Off Off!’. In order to keep the show moving forward she quickly calls two more men from the crowd on stage and warns 'I don’t like men that are slow'. The man that moves his hips well to the soca music pleases Destra and she proceeds to dance with him. This performance showcases Destra Garcia’s fiery personality and her ability to transcend through the traditional and modernity in soca. She dances traditionally to soca alongside her male dance partner. However, Destra breaks out of the traditional 'passive female role' by taking on the authoritative role of not only leading in the dance but also verbally commanding her male dance partner's movements. Destra’s confidence and dominance are aspects of her captivating persona that make her a strong, dynamic female figure in the male-dominated soca music genre.
Year | Type | Award | Result |
---|---|---|---|
2003 | COTT Music Awards | Female Songwriter of the Year | Won |
2004 | COTT Music Awards | Female Songwriter of the Year | Won |
2005 | COTT Music Awards | Female Songwriter of the Year | Won |
2006 | COTT Music Awards | Female Songwriter of the Year | Won |
2007 | COTT Music Awards | Female Songwriter of the Year | Won |
2008 | COTT Music Awards | Female Songwriter of the Year | Won |
2013 | International Soca Awards (Caribbean) | Song of the Year | Won |
2014 | Black Canadian Awards | Best International Act (Caribbean) | Won |
2015 | Black Canadian Awards | Best International Act (Caribbean) | Won |
Released | Album |
---|---|
2003 | Red, White, Black |
2004 | Laventille Pre-Release Singles |
2005 | Laventille |
2006 | Independent Lady |
2008 | Soca or Die |
2009 | Hott |
2011 | Welcome Back |
2012 | Mydestra |
2014 | The Queen Of Bacchanal |
2015 | Bakanation |
2016 | Queen |
2018 | Destraction |
2019 | D-20 |
2020 | Queendom |
Soca music is a genre of music defined by Lord Shorty, its inventor, as the "Soul of Calypso", which has influences of African and East Indian rhythms. It was originally spelled "sokah" by its inventor but through an error in a local newspaper when reporting on the new music it was erroneously spelled "soca"; Lord Shorty confirmed the error but chose to leave it that way to avoid confusion. It is a genre of music that originated in Trinidad and Tobago in the early 1970s and developed into a range of styles during the 1980s and after. Soca was initially developed by Lord Shorty in an effort to revive traditional calypso, the popularity of which had been flagging amongst younger generations in Trinidad due to the rise in popularity of reggae from Jamaica and soul and funk from the United States. Soca is an offshoot of calypso/kaiso, with influences from East Indian rhythms and hooks.
Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century.
The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte. Along with folk songs and African- and Indian-based classical forms, cross-cultural interactions have produced other indigenous forms of music including soca, rapso, parang, chutney, and other derivative and fusion styles. There are also local communities which practice and experiment with international classical and pop music, often fusing them with local steelpan instruments.
J'ouvert is a traditional Carnival celebration in many countries throughout the Caribbean. The parade is believed to have its foundation in Trinidad & Tobago, with roots steeped in French Afro-Creole traditions such as Canboulay. J'ouvert typically begins in the early morning, before dawn, and peaks by mid-morning. The celebration involves calypso or soca bands, DJs, and their followers dancing through the streets. In many countries, revelers cover their bodies in paint, mud, or pitch oil. Today J'ouvert is also a part of Carnival celebrations outside of the Caribbean, with the biggest celebrations happening in cities with large Caribbean ex-pat communities.
Chutney music is a fusion genre of Indian folk music, specifically Bhojpuri folk music, with Caribbean calypso and soca music, and later with Bollywood music. This genre of music that developed in Trinidad and Tobago is popular in Trinidad and Tobago, Guyana, Suriname, Jamaica, other parts of the Caribbean, Fiji, Mauritius, and South Africa. Chutney music emerged mid-20th century and reached a peak of popularity during the 1980s. Several sub-genres have developed.
The music of Antigua and Barbuda is largely African in character, and has only felt a limited influence from European styles due to the population of Antigua and Barbuda descending mostly from West Africans who were made slaves by Europeans.
The Trinidad and Tobago Carnival is an annual event held on the Monday and Tuesday before Ash Wednesday in Trinidad and Tobago. This event is well known for participants' colorful costumes and exuberant celebrations. There are numerous cultural events such as "band launch" fetes running in the lead up to the street parade on Carnival Monday and Tuesday. Traditionally, the festival is associated with calypso music, developed by enslaved West and Central Africans in 17th century Trinidad; however, Soca music has begun to replace calypso as the more popular musical genre for Carnival. Costume, stick-fighting, limbo, and steelpan competitions are important components of the festival.
The culture of Trinidad and Tobago reflects the influence of Indian-South Asian, African, Indigenous, European, Chinese, North American, Latino, and Arab cultures. The histories of Trinidad and Tobago are different. There are differences in the cultural influences which have shaped each island. Trinidad and Tobago is an English-speaking country with strong links to the United Kingdom.
The Honourable David Michael Rudder OCC is a Trinidadian calypsonian, known to be one of the most successful calypsonians of all time. He performed as lead singer for the brass band Charlie's Roots. Nine years later, Rudder stepped outside the band, entering the calypso tent as a solo calypsonian in 1986, which was followed by an unprecedented rise to fame.
Anslem Douglas is a Trinidadian musician and composer. He is best known for the hit single "Doggie", which was later covered by the Bahamian junkanoo band Baha Men as "Who Let the Dogs Out".
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In Trinidad and Tobago, Guyana, and Suriname, chutney soca music is a crossover style of music incorporating soca and calypso elements and English, Hindustani, and Hinglish lyrics, chutney music, with Western instruments such as the guitar, piano, drum set, and Indian instruments such as the dholak, harmonium, tabla, and dhantal.
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Denyse Burnadette Kirline Plummer was a Trinidadian calypsonian and gospel singer. The child of a white father and a black mother, she initially faced significant prejudice in a genre traditionally seen as Afro-Caribbean, but was eventually recognised as a leading calypso performer. In 2001, she won the Calypso Monarch title with her songs "Heroes" and "Nah Leaving".
Machel Montano is a Trinidadian soca recording artist and record producer. Known for his high energy, fast-paced, and often unpredictable on-stage performances, he is one of the genre's most popular artists.
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Fay-Ann Lyons-Alvarez is a Trinidadian soca recording artist and songwriter. She is also known by the stage names Lyon Empress, Mane the Matriarch, and the Silver Surfer, a nickname which she claimed during her performance at the 2008 International Soca Monarch. Personally she's married to Bunji Garlin.
Sandra DesVignes-Millington, better known as Singing Sandra, was a Trinidadian calypsonian who won the Calypso Monarch title at the 1999 and 2003 carnivals.
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